Sentences with phrase «photographic source images»

Based on photographic source images, her immersive paintings of diverse scale have more recently moved into figurative works rendered in rich hues of oil paint.

On the occasion of The Kitchen's celebration of Robert Longo, the artist presents two special limited - edition prints featuring photographic source images for his legendary «Men in the Cities» series.

The work was originally derived from a photographic source image depicting a figure, caught in motion, approaching the building on a busy street.

Not exact matches

The technique used to capture this electrical flow is called Kirlian photography, named after the Russian electrical engineer Semyon Kirlian who discovered that if an object on a photographic plate is connected to a high - voltage source, an image is produced on the photographic plate.

With stunning images of men and women who caught Scott's eye in traditional fashion locales like New York, London, and Milan, as well as newer ones including Peru, India, Dubai, and South Africa, The Sartorialist: X celebrates the many cultures of pattern and color found across the world, making it a thrilling source of photographic inspiration.

Rodriguez sourced these images, which are created to monitor an embryo's health, from a fertility clinic, then transferred the digital files to create photographic negatives, which she then used to produce silver gelatin prints.

Vintage images of black representation from Ebony and Jet magazines were the source of inspiration for several photographic collage series.

Through this approach, the process itself becomes source material, as Oppenheim gives photographic images new forms and new contexts.

This photographic series combines imagery from four disparate sources: neoclassical sculpture, west of Ireland landscapes, found images and the studio setting.

Naida Osline is a Los Angeles - based artist who combines and manipulates images sourced from both analog and digital processes, in which she blends conceptual and documentary photographic practices with an abiding interest in the transformative, mythical, and ethereal nature of existence.

Baum has become internationally known for her photographic work mining found printed sources for text and image.

Claiming imagery typically referenced through our daily interaction with media sources, Kahrs builds on the diversity of photographic images infused with the seductive palette of artists such as Richter and Tuymans, but invests them with a grotesque, bodily relationship to the viewer seen in the work of Jenny Saville.

The paintings are faithful to their photographic sources yet freely recreated, the artist's meticulous technique introducing an aura of individualized craftsmanship into images that in most cases are as deeply familiar and as widely circulated as memes.

With the skillful manipulation of his brush, Richter achieves a blurred image that moves in and out of focus, constantly shifting between its photographic source and painterly depiction.

The main gallery spaces will feature examples of large - scale works featuring evocative photographic images from various sources such as books about experimental theater or puppetry, as well as Japanese textile designs, all screen - printed onto different fabrics that are layered and stitched together.

The self - portraits are also based on photographic images that have been screenprinted onto canvas; in both groups of paintings, the varying tones of black, gray, and brown enamel are often overprinted several times, simultaneously accentuating and obliterating the contours of the source imagery.

By sourcing existing images, employing analog methods and digital interventions, the works in the show disrupt the expectations of straight photography, examining its limits with images that exist at threshold of photographic formulation.

Edited by Skira and curated by Bruno Corà, the monograph will contain colour images of all the works on display, together with an extensive selection of photographic documents, critical commentary and source material, all of which illustrate Gianfranco Pardi's long and fertile creative career.

Some artists consider photography and video as unreliable and unstable media: Josh Brown's images of racecars point to the imperfect nature of both the photographic medium and the spectator's vision, and Justin Phillipson employs video compression to distort his source material to varying degrees, thereby disengaging the images from their original source.

Speaking of his work, he said: «I create my images by studying the expression of the hazardous interactions that can arise between my photographic subjects and the different light sources that I decide to put in my scenes.

Working from anecdotal photographs, each painting is deliberately built up through multiple layers of translucent pigment, a crucial aspect to the recontextualization of these images, a process which effectively dissolves the spatial / temporal specificity of the photographic source, while retaining its pictorial trace.

The same year, Baldessari moved to Santa Monica, where he met many artists and writers, and began to collect photographic images from films and other commercial sources that he would use in his work; during the same period, he photographed himself in deliberately amateurish compositions, and employed local sign painters to execute text - based works.

Through the photographic source material of oceans, night skies and deserts she relentlessly explores the image and the richness of its variation.

New «machine paintings» - digitally retouched photographic images printed on vinyl - hang in various rooms, sometimes lending context to, and revealing the sources for, the obscured imagery in the paintings proper.

His deep, long steeping in the history, technical procedures and culture of photo - making richly informs his images but does not turn up in his work in overt or intrusive ways, such as self - conscious quoting of photographic sources or studied fussiness in his presentation images.

Her images play with the inherent photographic qualities of their original sources and the intimacy suggested by their small scale.

This tour will examine the use of the photographic image as source, inspiration and icon in contemporary painting.

The publication is introduced by a set of photographic archive images representing the formal and iconographic sources of the paintings, which are then shown in a chromatic sequence highlighting the artist's deep research on colors, light and space.

These sanitized images of limp - dicked men are taken from photographic source material.

Since he started showing in the mid-nineties, Gonzales has largely taken photographic images as his sources, investing them with renewed psychological depth.

Authored by exhibition curator Sara Krajewski, the book's chapters trace the development of Warhol's printmaking practices and his exploration of the photographic image as his source material through three time periods: the books and ephemera of the 1950s, the Factory and Factory Additions 1963 - 1974, and Andy Warhol Enterprises, Inc., 1975 - 1987.

Doig paints from photographic sources, such as his own pictures of landscapes, film stills, and images from newspapers and magazines.

Authored by exhibition curator Sara Krajewski, the book traces the development of Warhol's printmaking practices and his exploration of the photographic image as his source material through three time periods: the books and ephemera of the 1950s, the Factory and Factory Additions (1963 — 1974) and Andy Warhol Enterprises, Inc., 1975 — 1987.

Dumas's art was never a literal rendition of a photographic source, but rather a cropped image of some of the details from the photos she uses.

«Before printers like the new entry - level HP P - 100 Digital Photo Printer came along, digital camera users were hard pressed to find a source where they could get true photographic - quality prints from their digital images,» says Mark Parsons, business development manager for Hewlett Packard's Small / Medium Business Group.