Sentences with phrase «photographic works began»

her photographic works began to receive much attention by winning multiple international awards from Kodak, and being featured in numerous one - man art shows at galleries in the Boston area.

Her photographic work begins with astute observation, love of people and travel which is reflected in the nuances of her street photography.

Not exact matches

In the mid-1970s, the artist began using the photocopy machine as a new type of photographic lens through which she created series of works that defy an accepted understanding of the limitations of the photocopier.

Following an early career in painting and sculpture, Ross began his photographic work in 1994.

Robert Mapplethorpe (1946 - 89) may be best known for his photographic works and controversial imagery of the underground BDSM scene in the late 60s and early 70s of New York, but he didn't really begin taking photographs until he borrowed a Polaroid camera in 1971, and then later acquired a Hasselblad medium format of his own.

Since its beginning the gallery has mounted numerous photographic exhibitions significant to the world of fine art photography and continually works with museum, corporate, and private collections worldwide.

Beginning with his 1971 Paris photographs printed using chemical staining to create works full of strange presences [9] while under the influence of LSD, Polke exploited the photographic process as a means to alter «reality.»

Of course, a good part of the artist's wideranging, amiable practice lends itself very neatly to reproduction, from the transient «One - Minute Sculptures,» 1988 - 97, that brought his work to the attention of a wider public beginning in the late 1980s to his more recent photographic «instructions» for being idle or politically incorrect.

Inspired by his own visits to Israel and the visual and photographic potential held there and in the West Bank, began to build a project that would commission twelve photographers to go to the region and make their own work.

This Thursday at Ryan Lee Gallery, the noble and light - footed nephew of the late Helen Frankenthaler will showcase two series of silver gelatin photographs from the late»90s in «The Abstract Edge,» beginning with his «Grain Series,» perhaps the most abstract and spare photographic works in Ross» expansive but underappreciated catalogue.

Beginning in the 1920s, Kertész's work would go on to be shown in numerous exhibitions such as the Brooklyn Museum, New York; Royal Photographic Society of Great Britain, London; International Center for Photography, New York; National Gallery of Art, Washington D.C.; Museum of Modern Art, New York; Art Institute of Chicago; Bibliothèque National, Paris; Hungarian National Gallery, Budapest; Musée National d'Art Moderne du Centre George Pompidou, Paris; The Getty Center, Los Angeles; and the Metropolitan Museum of Art, New York.

Around 1987 he began a series of large - scale projections of shells and stones that recalled his series of faces and his photographic work.

This new body of work is an extension of an ongoing series, begun in 2008, in which Dávila simultaneously pays homage to and critiques icons of 20th century art and architecture through acts of excision, physically removing pieces of critical information from photographic reproductions of original works of art.

In these works, Porter merges photography and drawing, extrapolating the limits of the first through graphite lines that begin as interventions on photographic paper and continue on the wall, inserting what is photographically represented in the three - dimensional architectonic field.

Her early works began grappling with issues of femininity and sexuality, with the black and white series I am a Woman (1994 - 1996) and Born with Cultural Revolution (1995) counted as some of her earlier photographic works.

In 1977, while working with large - format 20 - by - 24 inch and 40 - by - 80 inch Polaroid cameras, Close began to value his photographic maquettes as works of art in their own right, rather than as the basis to his painting.

Lunn has been working with Takeshi Shikama since the beginning of his photographic career, providing the artist with his first group and solo shows in France and helping to develop his international exposure through various photography fairs.

Though widely recognized for her photographic images of the American modern dance movement from the 1930s and 1940s, Barbara Morgan began her career as a painter, and continued to produce works on paper throughout her life.

This a question that Joseph's work begins to answer, discontent sketched into every crevice of a driver's face as each photographic portrait sits alongside a quote.

LaToya Ruby Frazier has made this question a subject in her work since she began her photographic series, The Notion of Family (2001 — 14), documenting the socioeconomic inequities in her hometown of Braddock, Pennsylvania, and the notable changes in the wake of the closing of a major medical facility.

The same year, Baldessari moved to Santa Monica, where he met many artists and writers, and began to collect photographic images from films and other commercial sources that he would use in his work; during the same period, he photographed himself in deliberately amateurish compositions, and employed local sign painters to execute text - based works.

In 1968, he turned away from painting and began conceptual work with the photographic medium.

He works slowly, using photographic sources, searching for that point where illustration ceases and art begins.

Stemming from his love of music — he began his photographic career working for popular music magazines, has designed over 75 album covers, and created many music videos — Corbijn also produced a series of Cindy Sherman - style self - portraits wherein he posed as rock legends including Elvis and Jimi Hendrix.

Beginning in the early 60s, with seminal works by the aforementioned artists, The Painting of Modern Life charts the 45 - year evolution of the translation of photographic images to paint — revealing an extraordinary breadth of stylistic and thematic diversity.

In addition to the traditional live models she works from, Stump has begun incorporating found imagery as source material, focusing specifically on deconstructing the male gaze present in the photographic imagery of vintage men's magazines.

This major retrospective exhibition reexamines the arc of his photographic work from its humble beginnings in the early 1970s to the culture wars of the 1990s.

David Weiss (1946 - 2012) was world - renowned for his sculptural, photographic and video work, made as Fischli / Weiss in collaboration with Peter Fischli beginning in 1979.

From a journey that began when Bruno went to find his father's family, Bruno created a photographic diary recording his thoughts and feelings, and documenting the living conditions of the Algerian people he encountered along the way to make this body of a work in which he pays tribute to Frantz Fanon.

Working from photographic sources granted Schönebeck new creative freedom and allowed him to avoid the painful uncertainty and self - doubt inherent in a process that begins with abstract randomness.

Photography Spanning the entire history of the photographic medium from its beginning in 1839 to the present day, the Art Institute's collection of lens - based art features works by many of the world's greatest fine art photographers.

Varagnolo began gathering books and catalogues from Italy and abroad and contacted artists requesting documentation and photographic material of their work.

The isolation of facial features, including lips, chins, eyes, eyebrows, and ears, is a working paradigm Samore employed most notably in his 1990s photographic series Allegories of Beauty (Incomplete) and begun ten years earlier with the black and white series entitled Situations.

Letha Wilson's photographic, sculptural work begins as an exploration into our understanding of landscape.

Sofia's work comes from questioning the photographic image, something that the artist studies since the beginning of her artistic career.

In 2005, Peles Empire began by compiling a photographic documentation of these rooms, which then served as the basis for their work in plural ways.

Having firmly established himself as a highly sought after and regarded photographer in the DC area, Greg began exhibiting his latest work, billed as «photographic art» in local studios and art shows.

Profiling the band from its Tennessean beginnings right up until its present multi award - winning status, Proud Camden will examine this musically gifted family through the photographic work of up - and - coming music photographer Jo McCaughey.

Making the modern individual's perception a key theme of his work, Caillebotte showed himself to be far ahead of his time: it was only in the early twentieth century that comparable photographic strategies began to emerge in the medium itself.