Sentences with phrase «photographic subjects for»

They quickly became friends, then roommates, and subsequently her primary photographic subjects for several years.

Onetime did not want to be my photographic subject for this post — as you can tell!

Not exact matches

As an artist, Tillrock takes a unique approach, capturing the essence of his automotive subjects in pencil, and he is best known for his detailed, almost photographic depictions of go - fast vehicles and iconic car - culture scenes.

Descriptive, typographic and photographic errors are subject to correction and Atitlan Solutions shall have no liability for such errors.

Descriptive, typographic and photographic errors are subject to correction and Aittlan Solutions shall have no liability for such errors.

His fascination with technological methods for producing paintings is also evident in the 2001 television program Secret Knowledge, in which Hockney posited that the Old Master painters used camera obscura techniques to project images of their subjects onto their paintings» surfaces, leading to the photographic quality of Renaissance painting.

This book features a series of photographic collaborations by Copley and Jaqueline Hyde wherein the ostensible subject — a painting by Copley, perfectly exposed and ready to be cropped for reproduction — also reveals a broader scene.

Recognized for her photographic works including «A Prime» (1997 --RRB-, «Color of the Planet» (2004), «In the Desert» (2007 --RRB- that convey a unique sense of distance to the subject and appears to freshly recapture the given world replete with convention, Noguchi's gaze that is expressed through her practice is critically described as «the stranger's eyes» at work.

The curator of No Place Like Home, Dawoud Bey is best known for his photographic portraits that often depict subjects of various economic, ethnic and social backgrounds.

With a deliberate disregard for both the conventional photographic subject and point - and - shoot role of the camera, Barth's work delicately deconstructs conventions of visual representation by calling our attention to the limits of the human eye.

Since then, Quinn has gained fast fame for his incredibly distinct portrait style in which he uses photographic source material to rebuild his human subjects from within.

The New York — based German artist is known for his complex abstractions formed by subjecting photographic materials to physical processes like scraping and peeling.

Found or anonymous photographic images and film footage are a fascinating subject for many artists.

Eyes, cameras, film, developing trays, and the other integral components of the photographic process are the subjects of Anne Collier's art, which turns the act of photography inward on itself, asking provocative questions about why, by whom, and for whom pictures are taken.

The surface of the photograph itself is a persistent subject of interest for Tillmans, and his careful combination of small and large formats, and framed and unframed prints, serves to underscore the notion of the photographic image as an object — subjective and idiosyncratic.

Furthermore, the split - second photographic frames do not contain enough visual information for the viewer to fully identify the settings and subjects.

From the 1970s Araki began to earn rave reviews for photos showing extraordinary intimacy with his female subjects, and went on to establish a unique photographic realm suffused with the air of Eros and Thanatos (sex and death) exuded by subjects ranging from voluptuous blooms to bondage nudes, skyscapes, food, Tokyo street scenes, and his pet cat.

The artist himself sheepishly peers out from one of the few oil paintings in the show, Bob's Sebring (2011), next to a silver convertible a bit too snazzy for his outfit, in front of a square garage... The paintings are furnished from a Kodachrome, sun - bleached palette, and a seemingly interminable supply of time... The supposed subject matter lingers at the edge of the well - measured composition, perfectly skewed to avoid approaching the edge of motion... The photographic qualities of this work are apparent, but the shutter's ability to capturing fleeting moments is irrelevant as time itself seems to be immobile anyway.»

For his recent paintings, Sarabia uses photographic snapshots as a palette to paint larger paintings, obscuring the original subject by the blobs of paint — the final result is a palimpsest of experiences altered, reminding us how the past is shaped over time.

Mthethwa, known for his large scale photographs, continues to engage the history of photographic portraiture with painterly composition, vibrant color and subjects with a commanding gaze.

Galembo's subjects level a penetrating gaze at a photographic interpreter who has managed to collapse, for a moment, the cultural, racial and economic distance between herself and them.»

Works on view include 24 x 20 - inch large - format, single - image Polaroids Ray, 1979, and Self - Portrait, 1979 Known for depicting images of friends and family in his paintings, Close expanded his subject interests in his photographic work to include people he has met throughout his career, such as artists, dancers, actors, or politicians: Jasper, 1997 (Jasper Johns); Robert, 1997; Hillary Rodham Clinton, 1999; Renée, 2007; Bill T.Jones, 2008, and Alec Baldwin, 2010, among others.

The photo comes as a welcome reprieve near the end of Freed's life during which in his photographic career he tackled serious subjects for which he became known as one of the best social documentary photographers of his time.

This approach allows him lots of leeway for different sorts of work: gestural abstractions, cartoonish and Surrealist images, Minimalist grids, photographic montages, homoerotic subjects.

Photographic portraiture — of the self as much as subjects choreographed for the camera — is a central offering at the newly launched Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA), a one - hundred - gallery, nine - floor private museum that opened at a harborside address in Cape Town, South Africa's leisure capital, and focuses exclusively on twenty - first - century art from Africa and its diaspora.

These photographs, with their informal approach to everyday subjects, reveal his free spirit and love of life, rather than a concern for photographic technique and craft, and often capture a sense of movement.

Sugimoto is known for his elegant photographic series depicting subjects as diverse as seascapes, movie theaters and natural history dioramas.

Perhaps best known for his extensive photographic portrayal of animal and human subjects in motion, he was also a highly successful landscape and survey photographer, documentary artist, war correspondent and inventor.

Since 2010, Dr. Dolan has curated and co-curated more than twenty - five photography exhibitions at the Portland Art Museum including Contemporary Native Photographers and the Edward Curtis Legacy: Zig Jackson, Wendy Red Star, Will Wilson (2016), Subject / Object: Modernist Photography from the Bluff Collection (2015), Richard Mosse: The Enclave (2014), and Blue Sky: The Oregon Center for the Photographic Arts at 40 (2014).

In addition, A Room of One's Own seeks to add to two recent exhibitions, A World of Its Own: Photographic Practices in the Studio at the Museum of Modern Art (2014) and In the Studio: Photographs at the Gagosian Gallery (2015), by concentrating specifically on artists for whom the studio wall, floor or contents play a significant expressive role either as subject of, material for or character in the mise en scène of the image.

Over 100 works from the 1920s and «30s by key Soviet artists are brought into dialogue with new site - specific commissions and recent works by contemporary artists, including Cuban performance artist Tania Bruguera noted for her strong political messages, Mikhail Tolmachev, a young artist from Moscow who explores the subject of memory through photographic archives, renowned American artist Barbara Kruger, German photographer Wolfgang Tillmans and Russian multi-media artist Kirill Savchenkov, amongst many others.

For Quinlan, the screen is both a barrier and a carrier of the photographic image, at once the subject and its support, forever fighting and faltering against itself.

Beginning with a fresh, live, vivid red pepper plant for a new photographic series, Lois Youmans set aside her new subject, but as days went by, forgot to water the plant.

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