Trevor Paglen: Sites Unseen is a mid-career survey, the first exhibition to present Paglen's early
photographic series alongside his recent sculptural objects and new work with AI.
In his first exhibition at Galerie Thomas Schulte David Hartt will present a new
photographic series alongside a new film whose genesis began with a series of photographs by Robert Rauschenberg, who in the fall of 1980 had documented his journey along the East Coast of the United States from Long Island to Captiva, Florida.
Not exact matches
The train is shown
alongside Pryde's new
photographic series, which features hands touching, and in contact with, various materials: their own chest, a tablet, a phone, a touch - sensitive lamp base.
The exhibition will feature Aguiñiga's «AMBOS (Art Made Between Opposite Sides)»
series alongside seven other projects from her ongoing design and artistic practice in
photographic documentation, radio broadcasts, ephemera, data and an installation.
Included
alongside Hirst's work were a large
series of Dominic Denis's oil on canvas paintings, «Directions» (1990), and a new
series of Angus Fairhurst
photographic works layered with gel.
The show included two mixed - media works from Hirst's
series «When Logics Die» («When Logics Die (figs. 134/135)» (1991)-RRB-, shown
alongside an important early work, a
photographic print sealed on aluminium, «With Dead Head» (1991).
Artworks from photographer Lissa Rivera's
series «Beautiful Boy» are on view in the exhibition «Role Reversal,»
alongside works by Christa Blackwood and Jessica Yatrofsky, at the Colorado
Photographic Arts Center: The Colorado
Photographic Arts Center presents «Role Reversal,» an
This October, Victoria Miro Gallery will present the UK premiere of True North and Fantôme Afrique, two audiovisual installations by celebrated artist and filmmaker Isaac Julien,
alongside associated
photographic series.
Samaras will debut new
photographic works from the «Nexus»
series alongside images from the recent «Chairs»
series (2008) and the «iMovie» video works (2005.)
This exhibition includes a selection of Wilke's early sculptures, films, drawings and collages
alongside photographic works from her S.O.S. Starification Object
Series.
George Hallett's original 1970s and 80s
photographic compositions for Heinemann's African Writers
Series and his portraits of African writers are presented alongside rare editions of the series, and books from the curator's collection documenting the 1976 Soweto Upr
Series and his portraits of African writers are presented
alongside rare editions of the
series, and books from the curator's collection documenting the 1976 Soweto Upr
series, and books from the curator's collection documenting the 1976 Soweto Uprising.
Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a
series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown
alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral
photographic works, for which she manipulates images from the history of late 20th century comedy.
Bracketed chronologically by Rosler's well - known photo - text work The Bowery in two inadequate descriptive systems (1974/75) and her highly influential essay In, around and afterthoughts (on documentary photography)(1981), this
series takes its place
alongside Rosler's photographs of airports, roads, shop windows, and public transportation as part of a career - long
photographic practice.
For the works in the Shiner
series, created between 1986 and 1993, the artist silkscreened his own
photographic images onto steel or mirrored aluminum plates
alongside three - dimensional metal objects.
Artworks from photographer Lissa Rivera's
series «Beautiful Boy» are on view in the exhibition «Role Reversal,»
alongside works by Christa Blackwood and Jessica Yatrofsky, at the Colorado
Photographic Arts Center:
Rarely seen since the 90s, this early gallery work from a pioneering artist seems eerily prescient in the age of a new populist, digitally enabled, right - wing media, installed
alongside it's complementary
photographic series Cartooned Life, as seen in its original installation in 1995.
Their work is represented here, where it is shown
alongside that of contemporary artists such as Tom Hunter, whose
photographic series reimagines A Midsummer's Night Dream in modern - day Hackney.
The exhibition «The Eye and the Sky: Trevor Paglen in the Cantor Collection» places his
photographic series of predator drones, «Time Study (Predator; Indian Springs, NV),» 2010,
alongside photographs by artists such as Eadweard Muybridge, Edward Steichen, and Eve Sonneman from the Cantor's permanent collection.
Hailed as a leading character in Switzerland's
photographic narrative, Groebli's career is here traced through a smattering of his oft - forgotten portfolios — like ones he captured in Ireland and New York —
alongside well - known
series like «The Eye of Love», created during Groebli's honeymoon with his wife Rita in France.
The installation of «Stills» marks the first time that the complete
series has been displayed in New York and is presented
alongside other prominent works by the artist: her groundbreaking
series «Modern History» (1977 — 79), which pioneered
photographic appropriation; the alluring and exacting «Objects of Desire» (1983 — 88) and «Renaissance Paintings» (1991), which continued Charlesworth's trenchant approach to mining the language of photography; «Doubleworld» (1995), which probes the fetishism of vision in premodern art; and her radiant latest
series, «Available Light» (2012).