Sentences with phrase «photographic work centered»

Earlier photographic work centered on an alphabet of handmade letters and signs temporarily placed — and strategically displaced — in public contexts.

Not exact matches

Upcoming in 2010 and 2011 Simmons will produce photographic, sound, performance and sculptural works in conjunction with MoMA PS.1, The Studio Museum, The Goethe Institute / Wyoming Building, The Kitchen, New York, The Nasher Museum of Art at Duke University, The Bronx Museum of Art and The Center For Contemporary Art, Prague and The Center for Art Design and Visual Culture, Baltimore among many other venues.

Using herself as muse, Hardy's photographic large - format photographic works depict a female centered in frame with props and fashion - gone - wrong.

The Space in Between, an exhibition featuring the work of Lynn Saville, was recently on display at the Photographic Resource Center at Boston University, and is now on view at the Atlantic Wharf's Waterfront Square Gallery in Boston through March 22, 2013.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

Artworks from photographer Lissa Rivera's series «Beautiful Boy» are on view in the exhibition «Role Reversal,» alongside works by Christa Blackwood and Jessica Yatrofsky, at the Colorado Photographic Arts Center: The Colorado Photographic Arts Center presents «Role Reversal,» an

Shames» work is in the permanent collections of the National Portrait Gallery; International Center of Photography; the Corcoran Gallery of Art; Museum of Photographic Arts, San Diego; Museum of Fine Arts, Houston; San Jose Art Museum; Philadelphia Museum of Art; The Ford Foundation; Smithsonian National Museum of American History; Oakland Museum; University Art Museum, Berkeley and the San Francisco Museum of Modern Art.

I'll be teaching several portrait workshops this year, including «The Intimate Portrait» at the Fine Arts Work Center in Provincetown, MA in July 2017 and «The Collaborative Portrait» at the Santa Fe Photographic Workshops in October 2017.

His video, photographic, and installation works have been presented internationally at such venues as ConFlux2009 and Proteus Gowanus in New York; Para / Site Art Space and the Microwave Media Festival in Hong Kong; Gallery M in Berlin; BaseKamp in Philadelphia; Big Orbit and the University at Buffalo Art Gallery in Buffalo; Impakt Festival in Utrecht; Invideo Festival in Milan; OneTake Film Festival in Zagreb; FLEXFest in Gainsville; and Mess Hall, 7/3 Split, Dogmatic, Video Mundi, Onion City, CUFF, Hyde Park Art Center, and Gallery 400 at the University of Illinois at Chicago.

Beginning in the 1920s, Kertész's work would go on to be shown in numerous exhibitions such as the Brooklyn Museum, New York; Royal Photographic Society of Great Britain, London; International Center for Photography, New York; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Art Institute of Chicago; Bibliothèque National, Paris; Hungarian National Gallery, Budapest; Musée National d'Art Moderne du Centre George Pompidou, Paris; The Getty Center, Los Angeles; and the Metropolitan Museum of Art, New York.

2008 Photographic Works: To Benefit the Foundation of Contemporary Arts, Leslie and Cohan, New York, NY Political Winter Redux, Malloy College Art Gallery, Rockville Center, NY Finding a Pulse, curated by Rhiannon Mercer and John Photos, Albuquerque, NM Summer Sampler, Front Room Gallery, Brooklyn, NY Sound the Alarm: Landscapes in Distress, curated by Jennifer McGregor, Wavehill, Bronx, NY Inlandia, Wignall Museum, Chaffey College, Rancho Cucamonga, CA

Permanent collections which hold works by the artist include the Art Institute of Chicago; Carnegie Museum of Art, Pittsburg; Corcoran Gallery of Art, Washington D.C.; George Eastman House, Rochester; Getty Center, Los Angeles; International Center for Photography, New York; Los Angeles County Museum of Art; Metropolitan Museum of Art, New York; Museu d'Art Contemporani de Barcelona, Spain; Museum of Contemporary Art, Los Angeles; Museum of Fine Arts Houston; Museum of Photographic Arts, San Diego; National Gallery of Canada, Ottawa; National Museum of Modern Art Tokyo, Japan; and the San Francisco Museum of Modern Art.

His work is in the collections of the Colorado Photographic Arts Center and the University of Colorado at Bolder Special Collections.

Centered on SFMOMA's large, diverse collection of Japanese photography from the postwar years to the present, this digital publication examines the development of the country's distinctive and innovative photographic culture through the work of key practitioners of the last six decades.

