Sentences with phrase «photographic works with»

Julien has pioneered a form of multi-screen installations, including light - boxes and photographic works with «Western Union: Small Boats» (2007), «Ten Thousand Waves» (2010) and «Playtime: Kapital» (2014).

Our Five Works artist, Zakkiyyah Najeebah, will exhibit and discuss her photographic works with Mana Chicago's Exhibitions & Community Programs Manager, La Keisha Leek.

Noguchi's solo exhibition «Light Reaching the Future» held at the IZU PHOTO MUSEUM in 2011, in which she juxtaposed such photographic works with silkscreen works had served to further deepen her consideration both towards light and to photography (the film camera), by means of methodically deconstructing and inspecting the compositional elements of the photograph.

Hovsepian's new series of assemblages continues her practice of combining photographic work with varied studio art disciplines.

Not exact matches

It also paid tribute to the railway's unique history with a photographic timeline, and offered the opportunity to sneak a peek behind the scenes at the work currently underway building and maintaining all the engines and rolling stock.

This technique is based on the work of Australian mom, Priscilla Dunstan, a classically trained musician with a photographic memory for sound, who has decoded infant cry patterns.

To give you an idea of the difference, three years of work with photographic plates could be done with the CCD in the course of roughly a month.

In order to produce the color image seen here, I worked with data coming from 2 different photographic plates taken in 1986 and 1989.

In order to produce the color image seen here, I worked with data coming from 8 different photographic plates taken between 1988 and 1997.

It's just that with working at home with two little ones these days, it's hard enough to get DRESSED in clothing outside of athletic wear let alone have the time to have PHOTOGRAPHIC EVIDENCE that I got dressed haha.

I respect their work, I respect them as filmmakers, but I wasn't quite sure if there would be a good marriage between what I'm trying to pursue and the work that I'm doing and what they're doing, but they helped make that real clear to me early on by expressing some real interesting story [and] photographic ideas that really resonated with me.

Away from the competition, the lineup offers numerous pockets of interest beyond the red - carpet draws of the Madonna and Soderbergh features: the documentary lineup is particularly strong, with new offerings from American masters Jonathan Demme («I'm Carolyn Parker»), Ross McElwee («Photographic Memory») and Frederick Wiseman («Crazy Horse»), as well as two new works (one short, one feature) from Pietro Marcello, whose «The Mouth of the Wolf» was my single favorite doc of 2010.

But its eerie photographic effects, off - beat narrative and stylish direction set it apart from its contemporaries and mark it as the work of an auteur with a clear, specific vision.

Secondary age students have benefitted from grants to support their extended studies with funding for laptop computers and digital cameras to enable them to keep photographic records of their practical work

Under the supervision of the Director of Photography, responsibilities will include: • Work with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital phWork with editors and reporters to identify and coordinate opportunities for visual storytelling • Work with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital phWork with staff to research and implement new and creative ways to display photographs online • Utilize social media to promote photographic work to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital phwork to engage and build reader interest • Work collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital phWork collaboratively with Web team, page designers, and editors in photo selection and display • Assist with efforts to engage an online audience via EdWeek's vast archival content, including both print and digital photos

Today, we get to work to bring you as much photographic coverage as we can, along with a couple of interviews with the Audi Sport team.

One of her best - known works is 70 +1 +2 (1998), a life - size, full - length, alarmingly present three - dimensional hologram of the artist at a majestic 71 years of age, seen frontally, paired with a similarly scaled photographic collage of herself in the same pose seen from the back.

The gallery owners responses to questions about «How To Work With Galleries» was helpful, but as an award winning fine art photographic artist, I would like more detailed information about how to find and approach successful galleries to represent the art of photography.

This work, along with two recent photographic series, will go on view at Jack Shainman's 20th Street space this week; nearby, at its 24th Street gallery, Weems will debut two more photographic series that deal with the representation of black Americans, often through performance.

Formalism is an interdisciplinary exhibition and accompanying printed publication that gathers photographic works together with written contributions around the notion of formalism.

«The humble aim of our exhibition together with this printed matter is to offer an interdisciplinary platform: a dialogue stage that, prompted by the fruitful dichotomy between text and image, gathers photographic works together with written contributions around the notion of formalism.

His photographic work appears calm on the surface, yet is run through by an undercurrent of constant self - doubt and propelled by the essential personal bond he develops with his subjects.

As a photographic artist, I hope someone in the gallery business or other fine art photographer who have successfully been through this will read and respond to comments regarding «How To Work With Galleries».

He says: «With my photographic work, I wanted to overcome at least a few cultural barriers by putting my perspective on things out there for discussion.»

Upcoming in 2010 and 2011 Simmons will produce photographic, sound, performance and sculptural works in conjunction with MoMA PS.1, The Studio Museum, The Goethe Institute / Wyoming Building, The Kitchen, New York, The Nasher Museum of Art at Duke University, The Bronx Museum of Art and The Center For Contemporary Art, Prague and The Center for Art Design and Visual Culture, Baltimore among many other venues.

Vera Lutter works with camera obscura, or pinhole camera, to expose directly onto a sheet of light - sensitive photographic paper.

Using iconic imagery of modern protest with an advanced photographic method, these works become fully perceivable in form and content while illuminated.

