Sentences with phrase «photographic series made»

The Present was the last in a trilogy of photographic series made in the United States between 1998 and 2001 that began with shimmer of possibility and American Night.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

Since his whole practice is related to the urban experience, so the scenes of alienation and decay collected in his photographic series make this connection explicit, their fugitive compositions resonating with the vocabulary of his paintings.

Not exact matches

Lux geometrica is a series of celestially - inspired prints made using only sunlight, sand and expired photographic paper.

Through its making and narrative progression, the photographic series explores the «depths of the shadow and play between dark and light.

Michael Hoppen Gallery is delighted to present two photographic series, made nearly fifty years apart, that explore the vulnerability, beauty and ambivalence of adolescence.

Other works such as the series Blushes 2000 - ongoing, made without a camera by manipulating the effects of light directly on photographic paper, show how the artist's work with abstraction continues to push the boundaries and definitions of the photographic form.

Instead, there are tapestries made by multiplying reflected versions of paintings; close - up photographs of the surface of paintings; mirror - like reflective works; overpainted self - portraits; various grey paintings; photographic facsimiles of the iconic series of 48 Portraits presented in the German Pavilion at the Venice Biennale in 1972 — so returning them to their photographic origins in encyclopaedias; and a spectacular installation of «4900 Colours», 2007.

As part of an ongoing series of works on paper collectively entitled Perceptual Ecology, Mat Chivers has been making drawings that result from the mirroring and combination of self - made and found photographic images, film and CAD renderings.

The exhibition will feature Aguiñiga's «AMBOS (Art Made Between Opposite Sides)» series alongside seven other projects from her ongoing design and artistic practice in photographic documentation, radio broadcasts, ephemera, data and an installation.

This work employs a four by three metre backdrop made from wood, string, and cloth, emulating the one used by Muybridge in his well - known photographic series.

In the early 1960s, Pistoletto began making his famous series of Quadri specchianti (Mirror Paintings): sheets of polished inox steel, like mirrors, onto which he applied images he obtained through a photographic reproduction technique.

In her newest photographic series, a dozen useless actions for grieving blondes, Australian artist Rosemary Laing takes issue with concerns both political and personal and makes them universal through cathartic displays of grief.

The exhibition and this accompanying catalogue are divided into three parts: seven large paintings from the Wall of Light series; a set of 40 watercolors; and three photographic series, which intriguingly illuminate Scully's image - making process — Aran, Santo Domingo for Nene and Alhambra, the latter of which is published here for the first time.

The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.

Wentworth's Making Do and Getting By celebrates his photographic series of the same name.

The Guests, a series of ethereal photographic images created in the 1990s, portray fairy - like alien beings made of glowing cosmic dust.

Standout pieces at SP - Arte include Vik Muniz's Op Art abstraction from his «Handmade» photographic series at São Paulo's Carbono Galeria, Haegue Yang's wooly beast sculpture at Mexico City's kurimanzutto, Saint Clair Cemin's surreal ballerina cast in copper at Porto Alegre's Bolsa de Arte, the Campana Brothers» stool made with toy stuffed animals at São Paulo's Firma Casa, Wolgang Tillmans» photographic still - life of a big peach with other fresh fruits, and Lynda Benglis» biomorphic gold - leafed sculpture at Cheim & Read.

A journey across geographic place, art historical precedents, and the very history of photographic image making find a dynamic relationship in The River of No Return, a series created by Laura McPhee over a multiyear residency in the Sawtooth Valley in central Idaho, supported by the Alturas Foundation.

Stanley Wolukau - Wanambwa's One Wall a Web is an exhibition that gathers work from two discrete photographic series that he made in the United States, Our Present Invention (2012 - 2014) and All My Gone Life (2014 - 2016).

In two recent series, one of rounded - squares that look somewhat like television or computers screens and the other of black concentric circles that resemble targets, he turns painting into an industrial project in the manner of photography by making multiple painted copies of a single one - off photographic image.

The Pop Life exhibition also includes works from Jeff Koons's series Made in Heaven, large - scale photographic images that depict the artist and the porn model La Cicciolina having sexual intercourse.

Sugimoto is known primarily for three photographic series that he has been making for nearly the past two decades: movie theater interiors, seascapes, and natural history dioramas.

The exhibition is composed of a series of photographic portraits that document sculptures made out of animal skin and body parts, using untreated pigskin, raw meat for the lips, and fresh pigs» eyes.

The exhibition is composed of a series of photographic portraits that document sculptures made out of animal skin and body parts, using untreated pigskin, raw meat for the lips, and fresh -LSB-...]

[49] The Tropical Fish series (1974 — 75) represents the first instance where the photographic image has been directly used in his graphic work, where Ruscha had Gemini G.E.L.'s house photographer Malcolm Lubliner make photographs of a range of common domestic objects.

