Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important
photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.
Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important
photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.
Take someplace like South Africa, for example — it's unbelievable the range and quality of
the photographic work produced there over last 20 or 30 years.»
Not exact matches
In order to
produce the color image seen here, I
worked with data coming from 2 different
photographic plates taken in 1986 and 1989.
In order to
produce the color image seen here, I
worked with data coming from 8 different
photographic plates taken between 1988 and 1997.
Upcoming in 2010 and 2011 Simmons will
produce photographic, sound, performance and sculptural
works in conjunction with MoMA PS.1, The Studio Museum, The Goethe Institute / Wyoming Building, The Kitchen, New York, The Nasher Museum of Art at Duke University, The Bronx Museum of Art and The Center For Contemporary Art, Prague and The Center for Art Design and Visual Culture, Baltimore among many other venues.
Simmons
produces photographic, installation, audio, performative, sculptural and video
works.
Referred to as «abstract figurative drawings,» by Mr. Owens, the new
works are
produced in ways that are «similar to the process of making
photographic prints in a darkroom» but using everybody's favorite petroleum jelly, Vaseline, and everybody's favorite drug, coffee.
Their love of the history of photography and their use of historical
photographic techniques, such as the cyanotype, has
produced an original and contemporary body of
work.
Award - winning photographer Ray Germann photographs mainly in black & white, and his twenty - five years experience
working in the traditional black & white wet darkroom helps him
produce digital prints today with a similar look and quality to the
photographic papers of old.
Throughout his career, Robert Heinecken
produced works that invariably incorporated
photographic imagery.
The exhibition included both freestanding sculptures and wall
works combining text and image; exhibited as well were examples of «interactive sculptures» (some
produced in collaboration with Esther Shalev - Gerz), pieces either re-created, presented in the form of
photographic documentation, or made accessible by computer.
Among the exhibits» many highlights are
photographic works Picasso
produced with other artists, including Brassai and his mistress Dora Maar.
, discussing directions in which
photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to
produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artists undertake.
Plensa creates these
works by altering images of individuals to generalize their characteristics and then using 3D
photographic technology to
produce a model for the sculpture.
Scanning (1963) is part of an extended series of
works Robert Rauschenberg
produced between 1962 and 1964 that combine silkscreened
photographic images with lush, gestural passages of paint.
Now he was interested in exploring the relationship between the
photographic image and painting,
producing some of his first
works to use techniques of blurring in 1963, like the piece titled Alster.
His
photographic works are made without the use of a camera, instead
producing images, both figurative and abstract, with handmade «negatives.»
At times hauntingly beautiful and engagingly uncanny, People in trouble laughing pushed to the ground was
produced by Broomberg and Chanarin in response to an invitation to
work with the Belfast Exposed
photographic archive in Northern Ireland.
Curated by Abdellah Karroum, the exhibition will feature Neshat's existing and newly
produced works, including the major
photographic series, The Book of Kings (2012) as well as a selection of video installations commenting on the historical, cultural and political realities that she has focused on for over 30 years.
Produced by exposing sheets of
photographic paper to the colour temperature of fluorescent light, the resulting series of monochromatic
works look at the implication of light to the given environment.
This publication brings together three major bodies of
work: the
photographic and video
works produced under the fictional collective name The Atlas Group; various series of seemingly «straight» photography of his native Beirut titled Sweet Talk: Commissions (Beirut); and his most recent project, Scratching on Things I Could Disavow: A History of Art in the Arab World.
The exhibition is a new selection of nine diptychs
produced in the mid - 1980's that articulate recurrent ideas in his
work over the last forty years — a fundamental commitment to photography and its idiosyncrasies through processes that transcend the limits of
photographic techniques.
In paintings and
works on paper, Doig converges observation,
photographic references and memory,
producing woozy impressions of an idyll seemingly untouched by strife.
Sébastien Bonin
produces vibrant process driven
photographic work.
Make America Great Again marks a departure from Erizku's
photographic work, bringing together new sculptures and paintings as well as a «conceptual mix - tape»
produced specifically for the exhibition.
