Sentences with phrase «photographic studios in»

The portraits are based on a book from 2004 that reproduces images of Taliban soldiers taken in photographic studios in Afghanistan before these men departed on «missions» from which they did not return.

After many years as a professional model, Peltigera is now managing a photographic studio in London.

Not exact matches

Early afternoon at a photographic studio tucked away in sleepy suburban Surrey, a stone's throw from the Thames, and Diego Costa is intent upon keepi -LRB-...)

Photo shoots are outdoors in parks, by canals, or quiet streets rather than inside photographic studios to avoid formal, posed shots.

Job roles, salaries and qualifications required in the performing arts, media and broadcasting industry, covers topics in: fashion model, lighting technician, make - up artist, photographer, photographic technician, prop maker, stagehand, sound studio engineer, wardrobe assistant, web content manager, web designer, web developer, web editor.

A 2 day workshop in a photographic art studio aimed at artists and photographers looking to create fine art images with their camera.

Double Take: Akram Zaatari and the Arab Image Foundation (which runs until 3 September 2017) includes images taken from the early 1950s to the 1970s at Studio Shehrazade, a popular photographic studio run by Hashem el Madan in Saida.

Family, neighbors, patrons — all enter her studio through a photographic snapshot captured in the specificity of their space before being projected in paint onto the surface that immortalizes.

The center of the cube contains an installation: a wood - paneled, upholstery - heavy living space based on the kind of rec rooms Thomas knew growing up in New Jersey in the»70s, an example of the tableaux she normally assembles in her studio as photographic sets.

Usually depictions of atmospheric effects in nature, or the quotidian setting of the studio, their fulcrum rests on an actual physical rip in the photographic print.

Others left the picture intact, yet used obvious studio - set environments, in addition to costume and make - up, to reveal the construction of their photographic subjects.

Also on show for the first time in the UK will be two photographic works: GAETA (fifty photographs plus one)(2015) taken in the studio of Cy Twombly and The Line of Fate (2011) of the art historian Leo Steinberg.

IN AND OUT OF THE STUDIO: PHOTOGRAPHIC PORTRAITS FROM WEST AFRICA This exhibition offers the long view of African photography, with nearly 80 photographs taken between the 1870s and 1970s in Senegal, Mali and other West African localeIN AND OUT OF THE STUDIO: PHOTOGRAPHIC PORTRAITS FROM WEST AFRICA This exhibition offers the long view of African photography, with nearly 80 photographs taken between the 1870s and 1970s in Senegal, Mali and other West African localein Senegal, Mali and other West African locales.

MoMA revists its collection as a history of photography in the studio, in the tradition of «The Photographic Object.»

Two mural - size photographic drawings of the artist in his studio surrounded by many of the show's paintings offer further delights in perspective.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

Here it comes in the form of a pale, 1960s Wallace Berman image of the moon's remote surface overlaid with cryptic writing; a black - and - white Vija Celmins screen - print of the vast, horizonless ocean that appears to carry a faint «X,» as if the printing plate had been canceled; a ragged piece of fiberglass painted with a Tiepelo - like sky by Joe Goode, who seems to have ripped it from either the actual heavens above or a movie - studio set; and a photographic close - up of shifting desert sand, over which actual sand and colored pigment has been applied by David Benjamin Sherry, as if reality were a veil obscuring camera - created truth in our mediated universe.

Greg Knott in studio 317 will debut new «0 Editions» of his popular works: photographic prints matted with the one - of - a-kind, hand - drawn conceptual sketch that led to the final work.

In the 1970s, when Hollywood studios were emptying their vaults, Warhol attended auctions to find photographic treasures.

When on January 28, 2013, I made my first visit to Annette Lemieux's spacious studio in Allston, Massachusetts, I was delighted and excited to see a museum - quality array of over a dozen paintings, sculptures, and photographic prints arranged on the walls, floor, and propped up on a variety of chairs and stools.

In my studio, the hanging dried and drying plants mingle with huge tangles of cut and woven photographic pieces that dangle down from the ceiling.

In a small black box theatre, Anri Sala's Intervista (Finding the Words)(1998)-- a tender video portrait of the artist's mother, and her growing pessimism towards the Albanian Communist dictatorship — has been thoughtfully paired with a photographic slideshow of a low - pressure fountain that Belgian studio 51N4E installed in a public square in TiranIn a small black box theatre, Anri Sala's Intervista (Finding the Words)(1998)-- a tender video portrait of the artist's mother, and her growing pessimism towards the Albanian Communist dictatorship — has been thoughtfully paired with a photographic slideshow of a low - pressure fountain that Belgian studio 51N4E installed in a public square in Tiranin a public square in Tiranin Tirana.

Casebere gained renown as a pioneer of a type of constructed photographic tableaux, which derive exclusively from meticulously planned architectural models that he conceives, fabricates, and photographs in his studio.

