Based on the subjective memory of testimonies from victims, Argentinean artist Marcelo Grosman's «Menor 14 — 18, # 6» (2013) provides elements of different mug shots in a large - scale digital composite
photographic series entitled «GUILTY!»
Not exact matches
As part of an ongoing
series of works on paper collectively
entitled Perceptual Ecology, Mat Chivers has been making drawings that result from the mirroring and combination of self - made and found
photographic images, film and CAD renderings.
The show presents a
series of
photographic works
entitled Every Single Crash: aesthetic studies on the process of colour absorption.
In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery,
entitled «分合 PART: MEET,» Bae presents five new black - and - white
photographic prints from his «Sonamu — Pine Trees»
series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.
The first
photographic series,
entitled Body Remembers, comprises ten photographs which portrait, in an old - fashioned sepia style, a woman (played by Moffatt herself) visiting an old house surrounded by ruins.
A small, poetic story from Dorit Goldman from her experience of her
photographic series of tree roots,
entitled, «photosinthesis.»
The exhibition focuses on the work of leading Australian artist Abdul Abdullah and his newest
photographic body of work
entitled The Wedding
Series (2017).
The works are a ten - part
photographic series of 30 by 50 - inch LightJet prints,
entitled Simply Stunning.
The isolation of facial features, including lips, chins, eyes, eyebrows, and ears, is a working paradigm Samore employed most notably in his 1990s
photographic series Allegories of Beauty (Incomplete) and begun ten years earlier with the black and white
series entitled Situations.
This surrealist
photographic self - portrait of herself as a preening housewife looking over her shoulder while standing at the stove, is part of a
series of self - portraits
entitled «Untitled Film Stills» (1977 - 80).