Sentences with phrase «photographic space in»

Eileen Neff (b. 1945) conflates physical and photographic space in artworks that challenge the ways in which photography mediates perception.

Eileen Neff conflates physical and photographic space in artworks that challenge the ways in which photography mediates perception.

Not exact matches

It would be otiose to give examples: a distant thunder is in the past as much as a distant star; but no matter how far in time - space a star or galaxy is, it is always faintly immanent in my Here - Now even when its action is below the threshold of human perception; its action can be made visible by a combination of lenses or a prolonged photographic exposure.

The focal point of the space, aside from the captivating photographic art adorning the walls, is a colorful 1,500 - gallon custom saltwater aquarium that flows across the ceiling in enchanting form.

I have not even touched on increasing atmospheric turbulence, vibration, aircraft vapour trails, atmospheric degradation of optical surfaces, trails of aircraft, satellite and space debris on deep - sky photographic plates (one or more trails on one plate in three), sunlight reflectors and much more.

A splendid array of barf bags from airlines around the world is one of the arresting images in Russo's photographic study of relics at the Smithsonian National Air and Space Museum.

a space through which light passes in an optical or photographic instrument, especially the variable opening by which light enters a camera.

A large concentration of museums in the art, photography and history genres can be found at Balboa park with the Air and Space Museum, Museum of Man, Museum of Photographic Arts, San Diego Art Institute to over 16 different museums just in the park alone.

Abandoned In Place is a photographic exploration by Roland Miller of the American space - launch and research facilities that played a crucial role in the early period of space exploratioIn Place is a photographic exploration by Roland Miller of the American space - launch and research facilities that played a crucial role in the early period of space exploratioin the early period of space exploration.

Martha Wilson (Fellow in Performance / Multidisciplinary «01) is a pioneering feminist artist and art space director, who over the past four decades created innovative photographic and video works that explore her female subjectivity.

Family, neighbors, patrons — all enter her studio through a photographic snapshot captured in the specificity of their space before being projected in paint onto the surface that immortalizes.

In Drawing for Sculpture the Size of a House (2001), on view at the Whitney, he intensified this photographic compression by blacking out a house from a snapshot using felt - tip pen, radically collapsing the pictorial space and blocking most of the scene from view.

The center of the cube contains an installation: a wood - paneled, upholstery - heavy living space based on the kind of rec rooms Thomas knew growing up in New Jersey in the»70s, an example of the tableaux she normally assembles in her studio as photographic sets.

Combining elements of the found, the photographic, the cinematic, the architectural, and the social, Gaillard provokes visual or associative connections between ancient ruins and neglected contemporary spaces, attempting to recuperate the past in the name of a devalued present.

Another Land: After Noguchi is a photographic response to the works of Isamu Noguchi (1904 — 88), using light as a sculptural tool to cast Noguchi's work as distant objects in space.

In her first New York showing since a mid-career retrospective at the Guggenheim in 2014, Weems takes over both Jack Shainman spaces with recent photographic works and filmIn her first New York showing since a mid-career retrospective at the Guggenheim in 2014, Weems takes over both Jack Shainman spaces with recent photographic works and filmin 2014, Weems takes over both Jack Shainman spaces with recent photographic works and films.

Colodny has shown her videos, drawings and photographic work at the Saltworks Gallery and Eyedrum Gallery (an alternative space) in Atlanta, Georgia, and in group shows at the Fred Snitzer, Dorsch, David Castillo and Carol Jazzar Galleries in Miami, Florida.

R. H. Quaytman infuses abstraction with the architecture, history, and poetics of the specific space, themes that appear in the monumental photographic works of Thomas Demand and Andreas Gursky.

Traces of Spaces is a photographic series of 11 large - scale color photographs of four closed Paris metro lines (St. Martin, Champ de Mars, Arsenal, Croix - Rouge), which ran underneath the current functioning metro in Paris and closed in early 1939.

The Space in Between, an exhibition featuring the work of Lynn Saville, was recently on display at the Photographic Resource Center at Boston University, and is now on view at the Atlantic Wharf's Waterfront Square Gallery in Boston through March 22, 2013.

Zanele states, «I am producing this photographic document to encourage individuals in my community to be brave enough to occupy public spaces, brave enough to create without fear of being vilified, brave enough to teach people about our history and to rethink what history is all about; to reclaim it for ourselves, to encourage people to use artistic tools such as cameras as weapons to fight back.»

A total of 14 black and white photographic works, framed in white and unmatted, and hung against cream colored walls in the main gallery space, the smaller side room, and the entry area.

This exhibition affords a fascinating look at the output of some of South Africa's major artists, and will also showcase from our Johannesburg spaces works not yet shown in Cape Town, including Kudzanai Chiurai's Revelations, a series of photographic tableaux exploring politics and power in Africa, new wood sculptures by Willem Boshoff, and a selection of drawings, linocut graphics and sculpture by William Kentridge.

First, I feel that when some photographic detail, such as a hand or an eye, is taken out of its original context and is fractured and integrated into a different space and form configuration, it acquires a plastic quality it did not have in the original....

The exhibition is the result of the artist's descent in time and space and photographic archeology, a lot of which is shown in the advertisements and in the graffiti, which create a type historical palimpsest.

Gwenn Thomas» photographs of doors and windows are embedded within sculptural frames in ways that question perceptions of photographic imagery, and our experience of lived space.