In this
work a Lancaster Red - Green Glass was placed over a
photographic camera lens to
produce images.
The gallery often collaborates with independent curators and other art institutions in order to
produce important exhibitions dedicated to the
photographic work of both emerging and established artists, like Sebastiao Salgado and Marina Font.
Collectors, galleries and museums are now increasingly promoting
photographic works and the artists who
produce them.
Though widely recognized for her
photographic images of the American modern dance movement from the 1930s and 1940s, Barbara Morgan began her career as a painter, and continued to
produce works on paper throughout her life.
He also
produced two important
photographic bodies of
work, including a haunting group of black - and - white life - sized photograms from the mid-1970s that the artist called ANGELS.
From 1979 to 1983, he
produced a series of
photographic, mixed media and film
works.
Since that innocent time, things have developed dramatically, and museums now routinely fly artists around the world to create
works that are subsequently photographed and disseminated through the art publications and social media to
produce the kind of
photographic aura we're talking about.
Worked with Zygote Press and individual artists to
produce photographic documentation of art
works in various media that use paper as their primary substrate.
Worked with artist, Carl Ostendarp, to
produce photographic documentation of paintings that convey material specificity, qualities of surface and accuracy of color.
«Cindy Sherman», May 28 - October 3, 2016 at Brisbane's Queensland Art Gallery of Modern Art with 56 large - scale
photographic works from six series, all
produced since 2000, including
works completed in 2016.
The exhibited
works have been taken from Broadbent's recent book, The
Photographic Work of Robin Broadbent (2017, Damiani) and have been
produced specifically for the exhibition as silver gelatin and digital chromogenic prints.
Emergence presents a collection of the Yokota's experimental camera-less
photographic works, offering a rare opportunity to see special pieces
produced by the artist's hand.
Worked closely with the Museum of Contemporary Art, Cleveland to
produce photographic documentation of Myopia — a large - scale exhibition by artist and musician, Mark Mothersbaugh.
[ENG] The third exhibition by Peter Downsbrough at àngels barcelona focuses on the conceptual
photographic work that the artist has been consistently
producing since 1978 and that has been of major relevance in his multidisciplinary artistic practice which includes sculpture,
works on paper, photographs, films and books.
Worked with the Museum of Contemporary Art, Cleveland to
produce photographic documentation of The Block — a painting by Keith Mayerson.
It contains all original
works that were made in editions, such as prints,
photographic editions, artist's books, artist's posters, multiples and editions of paintings, which were
produced before 2013.
The three bodies of
work represented in FOCUS: Adam Fuss include images of water droplets, butterfly chrysalises, and children, and each of these series was
produced with a different
photographic technique.
Working with the seemingly narrow subject of his own face, Close has
produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain
photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink - jet prints; from the subtle tonalities of gray - scale paintings and drawings to the exuberance of an 111 - color screenprint.
Stemming from his love of music — he began his
photographic career
working for popular music magazines, has designed over 75 album covers, and created many music videos — Corbijn also
produced a series of Cindy Sherman - style self - portraits wherein he posed as rock legends including Elvis and Jimi Hendrix.
Xaviera Simmons
produces installations, sculptures,
photographic, and video and performative
works.
For Reduction, Reduction, a selection of
works have been taken from Broadbent's recent book, The
Photographic Work of Robin Broadbent (2017, Damiani) and have been produced specifically for the exhibition as silver gelatin and digital chromogenic photogra
Photographic Work of Robin Broadbent (2017, Damiani) and have been
produced specifically for the exhibition as silver gelatin and digital chromogenic
photographicphotographic prints.
For almost six decades, Harry callahan
produced a unique multi-facetted body of
photographic work which − in its full complexity − has not yet been brought to the attention of a wider audience inside europe.
Parallel to the exhibition, FLAR will present new
photographic works on the Pattison billboard at the corner of West Hastings St. and Abbott St. Aligned with this public exhibition, FLAR will also
produce a new poster series that will be available in the gallery and disseminated around the city.
In reaction to what he regarded as the academicism of the teaching curriculum he turned to making sculpture out of rubbish, to performance art and to
producing photographic works in which he often posed.