Sentences with phrase «photographing numerous works»

From 1942 to 1945, in addition to his painting, Sheeler worked for the Metropolitan Museum of Art in New York, photographing numerous works of art belonging to the permanent collection, including sculptures, paintings, and various other precious items.

Not exact matches

Throughout the day numerous GT - Rs arrive for tuning work, servicing, or just a photograph outside the bright red workshop doors.
Because the artist is currently unable to visit Alcatraz, Haines has made numerous trips to Ai's studio in Beijing to deliver in - depth information about the site, including maps, archival materials, photographs, and video footage conveying the history of Alcatraz and the particular spaces where the work will be installed.
Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the comprised works, including insightful commentary written by the artist.
It features texts by Elena Geuna and Guy Tosatto and reproduces over 85 works, including photographs and sculptures, along with numerous paintings.
Numerous artists have devoted their work to understanding the representational systems that inform identity and history in their respective cultures, from William Kentridge's poetic animated films on the ravages of apartheid to Michal Rovner's abstracted photographs and videos of Middle Eastern countries with contested borders.
Simon's photographs and writing have been featured in numerous international publications and her work has been the subject of monograph exhibitions at institutions including the Tate Modern, London; Museum für Moderne Kunst, Frankfurt; Kunst - Werke Institute for Contemporary Art and Neue Nationalgalerie, both in Berlin; and the Whitney Museum of American Art and MoMA PS1, both in New York.
In addition to Top Honors, the awards include Best Representational Painting, Best Abstract Painting, Best Sculpture, Best Work on Paper, Best Mixed Media, Best Photograph, and numerous Honorable Mention citations, along with the $ 250 Catherine and Theo Hios Landscape Award and the Best New Member Artist presented to one artist who is new to the members exhibition or who has not entered in the past five years.
He has been the subject of numerous retrospectives, including William Wegman: Paintings, Drawings, Photographs, Videotapes (Abrams) in 1990, a 20 - year survey of his work presented at the Kunstmuseum Lucerne as well as shows at the ICA London, the Stedelijk Museum, the Frankfurt Kunstverein, the Centre Pompidou, the ICA Boston, the Whitney Museum, and the Contemporary Arts Museum in Houston.
Thus the monsters are in communication with works which allow language, stories branching out in all directions and fictions to be present as spirits: hundreds of balloons in the form of speech bubbles, glass speakers, puppets, photographs of the artist, who is speaking to animals, a film which has «produced a building» and numerous stories which the monsters from the drawings want to begin...» (excerpt from the press release).
This exhibition of 12 sculptures and numerous drawings and photographs by the Italian - born artist is prefaced by a new work, In Frequencies, by Tony Cragg, who in the accompanying catalogue credits Rosso as the first modern sculptor.
Arne Svenson is a New York - based artist whose work has led him down numerous and varied paths of visual exploration, from landscape photographs of Las Vegas to portraits of sock monkeys, forensic facial reconstructions, and medical museum specimens.
Her photographs have been published both online and in print, most notably through WIRED, Featureshoot, and PetaPixel, and she has received numerous grants and awards for her work photographing plankton in the series Into the Umbra.
The Block's collection of contemporary photographs includes major works by renowned artists David Levinthal, Robert Mapplethorpe, Luis González Palma, Shirin Neshat, Andres Serrano, Andy Warhol and numerous Chicago - based artists including Alan Cohen, Barbara Crane, Nathan Lerner, Laura Letinsky, Joseph Sterling, Brad Temkin and Edmund Teske.
Paintings, photographs and video works taken from numerous public and private collections worldwide, from the earliest, rarely exhibited photographs of her mother to the commissioned SMASH video, aim to reaffirm the importance of her vision, as part of the 10th anniversary celebrations of the Elizabeth A. Sackler Center for Feminist Art.
The book mainly comprises previously unpublished material, including numerous photographs of the artists installing their work or simply chatting.
The first major retrospective of Greenfield's work, the exhibition features nearly 200 photographs, numerous first - person interviews, and documentary film footage, forming a thematic investigation of how the pursuit of wealth, and its material trappings and elusive promises of happiness, has evolved since the late 1990s.
Nina Katchadourian's five - part portfolio Window Seat Suprematism (2014) is based on photographs of airplane wings she took over the course of numerous commercial airline flights; in this work she documents her peripatetic lifestyle while also channeling the pared - down compositions of the Russian avant - garde.
Working for the last thirty years, Casebere is the recipient of numerous fellowships and his photographs are in the collections of many museums, including the Metropolitan Museum of Art and the Victoria and Albert Museum.
Other awards include: Best Representational Painting, Best Abstract Painting, Best Sculpture, Best Work on Paper, Best Mixed Media, Best Photograph and numerous Honorable Mention citations.
His exhibition New World presents photographs from the artist's new group of works of the same name, which were created in the course of numerous journeys.
The body, in most instances her own, became her primary subject matter and the springboard for ceramic sculptures, latex wall pieces, chewing gum sculptures, and numerous performances, photographs, films and two dimensional works.
The Estate of Gordon Matta - Clark and David Zwirner, New York, also lent nearly fifty photographs, while the Canadian Centre for Architecture, Montréal, provided numerous works on paper, including eleven drawings.
The wide variety of materials that constitute the exhibition (including collections of photographs, slide projections, periodicals, recent film and video installations, sculptures, and printed works on paper) create numerous situations within which to consider not only the materiality of images and the technologies that form their reception, but also the conflicted social history that lies under their surfaces and is inextricable from their origins.
Works from small - scale collages to frand mural projects are not only illustrated in their final forms but also seen in progres in numerous studio photographs.