These photographic self - portraits present Perry camouflaged in a space made from the materials taken from other bodies of her work, such as collections of cereal boxes, takeout containers, and aluminum foil.

Simone Rocha Simone will launch a collection of special T - shirts in her space which feature an image from the photographic series «Flowers and Cars» — a long - running collaborative project between Simone Rocha and Jacob Lillis.

As an independent curator, some of DuBois» curatorial projects include: Black Abstraction at Harmony Hall Regional Art Gallery in Fort Washington, MD for the group Black Artists of DC (2011); A / Way Home at the District of Columbia Arts Center (2012 - 13); Of a Place and Time: Photographic Memories and Imaginings at the Hillyer Art Space (2013); (in) Visible and (dis) Embodied: Repositioning the Marginalized as part of the Curatorial Initiative program at the District of Columbia Arts Center (2014).

As UCLA Professor Anthony Vidler writes «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».

Since moving to Georgia from her native Chicago in 2012, artist Kelly Kristin Jones has distinguished herself with her thoughtful photographic explorations of space and prolific, dynamic practice.

As Anthony Vidler Dean of The Cooper Union School of Architecture writes, «Casebere's «spatial unconscious» is in photographic representation, an opening through vision into the psychopathology of lived space, a space that blurs all the traditional distinctions between the space and the space represented».

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

Having garnered an international reputation as one of the leading artists to emerge from the New York Pictures Generation of the 1970s and 1980s, Simmons has thoughtfully and methodically moved through her various photographic series, such as Early Black and White Interiors, 1976 — 78, in which pseudo-realities are created by staging miniature spaces with dollhouse furniture and other banal props; and Walking & Lying Objects, 1987 — 91, a series of black - and - white photographs of inanimate objects animated with human legs.

APG hosts photographic exhibitions throughout the year in its gallery space at the Tula Art Center in Atlanta, Georgia.

His video, photographic, and installation works have been presented internationally at such venues as ConFlux2009 and Proteus Gowanus in New York; Para / Site Art Space and the Microwave Media Festival in Hong Kong; Gallery M in Berlin; BaseKamp in Philadelphia; Big Orbit and the University at Buffalo Art Gallery in Buffalo; Impakt Festival in Utrecht; Invideo Festival in Milan; OneTake Film Festival in Zagreb; FLEXFest in Gainsville; and Mess Hall, 7/3 Split, Dogmatic, Video Mundi, Onion City, CUFF, Hyde Park Art Center, and Gallery 400 at the University of Illinois at Chicago.

Discover here our coverage of all the photographic exhibitions in the world, in galleries, museums or cultural spaces, with analyzes, reviews, interviews, and portfolios of images.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

Alongside the photographic images, Graham's texts deconstruct social architectural spaces in ways that were far ahead of their time.

In the epic everyday spaces of Andreas Gursky's photographic spaces, as much as in the extraterrestrial content of Vija Celmins» pictures, the universal and the mundane are held in taut suspension, resulting in images that remain simultaneously intimate and enigmatiIn the epic everyday spaces of Andreas Gursky's photographic spaces, as much as in the extraterrestrial content of Vija Celmins» pictures, the universal and the mundane are held in taut suspension, resulting in images that remain simultaneously intimate and enigmatiin the extraterrestrial content of Vija Celmins» pictures, the universal and the mundane are held in taut suspension, resulting in images that remain simultaneously intimate and enigmatiin taut suspension, resulting in images that remain simultaneously intimate and enigmatiin images that remain simultaneously intimate and enigmatic.

In the lower space, we will highlight artists who rather than practice photography, use photographic techniques or references, including new digital collage prints by visiting artist

Photographic art group Catch Light Collective and film artist Luke Williams present their latest show True Story in Project Space.

Bob and Roberta Smith creates brightly coloured text - based paintings with powerful social messages; Yinka Shonibare clads figures in colourful batik to create politically loaded sculptural or photographic tableaux; Thomas Heatherwick is one of the world's leading designers, whose Olympic Cauldron fired the imagination of viewers in the opening ceremony in 2012; Rebecca Warren fuses everything from the ideas of conceptual artist Joseph Beuys to the cartoons of Robert Crumb, creating vitrines and lumpy sculptural figures; Conrad Shawcross brings engineering and sculpture into collisions of mechanics, sound, light and space; and Louisa Hutton, of architects Sauerbruch Hutton, designs buildings with a flair for colour and material richness.

The Goodman Gallery in Parkwood has undergone numerous physical transformations and now boasts a new showroom and a space dedicated to photographic works.

Betty Brown; Art Week LA — Betty Brown reviews two exhibitions in alternative spaces, one a private home, the other a storefront that serves primarily as a center for photographic education.

In Stones Don't Move, Dávila will occupy each of the gallery's three exhibition spaces with a powerful presentation of his signature photographic cutouts, sculptures, and paintings.

Much as O'Keeffe came to apply tight, photographic rendering to the sublime emptiness of early, free - flowing watercolors like Light Coming on the Plains (1917), Hollowell brings high contrast resolution to her cleanly fabricated forms, using dramatic variations in dark and light to emphasize surface curvature and suggest deep space.

In this photographic series, Paradise Gray observes the erasure of visible black culture and history in shared public spaces throughout PittsburgIn this photographic series, Paradise Gray observes the erasure of visible black culture and history in shared public spaces throughout Pittsburgin shared public spaces throughout Pittsburgh.

His search for new directions in photographic expression is enormous, spanning digital internet jpegs, NASA space images, even old photographs.

The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.