Sentences with phrase «photographic series depicting»

More touching was a photographic series depicting gifts the artist received over 40 years, from a Gonzalez - Torres print to meatballs to The Book of Repulsive Women (twice).

Operating like a Mark Dion — style display of excavated artifacts, the installation features two Plexiglas vitrines set against the backdrop of a photographic series depicting white ghostly silhouettes of Harris on her property and a blow - up of the racist letter that tarnished Harris» reputation rendered illegible by aerial maps of the property.

Sugimoto is known for his elegant photographic series depicting subjects as diverse as seascapes, movie theaters and natural history dioramas.

The trademark of Hatakeyama's work is his photographic series depicting limestone quarries.

This photographic series depicts Shonibare in the role of a «dandy» — an outsider who uses his flamboyance and wit to penetrate the highest levels of society — and therefore looks at themes of alienation and marginalisation in society, and how this has (and perhaps has not) changed over the course of 20th century history.

Jamal Penjweny's photographic series depicts Iraqis in everyday places covering their faces with pictures of the former dictator

Not exact matches

Accompanying the film are two large - scale photographic series, the first of which depicts bullets that have collided head - on and fused in mid-air.

The Pop Life exhibition also includes works from Jeff Koons's series Made in Heaven, large - scale photographic images that depict the artist and the porn model La Cicciolina having sexual intercourse.

Running counter to what he perceives as a tendency toward embellishment, his photographic series The Geometry of Color, on view at Lehmann Maupin in New York, depicts simple yet vibrant large - scale geometric wall paintings.

Daniel Canogar will present «Enredos 1», a large - scale photographic print depicting bodies tangled in wire, while Japanese artist duo exonemo will display works from their series Body Paint.

The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.

At the start of the show is a series of large, colorful photographic prints depicting crumpled paintings that Martin Kippenberger assigned an assistant to make and then trashed, deeming them «too good.»

Mat Collishaw will be showing photographic works including his series «Idle Young» depicting Indian street children with eighteenth - century backdrops.

Also included is Arisleyda Dilone's film Mami y Yo yi mi Gallito (2015) which focuses on the vulnerable relationship between a mother and her intersex daughter and Pidgeon Pagonis» photographic series Children's Memorial Hospital Killa [CMHK](2015) that depicts their singular protest in front of the hospital where they underwent numerous medical procedures as «corrective» measures during their childhood.

Gerhard Richter's 1988 series «October 18, 1977,» depicting the members of the left - wing Red Army Faction terrorist group that had committed suicide in prison, adopts a smeared photographic aesthetic that cast doubt on the possibility of understanding history.

This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group of 14 large - scale works rephotographed from press images that depict people falling or jumping off buildings; Modern History (1977 - 79), which pioneered photographic appropriation; the alluring Objects of Desire (1983 - 88) and Renaissance Paintings (1991), which continued Charlesworth's trenchant approach to mining the language of photography; Doubleworld (1995), which probes the fetishism of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).

Your «Walmart» series is notably different from your other paintings, which range from abstractions to photographic portraits that focus more on the people depicted than their surroundings.