Sentences with phrase «photographic series such»

Episode # 139: Cindy Sherman reveals how dressing up in character began as a kind of performance and evolved into her earliest photographic series such as «Bus Riders» (1976), «Untitled Film Stills» (1977 - 1980), and the untitled rear screen projections (1980).

Cindy Sherman reveals how dressing up in character began as a kind of performance and evolved into her earliest photographic series such as Bus Riders (1976), Untitled Film Stills (1977 - 1980), and the untitled rear screen projections (1980).

Not exact matches

Other works such as the series Blushes 2000 - ongoing, made without a camera by manipulating the effects of light directly on photographic paper, show how the artist's work with abstraction continues to push the boundaries and definitions of the photographic form.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series where she explores a more abject material related to themes like fairytales, catastrophes, pornography, war and surrealism.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

There is also a retrospective «The Nineties» section, selected by Geneva - based curator Nicolas Trembley, that revisits such significant exhibitions as Richard Billingham's photographic series,» Ray's a Laugh,» that appeared in the landmark «Sensation» show at the Royal Academy in 1997.

Her conceptual expansions of photographic abstraction manifest in series such as Sleight of Hand and Haptic Wonders (both 2011 — ongoing), which primarily focus on the photogram.

The former — an abstract collection of images created by inputting a series of numbers corresponding to frequencies, amplitudes, and color values into a custom - designed program — plays with the role technology plays in photographic representation; the latter, staged scenes from a imaginary emergency situation of power loss in New York City, explores what happens to human emotions in such scenarios.

This exhibition focuses on the years between 1979 — 89, a period in which Whitten was influenced by scientific and technological change; works such as his DNA series reveal his interest in photographic processes and electronic imaging.

Hirose picks up things dissolved within our daily life and recomposes them like poems: such as in the «Sky» series in which he took photographs of sky on his actual travels; the «Night» series whereby he traveled in the image of photographic clippings from printed matters; and the «Beans Cosmos» series in which he encloses various materials such as pasta, maps, beans and gold in acrylic cubes.

This latest photographic series includes such artists as Marietta Robusti, Lavinia Fontana, Mary Stevenson Cassatt, Lilly Martin Spencer and Leonora Carrington.

James Ostrer's new photographic series «The Ego System» draws inspiration from his surroundings by means of the media, portraying grotesque portraits of characters such as Donald Trump.

Besides content - related issues and the reflection of his own work, he is interested in issues such as the rhetoric of the photographic series, the photographic genre, the...

The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.

Their work is represented here, where it is shown alongside that of contemporary artists such as Tom Hunter, whose photographic series reimagines A Midsummer's Night Dream in modern - day Hackney.

For her «New Nature» photographic series, Baggett creates armatures for artificial plants, propping them up with the aid of everyday objects such as a jar, hanger and colored tape.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series with titles such as «Fairy Tales,» «Disasters,» «Sex Pictures,» «Civil War» and «Horror & Surrealist.»

Influenced by photographers such as Lewis Hine and Paul Strand and by the worker - photography movement, Killip recovers the documentary image through long observation of daily life, recorded in books and extensive photographic series.

The exhibition «The Eye and the Sky: Trevor Paglen in the Cantor Collection» places his photographic series of predator drones, «Time Study (Predator; Indian Springs, NV),» 2010, alongside photographs by artists such as Eadweard Muybridge, Edward Steichen, and Eve Sonneman from the Cantor's permanent collection.

The exhibition presents critically - acclaimed photographic works ranging from his Crowds and Riots Series, 2008, to Mid Century Studio, 2010 - 2011, to some of his latest photographs, such as Hotel Vancouver, 2014.

His photographic series are dedicated to themes such as Africa, Nippon, German landmarks, Dance, Shell, and portraits of artists and musicians.

In her newest series of mixed media creations, Nicol pushes the bounds of her practice through the inclusion of fine jewelry and pearls, collaged photographic negatives, and such unconventional materials as taffeta, chiffon, and leather.

The mechanics of the music box, cylinder, metal elements and pins, enlarged and magnified to an industrial scale, remind us of the visual language of films such as Chaplin's Modern Times andFritz Lang's Metropolis, as well as the austere objectivity of German photographer Adolf Lazi's 1930's photographic series.

In some works, a connection to religion is obvious, such as Dimitri Fagbohoun's Refigerium (2013), a confessional featuring video installations, and Andrew Tshabangu's photographic series On Sacred Ground (2008).

In Levine's work she is recognized for directly appropriating the work of other artists such as in her 1981 photographic series After Walker Evans where she famously rephotographed Walker Evans» photos from a Walker Evans exhibition catalogue to create her own replicas.

This fully illustrated catalogue accompanying Charlesworth's first major survey in New York features series such as Stills (1980), a group of 14 large - scale works rephotographed from press images that depict people falling or jumping off buildings; Modern History (1977 - 79), which pioneered photographic appropriation; the alluring Objects of Desire (1983 - 88) and Renaissance Paintings (1991), which continued Charlesworth's trenchant approach to mining the language of photography; Doubleworld (1995), which probes the fetishism of vision in pre-modernist art and marks Charlesworth's transition to a more active role behind the camera; and her final series, Available Light (2012).