«Re-Collection: Works from the collection of the Colorado Photographic Arts Center» at the Denver Public Library, Denver, CO

This show at The Getty Center examines his photographic work from the early 1970s to the 1990s.

Other exhibitions are also in the works: This week, the International Center of Photography opens an exhibition on six decades of Latin American photographic movements.

Chuck Close Photo Maquettes, Eykyn Maclean, New York, USA Closer: The Graphic Art of Chuck Close, Bruce Museum, Greenwich, USA Chuck Close: Works on Paper 1975 - 2012, Monterey Museum of Art, Monterey, USA Chuck Close: A Couple of Ways of Doing Something, Art Gallery of Ontario, Toronto, Canada; Tacoma Art Museum, Tacoma, USA; Pontificia Universidad Católica de Chile, Santiago, Chile; Louisiana Art and Science Museum, Baton Rouge, USA; Sonoma County Museum, Santa Rosa, USA; Ball State University Museum of Art, Muncie, USA; Joseloff Gallery, University of Hartford, West Hartford, USA; Arkansas Art Center, Little Rock, USA; Loveland Museum Gallery, Lincoln, USA; Wichita Art Museum, Wichita, USA; Florida Museum of Photographic Arts, Tampa, USA

Opening for David Seymour and Roman Vishniac: «Affirmation» at Howard Greenberg Gallery, 41 East 57th Street, 14th Floor, 10 a.m. — 6 p.m. Starting Friday, the International Center of Photography's sprawling show of work by Magnum photojournalist David Seymour — who went by the pseudonym Chim (pronounced «shim»)-- and Russian - American photographer Roman Vishniac will be supplemented by «Affirmation,» a more intimate gathering of their work at Harold Greenberg Gallery, offering a second chance to become acquainted with the heady careers of these daring photographic icons.

Siskind's work is included in many museum collections, including the Art Institute of Chicago; Center for Creative Photography, Tucson; Getty Center, Los Angeles; Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; Museum of Modern Art, New York; The Museum of Photographic Arts, San Diego; National Museum of Modern Art Tokyo; San Francisco Museum of Modern Art; and the Smithsonian American Art Museum, Washington D.C.

He was an Artist in Residence at the Philadelphia Photographic Arts Center in 2013 as well as with Light Work in 2009.

Her work has been exhibited nationally and internationally in over 200 solo / juried shows and included in several public collections, such as the Ogden Museum of Southern Art in New Orleans, Louisiana, the University of VeraCruz at Xalapa, VeraCruz, Mexico, and the Photographic Collection at the Harry Ransom Center, University of Texas at Austin.

Jeff Wall The Crooked Path Center for Fine Arts Brussels May 25 - September 11, 2011 Especially conceived for Bozar, this original exhibition places the work of Canadian artist Jeff Wall (° 1946) within his cultural context and photographic creation.

1985 Beautiful Photographs, One Penn Plaza, New York, USA Five Years with «The Face», Photographers» Gallery, London, England Imaye, Insight: Photographic Intuitions of the 1980's, Islip Art Museum, East Islip, New York, USA The New Figure, Birmingham Museum of Art, Birmingham, USA Messages from 1985, Light Gallery, New York, USA Picture Taking: Weegee, Walker Evans, Sherrie Levine, Robert Mapplethorpe, Mary and Leigh Block Gallery, Northwestern University, Evanston, USA (exh cat) Entertainment, Josh Baer Gallery, New York, USA Flowers: Varied Perspectives, Patricia Heesy Gallery, New York, USA Nucle, Naked, Stripped, Hayden Gallery, List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, USA (exh cat) Beauty, Palladium, New York, USA Big Portraits, Jeffrey Hoffeld & Company, New York, USA Fraenkel Gallery, San Francisco, USA Self - Portrait: The Photographer's Persona 1840 - 1985, Museum of Modern Art, New York, USA Home Work, Holly Solomon Gallery, New York, USA

He has exhibited all over the world, including the Houston Center for Photography; the Los Angeles Center for Photographic Studies; the Speed Art Museum, Kentucky; A major survey of his work «A Tapestry of Memories: The Art of Dinh Q. Le» was held at Bellevue Arts Museum, WA.

Brian Buckley's work has always centered on analog photographic techniques, celebrating the orchestration of light, chemistry, and papers, harmonizing process and image.

might be the question that comes to mind when viewing the work of African - American commercial photographer Barbara DuMetz, whose exhibition, «The Creators: Photographic Images of Literary, Music and Visual Artists,» is on view through July 10 at the Southwest Arts Center in Atlanta.