Borrowing subjects from traditional photographic genre, Kydd's storefronts, urban landscapes and studio - based images function as still lifes which propagate the familiarity and generality of photographs while allowing them to hover in a temporally enigmatic zone.

Although they are not always fully resolved works of art, they exemplify a photographic approach that departs from studio formality — which became characteristic of portrait photography in the 1960s.

At the core of the exhibition are a selection of paintings by Francis Bacon set against some unfinished works by the artist - on display in Italy for the very first time - and a selection of photographic and archival material from the artist's studio, presented thanks to a collaboration with the Dublin City Gallery The Hugh Lane.

The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.

She often travels to paint, often en plein air, and brings photographic references from her travels to translate to canvas back in the studio.

Dana Salvo offers collectors, artists and institutions a full service photographic studio specializing in the reproduction of fine art in all media.

Primarily drawing upon the legacy of Conceptualism, these ten contemporary artists surveyed — Claudia Angelmaier, Erica Baum, Anne Collier, Moyra Davey, Leslie Hewitt, Elad Lassry, Lisa Oppenheim, Erin Shirreff, Kathrin Sonntag, and Sara VanDerBeek — comprise more than 70 works, while demonstrating the innovations and new formats that the photographic medium is taking today, specifically in reference to studio and still life photography.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris TownsenIn the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsenin issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The studio is housed in one of the new industrial units just outside the town and provides an open configurable space to meet any photographic requirement.

Having initially studied Photography at London College of Communication and Anglia Ruskin University, she continued her photographic career gaining experience by working in commercial studios, galleries and exhibiting her fine art photography in Cambridge and London.

An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.

Highlights include Ananias Léki Dago's photographic exhibitition Afropolitain in Abidjan, and Martina Bacigalupo's Gulu Real Art Studio, an installation of 90 Ugandan studio portraits on view at the Walther Project Space, New York and more...

This talk will discuss how photographic technology and changing aesthetics influenced the evolution of photographic portraiture in the 20th Century — moving from the formal studio portrait, to on - location and finally to the more casual snapshot.

He worked as an intern in visual artist Doug Aitken's studio, a figure who uses film in highly photographic ways.

The photographs she chose to work from for this show all have an inherent interference, either in the photographic process such as vaseline or coloured filters on the lens, or oil and turps stains from Bjerger's studio.

What we provide is an open studio right in the heart of London, an area blessed to be in close proximity to good artists, photographic and building suppliers, galleries and museums, but most importantly each other.

Those plans include helping sculptor Jedediah Caesar — known for entombing trash from his studio in gigantic lumps of resin — to create a large abstract sculpture in a yet - to - be-named public place, and helping photographic artist Walead Beshty create a sculptural piece with audio elements inside a local mall.

In a departure, black and white photographs capture photographic fragments projected onto the studio wall in addition to honing in on objects placed on wooden surfaceIn a departure, black and white photographs capture photographic fragments projected onto the studio wall in addition to honing in on objects placed on wooden surfacein addition to honing in on objects placed on wooden surfacein on objects placed on wooden surfaces.

★ Museum of Modern Art: «A World of Its Own: Photographic Practices in the Studio» (through Oct. 5) This mostly lively if repetitive overview traces the history of photography as the Modern never has — with images taken in the studio rather than out in the world.

On view currently as part of the Giorgio Morandi exhibition at the Center for Italian Modern Art are six photographic prints by the artist Tacita Dean, taken in Giorgio Morandi's studio in Bologna, Italy, in 2009.

It presents a fascinating history of photographic portraiture taken on the street or in the photographer's studio, looking at the differences between these two key locations in which photographers work.

In collaboration with photographer Tony Evans, Hamilton then shot photographic studio equipment.

And Photography section of the show presents five photographic drawings shown on hi - def screens, combining drawings and photographs taken by the artist during the painting sessions in his studio.

Wearing fashionable dress and posed within the artificial theater of the photographic studio, these faces describe the fragmentation and heterogeneity of the Black subject and emphasize the ways in which Black subjectivity has been cast out or left unidentified within (visual) culture.

Returning to the studio with the materials he had gathered, Vitturi created teetering totemic assemblages with a Baroque sense of drama, collaging and overpainting his photographs and materials in high - register colours — and often layering physical objects within the photographic assemblages to create new volumetrically disorientating images.

Choosing subject matter that is rich in color and texture, Young takes her photographic references and brings them into the studio where she crafts inspiring compositions that serve as faithful representations of their real - world counterparts.

Filmed in her Syracuse studio, artist Carrie Mae Weems discusses the impetus for her work The Kitchen Table Series (1990), a photographic investigation of a single domestic space in which the artist staged scenes of «the battle around the family» between women and men, friends and lovers, parents and children.