Guise & Dolls focused on several prominent bodies of work from each artist's oeuvre: Warhol's «Ladies and Gentlemen» series (1975) of drag queen portraits, Christopher Makos's «Altered Images» series of Warhol in drag, Mapplethorpe's photographs of lifelong friend and longtime muse Patti Smith that range from masculine to feminine and Mapplethorpe's photographic series and book Lady: Lisa Lyon (1983) of the female bodybuilding champion in numerous gender - bending guises.
But Locher, whose work has been exhibited internationally, including at Aperture Foundation / New York, Le Dictateur / Milan, and Fashion Space Gallery / London, and has appeared in numerous magazines such as the New York Times Magazine, W, Neon, and Interview hasn't just done it for fun; sometimes confrontational, often amusing, her photographs are intended to raise serious points about politics and social conventions.
Numerous retrospectives of Wegman's work have been made among them Wegman's World, which opened at the Walker Art Center, Minneapolis in 1981 and toured the United States and William Wegman: Paintings, Drawings, Photographs, Videotapes, which opened at the Kunstmuseum, Lucerne in 1990 traveling to venues across Europe and the United States including the Pompidou Center, Paris and The Whitney Museum of American Art, New York.
Founded in 1990, the National Gallery of Art's collection of photographs and its program for photography have become one of the most celebrated in the world, with large, in - depth holdings of work by such celebrated photographers as Eadweard Muybridge, Alfred Stieglitz, Walker Evans, Ilse Bing, Robert Frank, Harry Callahan, and Robert Adams, among others, and numerous award - winning exhibitions and publications.
She wanted her uncle's work to be accessible to as many people as possible, and generously lent the family's collections of books, manuscripts and photographs to numerous exhibitions throughout the world.
The bequest also contains a striking portrait by Thomas Eakins, numerous Eakins sketches, drawings, and photographs, and works by his wife, Susan Macdowell Eakins.
In addition to presenting around seventy paintings, numerous works on paper, and several sculptures, the show displays some fifty previously unexhibited photographs by or of Derain, as well as prints, correspondence, and examples from his collection of Maori and African objects.
There are numerous iconic works, examples being Herb Ritts's image of pop star Madonna from 1986; the portrait of Laurie Anderson by Robert Mapplethorpe from 1987; or Dr Harold Edgerton's time - lapse photograph of a boy running from 1939.
Through paintings, sculpture, works on paper, a notebook, and other ephemera, as well as Adler's numerous photographs from this period, this exhibition explores how the context of life in New York informed and formed Basquiat's artistic practice.
One work, You Are the Weather (1994 - 5) involves numerous photographs of a young woman in the hot springs of Iceland.
His work has also been included in numerous group exhibitions including First Among Equals at ICA Philadelphia (2012); Knight's Move at Sculpture Center, New York (2010); Reel to Real: Photographs from the Traina Collection at the de Young Museum, San Francisco (2012); and Greater New York at MoMA P.S. 1, New York (2000).
This questioning of the continued relevance and future siting of public sculpture continues a line of enquiry by Jankowski that has previously seen him create numerous life - size bronze Living Statues (2007)-- simulacra of street performers posing as Julius Caesar and Che Guevara in Barcelona — as well as a giant socialist - realist sculpture based on an anachronistically luxurious photograph by one of the Mexican Muralists, entitled Monument to the Bourgeois Working Class (2012).
Working in the high - tech and multicultural British Columbian city, where influences back and forth across the Pacific Rim are numerous and complex, as well as exploring his own Japanese Canadian identity, Terada has built a fascinating body of work that includes paintings, photographs, video, sound, books, and graphic design.
At the Frieze fair, which opens on Friday, numerous galleries will include work by Biennial artists: New York's Mitchell Innes and Nash, which represents Pope.L, whose massive installation in the Whitney included hundreds of pieces of bologna affixed to the wall in pushpins, will be offering one of the artist's (less perishable) photographs; the Los Angeles - based Night Gallery will feature works by Samara Golden, whose installation in the Whitney, The Meat Grinder's Iron Clothes, included miniature interiors and a profusion of mirrors; and Mary Mary, a Glasgow gallery, will feature a booth with works by Aliza Nisenbaum, whose large - scale, figurative paintings of immigrants are also included in the Biennial.
Hilliard has photographed his father on numerous occasions, and these works exemplify the artist's ability to fuse fact with fiction.
His work has been included in numerous group exhibitions including First Among Equals at ICA Philadelphia; Knight's Move at Sculpture Center in Long Island City, New York; Reel to Real: Photographs from the Traina Collection at the de Young Museum in San Francisco; and Greater New York at MoMA P.S. 1 Contemporary Art Center, Long Island City, NY.
There are numerous photographs of Duchamp posed with specific works in the show, and several photographs of Hopps replacing Babitz at the chessboard, with Teeny Duchamp looking on.
VanDerBeek shoots numerous photographs of each composition but selects only one print as the final work before disassembling the sculpture and each photograph becomes the permanent, lasting manifestation of her process.
in his sculptures, installations, photographs and videos, he examines our knowledge and interpretation of the world with curiosity and wit, borrowing from numerous disciplines, such as art history, science and new age beliefs to test his ideas about the way things work and exist.
Tracing the development of the artist's extraordinary visual vocabulary, the exhibition includes 155 works on paper, numerous experimental videos, and over 150 archival objects, including rarely seen sketchbooks, journals, exhibition flyers, posters, subway drawings, and documentary photographs.
Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's reference sources for the works, including commentary by the artist.
The book, richly illustrated with numerous color photographs, mostly by Braasch, describes the work of many of the world's leading climate scientists, offers a macro look at ecology and temperature trends and suggests potential solutions and positive actions for all ages and provides resources.
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