Sentences with phrase «photographic works created»

Corey talked about his body of experimental, large format analog photographic works created with a recently discontinued Polaroid format.

CURRENTS is an annual exhibition which was initiated to highlight the contemporary photographic work created by NOPA members.

Not exact matches

Martha Wilson (Fellow in Performance / Multidisciplinary «01) is a pioneering feminist artist and art space director, who over the past four decades created innovative photographic and video works that explore her female subjectivity.

While working across multiple series, much of her photographic work functions as a personal act of deconstruction and reappropriation — both of images she has created herself and images she has singled out as influence.

In the mid-1970s, the artist began using the photocopy machine as a new type of photographic lens through which she created series of works that defy an accepted understanding of the limitations of the photocopier.

Over her career, Catherine Opie has created a defining and powerful body of photographic work.

The Alex Ferrone Gallery in Cutchogue will present «Photo - Technic II,» an exhibition of work created from alternative photographic techniques, from Saturday through Sept. 25, with a reception set for Saturday from 6 to 8 p.m.

Tillmans has become increasingly interested in the chemical foundations of photographic material, as well as its haptic and spatial possibilities, creating works without a camera in the darkroom that present photography as a self - referential medium.

Martha Wilson is a pioneering feminist artist and art space director, who over the past four decades created innovative photographic and video works that explore her female subjectivity.

Linnenbrink often uses a photographic base to his works and then imposes color on top or creates a flawless surface, which he then drills into to reveal layers of contrasting color poured beneath.

Using both digital and analogue techniques to create an immersive cinematic experience, he now presents the work alongside large scale, silver gelatine photographic pieces, as well as archival material.

Falls created the work's natural photographic effects by placing the fabric in the sun in his driveway in Los Angeles.

Deconstructing those mechanisms, Tonsfeldt creates work which isolates, emphasizes, or disrupts both analog and digital components of the medium, including the frame, and materials such as printer inks, photographic papers, and the optical films used in LCD screens.

Goldsworthy goes out into nature and uses ephemeral materials to create his work, which many times because of the temporal aspect of his art, exist only in photographic documentation.

In The Day Nobody Died (2008) the pair captured the daily life of the British army in Afghanistan, exposing photographic paper to light during significant events, creating abstract works that challenge journalism's traditional role in documenting war.

Applying 20th - century Cubism's multiple viewpoints to the photographic medium, he created a series of works he called «joiners,» photographic collages where many photographs of one subject are composited to create a complete picture.

Many of the first works, created in the deserts of U.S.A. (Nevada, New Mexico, Utah or Arizona) were ephemeral in nature and now only exist as video recordings or photographic documents.

Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.

The Saint Louis Museum of Art presents Thomas Struth: Nature and Politics, a photographic exploration of industrial and scientific research spaces featuring 35 large - scale works created within the past decade.

The exhibition will include hundreds of photographic works, along with additional materials including books, ephemera and objects - created by the artist in many formats and mediums of photography, allowing the viewers for a fuller understanding of the diversity of his output.

[23] His work features thick outlines, bold colors and Ben - Day dots to represent certain colors, as if created by photographic reproduction.

[1] Working for his own firm, Samuel M. Kootz Associates, he created photographic designs for fabric during 1935 - 36.

Plensa creates these works by altering images of individuals to generalize their characteristics and then using 3D photographic technology to produce a model for the sculpture.

The artist frequently works from gridded photographic stills, using the principles of pixilation to create large - scale monochrome and color paintings that range from photorealist to mildly psychedelic.

Beginning with his 1971 Paris photographs printed using chemical staining to create works full of strange presences [9] while under the influence of LSD, Polke exploited the photographic process as a means to alter «reality.»

Recent works include a series of beautifully coloured photograms, Lycopodium, created by burning the spores of Lycopodium moss against photographic paper and Replaying the mistake of a broken hammer (2011), a shimmering metal rod with the brittle properties of glass, created by deliberately interrupting the steel - tempering process.

Based on documentary and photographic evidence of the time, it reconstructs the spatial, temporal, social, and political contexts in which the works of art were created and exhibited, and the way in which they were interpreted and received by the public of the time.

In her recent series Transpositions (2014 - 2016) and her latest body of photographic work titled Collisions (2016), she uses Plexiglas elements to create large - scale compositions.

This limited edition photographic work features a found marble black square that has been roughly de-constructed and re - assembled to create a curious landscape, like an otherworldly ruin or monument.

In his «paper drop» works, he creates extraordinary sculptural forms in photographic paper, then by photographing them returns them to the accustomed flatness of that same medium.

She uses photographic prints, video, metals, cloth, magazines and other materials to create pictures, collage and other works of art.

In these works from the 1990s, he used the technically difficult dye - transfer method to apply fragmentary photographic images onto plaster and polylaminate panels to create ghostly effects.

In the film the artist creates an ephemeral silhouette figure in snow, a type of work that he refers to as «shadows» and can be seen before in his photographic works.

«Photo - Technic» features works of different photographic techniques from two photographers, Gerry Giliberti, who is exhibiting prints of still lifes and flora created with the alternative processes of Lumen and Solar Plate Printing, and Dave Burns, who is exhibiting Infrared images of Serengeti wildlife and landscapes from various safaris in Tanzania.

Martha Wilson is a pioneering feminist artist and gallery director who, over the past four decades, created innovative photographic and video works that explore her female subjectivity.

In the article, she discusses her current exhibition Alternative Process at David Klein Gallery and how she has been able to experiment with outdated photographic processes to create abstract work.

The artist creates publications, photographic works, text and performance.

For his first exhibition with Sean Kelly, Dávila has created an exciting new body of work, which includes sculpture, photographic works and works on paper.

Since 2005, she has drawn from the images to create photographic works — incisive and absurdist black - and - white compositions that employ classic formal concepts while challenging the notion of the photographic medium as representative of personal and cultural memory.

Whilst Khan's mindset is more painterly than photographic, he often employs the tools of photomechanical reproduction to create his work.

Working from sketches and photographic records, Emma creates stark, monochrome, often large - scale works on paper.

The other works bought with the fund are a video installation by Melanie Smith, a UK artist based in Mexico, showing the surrealist garden created in Xilitla by the British poet Edward James, and drawings by Helena Almeida, a leading Portuguese artist best known for her dramatic photographic self - portraits daubed with blue paint.

In order to create works with a bold vintage effect, the duo utilised one of the oldest techniques in photographic history: the collodion wet plate.

For their first joint exhibition Core, Mantle, Crust, the artists Johan Rosenmunthe and Markus von Platen have created a new series of sculptural and photographic works, along with a large - scale...

While Warhol didn't invent the photographic silkscreen process, he developed his own technique by combining hand - painted backgrounds with photographic silkscreen printed images to create unique works of art.

As always, the exhibiting photographic practice has been challenged through the never - ending play with various methods, where Tillmans often pins or taps his work to gallery walls, creating constellations of pictures.

Renowned for creating what he calls «photographic delusions,» Muniz works with a dizzying array of... Read more

The chemical foundations of the photographic medium have been at the top of his interests since 2000, and these abstract works, created without a camera, are once again exhibited next to the figurative photographs.

During those years he created his first works with pencil on canvas and ink on photographic prints; in them, he mixed words and diagrams to explore the relationship between the body and its environment, and the processes by which man perceives and imagines.

Speaking of his work, he said: «I create my images by studying the expression of the hazardous interactions that can arise between my photographic subjects and the different light sources that I decide to put in my scenes.