Sentences with phrase «photographs about photography»
Is the Windy City veteran, best known for his «photographs about photography,» ripe for revisioning in light of contemporary tastes?
https://www.artforum.com/
A finger poised on a camera — its open back revealing the film roll and mechanism — sets the scene for this exhibition of photographs about photography.
Not exact matches
Speaking of looking at the pot, you know the part that kinda stinks about photographing what you're about to eat (especially when you're a photography slow - poke like me)?
One of the first things I noticed in the book was the most obvious — Celine's amazing photographs (about 45 of them)-- which are all breathtaking, inspiring and showcase her rustic - yet - sophisticated style of photography.
United Kingdom About Blog If you love sports photography, tutorials and tips for photographing a sporting event — you've come to the right place!
About Site - Ozimek Photography is an Architectural photography firm based in Toronto, providing striking and professional architectural and interior pPhotography is an Architectural photography firm based in Toronto, providing striking and professional architectural and interior pphotography firm based in Toronto, providing striking and professional architectural and interior photographs.
About Blog I began photographing in the age of the dark room and film photography over 15 years ago and have been inspired ever since.
United Kingdom About Blog If you love sports photography, tutorials and tips for photographing a sporting event — you've come to the right place!
Nashville About Blog Mandy Whitley Photography is a Nashville Pet Photographer and Nashville Dog Photographer who photographs pets and their people.
Vancouver About Blog This is my documentary photography journal where I share photographs and write about my wedding photography work, thoughts, contemplations, travels and other projects I'm workinAbout Blog This is my documentary photography journal where I share photographs and write about my wedding photography work, thoughts, contemplations, travels and other projects I'm workinabout my wedding photography work, thoughts, contemplations, travels and other projects I'm working on.
Edmonton, Alberta About Blog Lindsey Parkin Photography absolutely loves photographing engagements and weddings for outgoing, sweet couples.
Philadelphia About Blog Sweetwater is a unique Philadelphia - based wedding photography team of Julie Melton and Dutch Huff, photographing weddings in the tri-state area and destinations worldwide.
UK About Blog Wildlife photography mainly with photographs of birds mammals, butterflies and dragonmflies etc by Robin Chittenden.
I love the freedom and opportunities that street photography gives you, and I take this into the very heart of my commissioned work.I'm based in Surbiton, Surrey and travel throughout the United Kingdom to take photographs Frequency about 1 post per month.
Staufen, Schweiz About Blog The Photoblog of Severin Koller with latest street photographs and information on street photography.
Colourful and informative, it includes: - tips on editing - key words - writing about own photographs - the photography project process - How to analyse a photographer - Assessment objectives - Photoshop tool bar - photoshop shortcuts - Photoshop techniques - step by step Also included is a version with blanked out sections, which I used as an investigative lesson early on in the course where students had to fill the gaps.
For example, we have this upcoming photography exhibit, and how do you talk to people about your photographs?
She (along with her husband) published Deep Nature: Photographs from Iowa (2009) and blog about nature and photography on their website.
Photographing food is science on its own: you can find very useful tips about finding the right angle and composition at Cookie and Kate, a step - by - step at BBC Good Food and a how to make brown soup mouth - watering guide from the Digital Photography School.
Diane's twice - monthly blog contains information about photography (how to photograph your own animals), stories about rescues, training tips, etc..
As I aim for when taking photographs outside, no matter what I'm shooting, is good light, and just about 2 hours before sunset, the light was looking pretty good with the cloud cover coming in and out throughout the hour long pet photography session.
Vancouver About Blog This is my documentary photography journal where I share photographs and write about my wedding photography work, thoughts, contemplations, travels and other projects I'm workinAbout Blog This is my documentary photography journal where I share photographs and write about my wedding photography work, thoughts, contemplations, travels and other projects I'm workinabout my wedding photography work, thoughts, contemplations, travels and other projects I'm working on.
Vancouver About Blog This is my documentary photography journal where I share photographs and write about my wedding photography work, thoughts, contemplations, travels and other projects I'm workinAbout Blog This is my documentary photography journal where I share photographs and write about my wedding photography work, thoughts, contemplations, travels and other projects I'm workinabout my wedding photography work, thoughts, contemplations, travels and other projects I'm working on.