Elsewhere, a perfectly circular «bomb pond», made by an American bomb in a Cambodian rice - field, forms part of the photographic series «Takeo» (2009) by the young Cambodian artist Vandy Rattana, while an antique exhibit from the National Museum in Beirut was transformed into a fusion of metal, ivory, glass and terracotta by the bombs that fell there during the Lebanese civil war (1975 — 90) and thus given a new abstract beauty.

Wallace Berman will be represented by a series of previously unseen single - image Verifax collages, a body of rarely exhibited mailers from the collection of Teri Garr, inserts from his limited edition, hand - made artists magazine, Semina, selections from his recently discovered body of photographic portraiture, and several unique works incorporating images which were considered «pornography» at the time.

Meanwhile, Promethée, a photographic series based on Plato's Myth of the Cave, made in Paris in Black and White between 2012 and 2013, is shown at Alex Telese's gallery in Barcelona in February 2014, then in Pont - L'Evêque at the Centre Culturel des Dominicaines in France in September 2014.

The four looming Standard station screenprints made between 1966 and» 69, with their raking perspectives and rainbow skies, are downright mythic, a sharp contrast to the banal gas stations of the photographic series.

LaToya Ruby Frazier has made this question a subject in her work since she began her photographic series, The Notion of Family (2001 — 14), documenting the socioeconomic inequities in her hometown of Braddock, Pennsylvania, and the notable changes in the wake of the closing of a major medical facility.

In both series, he overlaid photographic document with the making - visible of imaginative or formal associations, and collapsed different moments of time into a single image.

Artist Olivia Locher, who scoured the statute books of all 50 states in America, discovering these peculiar eccentricities and many others, doesn't have the answers to these questions, but has created a series of striking photographic images lampooning some of the hundreds of decisions, big and small, made every year by local and state lawmakers.

Produced photographic documentation of a series screen prints made by artist Michelle Grabner at Zygote Press.

For this exhibition, Samreth will present a new series of paintings created by either the effects of Tokyo's heavy summer rainfall or made by the sunlight in a natural photographic process.

These include his 2001 «Shopkeeper Series,» simulacra of small business signs spelling out messages of quiet desperation in short word limits (like «SUE, I AM SORRY / PLEASE COME BACK» beneath a sign for «Jim & Susan's Motel»); several photographic portraits of real and fictional characters from the «Historical, Youth and Attribute Portraits» series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late Series,» simulacra of small business signs spelling out messages of quiet desperation in short word limits (like «SUE, I AM SORRY / PLEASE COME BACK» beneath a sign for «Jim & Susan's Motel»); several photographic portraits of real and fictional characters from the «Historical, Youth and Attribute Portraits» series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late series from the early 1990s; as well as the now - iconic furniture sculpture Lum has been making since the late 1970s.

The conceptualist Joseph Kosuth (b. 1945) began producing his «Definition Paintings» (1966 - 68), which consisted of photographic enlargements of dictionary definitions; the installationist Mel Ramsden (b. 1944), a leading member of the Art and Language Group, introduced his «Guaranteed Paintings» (1967 - 68); and the Japanese - American conceptual artist On Kawara created a set of «Date Paintings» (the Today series), consisting entirely of the date on which the individual painting was made.

In addition Rhode will show a range of photographic, drawing, moving image and sculptural works, ranging from abstract drawings made in Germany in 2007 to a new photo series done in Johannesburg in 2013.

At the start of the show is a series of large, colorful photographic prints depicting crumpled paintings that Martin Kippenberger assigned an assistant to make and then trashed, deeming them «too good.»

For me, the order is to make a photographic series first and then think about whether to make it into a book.

In his second photographic series called «Plenty Of Fish In The Sea», Bas presents young boys playing in the sea with self - made shark fins; while diving, only the shark fins are visible and therefore the illusion of being confronted with real sharks is created.

No photographic, or even artistic, category quite encompasses the complicated, engrossing, and at times unsettling images in South Africa — based artist Roger Ballen's new series «Boarding House,» 2003 — 2008, several dozen images from which made up this large exhibition.

To accompany the group exhibition Double Agent in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.

When working with the single image, rather than focusing on classic photographic series, Schoerner makes use of the book - medium to put the work in a narrative context.

1972 Group Show (George Smudge), 112 Greene Street, New York, USA Ice, performance of Carmen Beuchat, 112 Greene Street, New York, USA Food Restaurant, New York, USA (organized a series of Art / Food Performances) Photographic Portraits, Moore College of Art, Philadelphia, USA Documenta 5, Kassel, Germany (Film showing of Freshkill) Profiles (Video presentation), San Fermines (Festival), Pamplona, Spain Making Megalopolis Matter, New York Cultural Center, New York, USA

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

In his recent photographic series, IMG (2012 --RRB-, Heishman creates minimalist glyphs made out of colored tape that generate a slippage between visual flatness and real - space dimensionality.

Reflecting Spremberg's serendipitous approach, the photographic works that comprise the series Thrills and Spills were inspired by the process of making the box works.

The xiaomi is wanting to make a Mi Note series, the reference model when it comes to photographic quality.