Her work has been presented in many solo and group exhibitions such as For An Experience of Wholeness (2013) at the Digital Media Gallery, Lycoming College in Williamsport; Contemporary Photographic Practice and the Archive (2013) at the Harry Ransom Center at the University of Texas at Austin; X Y Z — The Geometric Impulse in Abstract Art (2012) at the Torrance Art Museum; and Perspectives 168 (2010) at the Contemporary Arts Museum Houston.

Her work is held in private collections, and has been exhibited at the Corcoran Museum during FotoWeek DC, The Photographic Center Northwest, Settle, Dean Jensen Gallery, Milwaukee, and the Danville Museum, Virginia.

Artworks from photographer Lissa Rivera's series «Beautiful Boy» are on view in the exhibition «Role Reversal,» alongside works by Christa Blackwood and Jessica Yatrofsky, at the Colorado Photographic Arts Center:

The Colorado Photographic Arts Center presents «Role Reversal,» an exhibition that presents the work of three women photographers whose images challenge long - held perceptions of beauty and gender roles in visual culture.

Nica's photographic and video work has appeared in / on MOLD: PEDESTAL (Secretary Press, 2013), The International Center of Photography's Triennial «A Different Kind of Order» (2013), Culturehall.com (August, 2012 Featured Artist), The 8th International Conference of International Association for the Study of Sexuality, Culture and Society (Madrid, 2011), MIX NYC (2009), and San Francisco's Camera Work Journal (20work has appeared in / on MOLD: PEDESTAL (Secretary Press, 2013), The International Center of Photography's Triennial «A Different Kind of Order» (2013), Culturehall.com (August, 2012 Featured Artist), The 8th International Conference of International Association for the Study of Sexuality, Culture and Society (Madrid, 2011), MIX NYC (2009), and San Francisco's Camera Work Journal (20Work Journal (2008).

This exhibit includes work by Judy Allen (Cornish College of the Arts), Paul Berger (University of Washington), Keith Carter (Lamar University, Beaumont, TX), Linda Connor (San Francisco Institute of the Arts), Rebecca Cummins (University of Washington), Ellen Garvens (University of Washington), Eirik Johnson (University of Washington / Cornish College of the Arts / Photographic Center Northwest), Heidi Kirkpatrick (Northwest Academy, Portland, OR), Laura McPhee (Massachusetts College of Art & Design, Boston, MA), Andrea Modica (Drexel University, Philadelphia, PA), Jenny Riffle (Photographic Center Northwest), and Rafael Soldi (Photographic Center Northwest).

His work has been exhibited in various biennials and venues, among which: Venice Architectural Biennial, Istanbul Biennial, Helsinki Photography Biennial, Sinop Biennial and Thessaloniki Photography Biennale as well as MAXXI, SALT, Istanbul Museum of Modern Art, St.Petersburg Russian National Centre of Photography, Malmö Museum and Photographic Center Northwest Seattle.

Enlightened Earth, on view through November 5 at Main Line Art Center in Haverford, explores nature and our complex relationship to its past, present, and feature, through works that engage the photographic medium and digital media by Mark Dorf (New York), Julianna Foster (Philadelphia), and Nick Pedersen (Burlington, NJ).

In addition, as a Creative Partner of the Main Line Art Center's «Panorama 2016: Image - Based Art in the 21st Century», a project celebrating the photographic image and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital media.

The Bath House Cultural Center opened The Remaining Image and North Texas Road Trip, which includes printmaking and photographic works.

The Pritzker Center for Photography highlights 180 years of photographic history drawn from the museum's collection of 17,800 works dating from 1839.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

His work has been recently acquired by The Harvey Milk Photographic Center.

Longtime collaborators Lindsay Lochman and Barbara Ciurej mounted a solo exhibition of work that addresses sustainable food policy at the Colorado Photographic Arts Center in Denver.

