Sentences with phrase «photographic series where»

A Closer Look Gallery Talk Join alumnus photographer Michael Starkman, Class of 1974, for a closer look at his photographic series Where Nepenthe Flows featured in the exhibition New Arrivals: Modern and Contemporary Additions to the Colleciton.

What follows is a period of conceptual photographic series where narration becomes introspective, intimate, and delicately sensual as evidenced in Self Study, Male Nudes, and Happening.

The title itself refers to Bruce Nauman's work Flour Arrangements (1967), a photographic series where Nauman created different compositions using flour on his studio floor every day for a month, subsequently taking photos of the arrangements.

Not exact matches

Now available to enjoy in a beautiful photographic book where the archetypal New York City urban landscape is glimpsed «after hours» in Bohbot's timeless series of hyperreal photographs.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series where she explores a more abject material related to themes like fairytales, catastrophes, pornography, war and surrealism.

Applying 20th - century Cubism's multiple viewpoints to the photographic medium, he created a series of works he called «joiners,» photographic collages where many photographs of one subject are composited to create a complete picture.

The solo exhibition will feature work from several of Hanzlová's photographic projects, including Rokytnik and Forest, taken in the Czech village and surrounding forest where the artist grew up; Cotton Rose, taken in Gifu, Japan; as well as the artist's three most recent series, Horses, Flowers and There Is Something I Don't Know.

If you love Thomas's photographic works but just can't decide which one to get, her polaroid series offer a bang - for - your - buck scenario where you don't have to settle on just one.

Hugo Fernandes» series, Intimate Strangers, modifies two types of archetypal encounters — the photographic portrait session and internet - based sex hook - ups, and creates a shared contemplative act where anonymous sex is suspended and replaced by an ambiguous yet intimate exchange.

[49] The Tropical Fish series (1974 — 75) represents the first instance where the photographic image has been directly used in his graphic work, where Ruscha had Gemini G.E.L.'s house photographer Malcolm Lubliner make photographs of a range of common domestic objects.

This photograph is from #lonelygirl, a series where Heji Shin continues her investigation into photographic portraiture.

She is a recent graduate of Bard College International Center of Photography where she earned an M.F.A. in Advanced Photographic Studies, and has exhibited internationally and regionally in solo and group shows including, The Exquisite Landscape, ICP, New York; Interiority Complex: A Conversation Series, Camera Club of New York, New York; and «Wrestling with the Image: Caribbean Interventions», organized by the World Bank and the OAS, and «About Change».

Their first collaboration in Zurich in 1979 set the tone for their future works, consisting of a photographic series of doll - scaled scenes where sausages, salami, and other processed meats.

The film Somewhere, 2014, and the photographic series Polygon, 2015, document the devastation caused by human activity in Semipalatinsk, the site in Kazakhstan where, between 1949 and 1989, the Soviet Union conducted 456 nuclear tests.

Their work is represented here, where it is shown alongside that of contemporary artists such as Tom Hunter, whose photographic series reimagines A Midsummer's Night Dream in modern - day Hackney.

Thomas Ruff: Object Relations brings together for the first time — and for his first major Canadian museum exhibition — the series from Ruff's oeuvre where he works from found or collected photographic materials.

Amongst his most notable works are the photographic series «ShadowPlay» (2002), «Frontiers: A Journey Through the Americas» (2005/2010), where the artist crossed 12 countries in 38 days almost entirely by bus, and «Experiência MerzBauSubtropical» which was on view at the Curitiba Biennial until February, 2016.

The exhibition opens with a series of works where Richter experiments with abstraction and the impact of photographic and digital reproduction.

Beginning in early 2008, Monk found inspiration within Ed Ruscha's 1967 iconic photographic series and limited edition book, Twentysix Gasoline Stations, where Ruscha shot black & white photographs of twenty - six different gas stations found along the legendary Route 66 highway on a road trip from his studio in Los Angeles to his home state of Oklahoma.

Also included is Arisleyda Dilone's film Mami y Yo yi mi Gallito (2015) which focuses on the vulnerable relationship between a mother and her intersex daughter and Pidgeon Pagonis» photographic series Children's Memorial Hospital Killa [CMHK](2015) that depicts their singular protest in front of the hospital where they underwent numerous medical procedures as «corrective» measures during their childhood.

The viewers will discover the photographic series brought to life where each day during the 6 month residency, a single rotating performer will be transformed into one of Hamilton's decorous, squash - headed creatures and left to occupate a space the artist calls their «garden».

In Levine's work she is recognized for directly appropriating the work of other artists such as in her 1981 photographic series After Walker Evans where she famously rephotographed Walker Evans» photos from a Walker Evans exhibition catalogue to create her own replicas.