Most of the women — Kruger, Levine, Lawler, Sherman, Charlesworth, Bloom and Laurie Simmons — worked with photographic imagery, partly because photography was still regarded as a bastard child of art.

Kessling's photographic work «The Head» is a signifier of the particular artifice of pre-revolutionary fashions of Louis XVI, while replacing make - up with a primitive tribal mud.

The first book to examine the practice of Sara Rahbar, including her early installations for the Queens Museum of Art, a photographic series made in Tehran, and the politically inspired textile - based works, all which use historically charged materials and forms.Essay by Catherine Grenier, adjunct director of Centre Pompidou, and interview with Elaine W. Ng.

Fuchs Projects brings back photographic works from its «vault» during Bushwick Open Studios, together with works from previous exhibitions held at the gallery.

Opening reception: Thursday, September 11, 6:00 — 8:00 pm Andrea Rosen Gallery is delighted to present new sculpture and photographic works by Matt Keegan with Landfall, 1970, a totemic column by Anne Truitt (1921 - 2004).

The Alex Ferrone Gallery in Cutchogue will present «Photo - Technic II,» an exhibition of work created from alternative photographic techniques, from Saturday through Sept. 25, with a reception set for Saturday from 6 to 8 p.m.

Curated in collaboration with Mark Sealy and Renée Mussai of Autograph ABP, whose co-founder and first Chair was Rotimi Fani - Kayode, the exhibition features a selection of his most important photographic works produced between 1985 - 1989, including large - scale color works and arresting black and white images.

The first mid-career survey dedicated to Deschenes's work, this exhibition will feature 20 years of her art, including explorations of various photographic technologies, rich and nuanced work with photograms (a type of photographic image made without a camera), and sculptural installations that reflect the movements and light within a given space and respond to a site's unique features.

Other works such as the series Blushes 2000 - ongoing, made without a camera by manipulating the effects of light directly on photographic paper, show how the artist's work with abstraction continues to push the boundaries and definitions of the photographic form.

José has been working with alternative photographic processes for 20 years and has given workshops on his techniques.

Award - winning photographer Ray Germann photographs mainly in black & white, and his twenty - five years experience working in the traditional black & white wet darkroom helps him produce digital prints today with a similar look and quality to the photographic papers of old.

In her first New York showing since a mid-career retrospective at the Guggenheim in 2014, Weems takes over both Jack Shainman spaces with recent photographic works and films.

The remaining funds went to more contemporary works: a 1974 photographic suite by John Baldessari called «Portrait: Artist's Identity Hidden with Various Hats» for $ 500,000, and a 2009 neon installation by Glenn Ligon that plays on the word «America» for $ 100,000.

He actively works with the photographic image in all imaginable levels: as a consumer, producer and editor of images, as arranger, curator, installer, and as his mechanic, anatomist, political, sculptor, technical, expert and philosopher - scientist.

Next up, for International Women's Day (March 8), Oxheys Mill Studios, Preston, presents «Family Album», rare photographic works by Maud Sulter and Jeanne Moutoussamy - Ashe made in the late 1980s and early 1990s; a showcase curated by Lubaina Himid who will be in conversation with photographer Ingrid Pollard at 2 pm.

Currently the Director / Curator of PLATFORM: centre for photographic + digital arts, Kegan found himself in New York City this past June as a participant in the inaugural Curatorial Intensive with Independent Curators International, where he work - shopped the exhibition Cabin Fever, which opened at PLATFORM in October.

Her oversized works appear as photographic flawlessness from a distance yet, on closer examination one is confronted with intriguing layers that reveal cracks in this illusion.

Working quickly to capture the diffusion of pigments with a large - format camera, he makes photographic glimpses into a world that is both familiar and fantastic, awash in unnatural colors.

Haunch of Venison (at Eastcastle St) Simon Patterson: Under Cartel 13 July — 31 August 2012 A photography show with a concept; found photos and large photographic works of equestrian statues in city capitals with the idea they can be swopped between locations.

With the exceptions of essays by Rosalind Krauss (in Francesca Woodman: Photographic Work, edited by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited by Benjamin Buchloh and Betsy Berne, published by Marian Goodman Gallery, New York, 2004), few critics have contextualised Woodman's work within the feminist genre of the 19Work, edited by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited by Benjamin Buchloh and Betsy Berne, published by Marian Goodman Gallery, New York, 2004), few critics have contextualised Woodman's work within the feminist genre of the 19work within the feminist genre of the 1970s.

Florian Maier - Aichen, Der Spaziergang (Green, White, and Blue), 2011 C - print 15 x 12 inches April 29 — June 25, 2011 With the works in this exhibition, Maier - Aichen continues his practice of picking apart and expanding notions of photographic representation.

When I saw your exhibition Radiohalo at Blain Southern, in London, earlier this year, I was taken by the strange beauty of your very large works, associating silver nitrate with photographic processes, and therefore illumination, yet the chemical substance is also a toxic one.

With his ongoing photographic self - portraits, Sartorial Anarchy, dressed in varied costumes across geography and time the work of Nigerian - born Iké Udé explores a world of dualities: photographer / performance artist, artist / spectator, African / postnationalist, mainstream / marginal, individual / everyman and fashion / art.