«Ernest C Withers and Glenn Ligon: I Am A Man Teaching Galleries One and Two,» Contemporary Art Museum St Louis, MO, January 20 — March 28, 2006 «Down by Law, curated by The Wrong Gallery,» Whitney Museum of American Art, New York, NY, January 21 — May 15, 2006 «Collective Histories / Collective Memories: California Modern,» Orange County Museum of Art, Newport Beach, CA, February 6 — September 24, 2006 «Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards,» American Academy of Arts and Letters, New York, NY, May 19 — June 12, 2006 «Legacies: Contemporary Artists Reflect on Slavery,» New - York Historical Society, New York, NY, June 16, 2006 — January 7, 2007; catalogue «The Past Made Present: Contemporary Art and Memory,» Museum of Fine Arts, Houston, TX, September 2, 2006 — January 15, 2007 «Group Dynamic: Portfolios, Series, and Sets,» Des Moines Art Center, Des Moines, IA, September 15 — December 29, 2006 «black alphabet: conTEXTS of contemporary african - american art,» Zacheta National Gallery of Art, Warsaw, Poland, September 22 — November 19, 2006 «Interstellar Low Ways,» Hyde Park Art Center, Chicago, IL, October 15, 2006 — January 14, 2007 «Process and Collaboration: Celebrating Twelve Years at 1315 Cherry Street,» The Fabric Workshop and Museum, Philadelphia, PA, December 2, 2006 — January 6, 2007 «Defamation of Character,» organized by Neville Wakefield, PS 1 Contemporary Art Center, Long Island City, New York, October 29, 2006 — January 8, 2007 «Voodoo Macbeth,» curated by David A Bailey, De La Warr Pavilion, East Sussex, UK, October 7, 2006 — January 22, 2007 «Yes Bruce Nauman,» Zwirner & Wirth, New York, NY, July 7 — September 9, 2006 «Gifts go in one direction,» curated by Alexander Nagel, apexart, New York, NY, July 5 — August 12, 2006 «SUBJECT,» Lyman Allyn Museum, New London, CT, May 13 — August 14, 2006 «Invitational Exhibition of Painting and Sculpture,» American Academy of Arts and Letters, New York, NY, March 7 — April 9, 2006 «Dark Places,» Santa Monica Museum of Modern Art, Los Angeles, CA, January 21 — April 22, 2006 «Skin Is a Language,» Whitney Museum of American Art, New York, NY, January 12 — May 21, 2006 «Portraits of Artists: A selection of photographic works from the collection,» Luhring Augustine, New York, NY, January 7 — February 11, 2006

His work, which integrates scientific topics into photographic projects, has won numerous national awards, such as the Berenice Abbott Prize for an emerging photographer, the Jeannie Pierce Award, and First Place at the Newspace Center for Photography's International Juried Exhibition.

2008 Walters Art Museum, Baltimore, MD - ʻPortraits Re / Examined: A Dawoud Bey Projectʼ 2007 • Howard Yezerski Gallery, Boston, Ma — ʻDawoud Bey: Pictures: 1975 - 2005ʼ • Addison Gallery of American Art, Andover, MA — ʻClass Pictures» (Travels to Aperture Gallery, New York, NY; Contemporary Art Museum, Houston, TX; Weatherspoon Art Museum, Greensboro, NC; Indianapolis Museum of Art, IN; Contemporary Art Museum, Baltimore, MD; Milwaukee Art Museum, WI; Kresge Art Museum, East Lansing, MI) 2004 • Detroit Institute of Art, Detroit, MI - «Dawoud Bey: Detroit Portraits» • Gorney Bravin + Lee, NY - «Class Pictures» • Revolution, Ferndale, MI - «Dawoud Bey: The Watsonville Series» 2003 • Smart Museum of Art, Chicago, IL - «Dawoud Bey: The Chicago Project» 2002 • Gorney Bravin + Lee, New York, NY - «Dawoud Bey» • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: New Photographic Work» 2001 • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1999 • Rhona Hoffman Gallery at Gallery 312, Chicago, IL - «Dawoud Bey: Recent Work» • Parrish Art Museum, Southampton, NY - «Dawoud Bey: The Southampton Project» • Yale University Art Gallery, New Haven, CT - «Portraits of New Haven Teenagers» 1998 • Galerie Nordenhake, Stockholm, Sweden - «Dawoud Bey» • Queens Museum of Art, Queens, NY - «Dawoud Bey» 1997 • Rhona Hoffman Gallery, Chicago, IL - «Dawoud Bey: Recent Work» • The Light Factory, Charlotte, NC - «Dawoud Bey: Portraits» • Addison Gallery of American Art, Andover, MA - «Dawoud Bey: Recent Photographic Portraits» • Wadsworth Atheneum, Hartford, CT - «Dawoud Bey: Hartford Portraits 1996» («Dawoud Bey / MATRIX 132,» «Dawoud Bey / Amistad Gallery,» «African American Studio Portraits: Dawoud Bey Selects from the Amistad Foundation Collection») 1996 • David Beitzel Gallery, NYC — ʻDawoud Beyʼ • University of Massachusetts Amherst, Fine Arts Center - «Dawoud Bey» • High Museum of Art, Atlanta, GA - «Picturing the South: The Commission Project» • Wexner Center for the Arts, Columbus, OH - «Dawoud Bey: Residency Exhibition» • Rena Bransten Gallery, San Francisco, CA - «Dawoud Bey» 1995 • Walker Art Center, Minneapolis, MN - «Dawoud Bey: Portraits, 1975 - 1995» (Travels to Albright - Knox Gallery, Buffalo, NY; Chicago Cultural Center, Chicago, IL; Virginia Beach Center for the Arts, VA; El Paso Museum, TX; The Newark Museum, NJ, The Jersey City Museum, NJ; Robeson Center Gallery, Newark, NJ; Cleveland Center for Contemporary Art, OH; Contemporary Art Museum, St. Louis, MO; The Barbican Centre, London, England)(Catalog) • The Photographer's Gallery, London, England - «Dawoud Bey» 1994 • Cleveland Museum of Art, Cleveland, OH - ʻDawoud Bey Photographs: Portraitsʼ • Olin Art Gallery, Kenyon College, Gambier, OH - «Dawoud Bey» 1993 • The Museum of Contemporary Photography, Chicago, IL - «Polaroid Portraits» • Stockton State College, Pamona, NJ - «Dawoud Bey: Photographs» • Drew University, Madison, NJ - «Photographs from the Streets» 1992 • Addison Gallery of American Art, Andover, MA - ʻDawoud Bey: Photographic Portraitsʼ • The Rotunda Gallery, Brooklyn, NY - «Dawoud Bey: Photographs» 1991 • Fogg Art Museum, Harvard University, Cambridge, MA - ʻDawoud Beyʼ 1990 • Ledel Gallery, NYC - ʻRecent Photographsʼ (Catalog) 1988 • BACA Downtown Center for the Arts, Brooklyn, NY - ʻBrooklyn Street Portraitsʼ 1986 • Light Work, Syracuse, NY - ʻDawoud Beyʼ • The Midtown Y Photography Gallery, NYC - ʻPhotographs by Dawoud Beyʼ • Blue Sky Gallery, Portland, OR - ʻDawoud Beyʼ 1984 • Hunter College, Center for Puerto Rican Studies, NYC - ʻPuerto Rico: A Chronicleʼ 1983 • Cinque Gallery, NYC - ʻDawoud Bey: Recent Photographsʼ 1979 • Studio Museum in Harlem, NYC - ʻHarlem, USAʼ

Role Reversal, an exhibition currently on view at the Colorado Photographic Arts Center (CPAC) presents the work of three women photographers whose images push back against long - held perceptions of beauty and gender roles in visual culture.

Soonchoel Byun (BFA 1999 Photography) Fine art photographer; represented by Grigo Gallery (Seoul); was a recipient of the Via Wynroth Fellowship (ICP, 2000); the John Kobal Photographic Portrait Award (2000) and the Korean Finalist of The Sovereign Asian Art Prize (2013); works exhibited at the Daelim Contemporary Art Museum, Seoul; the Seoul Museum of Art (Bukseoul); the National Taiwan Museum of Fine Arts; Kyung - in Museum of Fine Art, Seoul; the International Center of Photography, NYC; National Portrait Gallery, London; CHINA Jinan International Photography Biennial; Seoul Photo - Triennale II; Has lectured at the DanKuk University, the DongDuk Women's University; the Parsons School of Design and the New York University, NYC.

Houston Center for Photography: «This Side of Paradise: New Photographic Work by Texas Artists,» through Nov. 14; 1441 W. Alabama; 713-529-4755, hcponline.org.

Houston Center for Photography: «This Side of Paradise: New Photographic Work by Texas Artists,» opens Thursday, through Nov. 14; 1441 W. Alabama; 713-529-4755, hcponline.org.

The 2018 special exhibitions included an exhibition from the collection of Joe Baio, a collection from Photographic Center Northwest, and a special exhibition of work curated by Sir Elton John.

His work was recently shown in solo exhibitions at Susanne Vielmetter Berlin Projects (2008), at Susanne Vielmetter Los Angels Projects (2007), at Hallwalls Contemporary Art Center, Buffalo, NY (2007), LA > For additional information and photographic material please contact [email protected].