About Blog Indianapolis Pet Photographer DogShotz Photography was born out of my passion to photograph shelter dogs in hopes of helping them find.
We talk to photography & design duo Chris Amat and Courtney Molyneaux about a recent trip they took to photograph the streets, food and culture of Lisbon and Barcelona.
Baltimore, maryland About Blog A Family Photography Blog We believe that photographs stop time and preserve memories of loved ones and relationships beyond the wedding day.
About Blog I began photographing in the age of the dark room and film photography over 15 years ago and have been inspired ever since.
Vince Aletti reviews photography exhibitions for The New Yorker «s «Goings on About Town» section and writes a regular column about photo books for PhotogAbout Town» section and writes a regular column about photo books for Photogabout photo books for Photograph.
Stone will speak about his work and recent book, DAILY, IN A NIMBLE SEA, which explores through a collection of photographs assembled over a ten - year span the relationships connecting photography, chance operation, code and the landscape.
In a world of photography where digital «snaps» are becoming the tedious norm, the Michael Hoppen Gallery presents a show navigating an area of photography that little is known about: the photograph made without a negative.
Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.
When asked about these photographs, John Szarkowski commented, «Photography is about what you can see — this is what you can't see.»
There are many books about his work including Man Ray: Photography and its Double (1998), Man Ray Photographs (1987), Photographs by Man Ray: 105 Works, 1920 -1934 (1980), Man Ray Women (2006), Man Ray's Montparnasse (2004), Conversion to Modernism: The Early Works of Man Ray (2003), and Man Ray: In Fashion (1991).
He spoke about the tension in photography over whether an image is an artwork, a document (such as a news photograph or postcard), or both.
«About Time: Photography in a Moment of Change» is the rare thematic show that demonstrates how such curatorial restraint can balance curatorial ambition to create moments during which each photograph flows into and out of its neighbours, the theme standing as a propitious forum for reintroducing long - lost friends rather than an arbitrary organizing principle for gathering objects that would otherwise have gathered dust.
Whether it's an art work or a photograph that I am trying to think through, or some ideas that I came upon that prompted further investigation, the camera is a tool for me to find depictions that can somehow address or reflect these encounters, and the different ways that they have influenced my thinking about photography.
Her romantic, surreal, often disturbing black and white photographs reference the history of modernist photography as well as presciently gesture towards more recent art about objectification and the female gaze.
Juror Andrianna Campbell wrote this about the work submitted: «The photographs chosen play with the body, subjectivity and the place of both in relationship to photography.
Looking Again is as much about photography as it is about the specific photographs reproduced within it.
Does every photograph make an assertion about photography?
This desire to make photographs that tell a story and say something about the human condition is central to Broffman's approach to photography.
The exhibited photographs give a differentiated overview about the dynamic photography scene of Algeria.
Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Pphotographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Pphotography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography of Egypt, slide presentation, the Portland Art Museum, Portland, OR
About Time: Photographs from the SFMOMA Collection, the photography department's inaugural exhibition will debut at the re-opening of the museum, spring 2016.
For the upcoming session we have invited Barbara Clausen, curator and Professor, Performance Theory and History, University of Québec; Lucy Gallun, Assistant Curator, Department of Photography, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, to lead a discussion about the relationship between photography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk — Kender, 1960 — 1971 (May 17 — October 4, 2015, at The Museum of Modern Art) and Pier 54 (November 6 — December 13, 2014, organized by High Line Art at 120 ElevenPhotography, MoMA; artists Sharon Hayes, Liz Magic Laser, and Jill Magid; and Melanie Kress, High Line Art Curatorial Fellow, to lead a discussion about the relationship between photography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk — Kender, 1960 — 1971 (May 17 — October 4, 2015, at The Museum of Modern Art) and Pier 54 (November 6 — December 13, 2014, organized by High Line Art at 120 Elevenphotography and performance on the occasion of the exhibitions Art on Camera: Photographs by Shunk — Kender, 1960 — 1971 (May 17 — October 4, 2015, at The Museum of Modern Art) and Pier 54 (November 6 — December 13, 2014, organized by High Line Art at 120 Eleventh Avenue).
Experts in the field of photography as well as spiritualists were very excited about finding out how these photographs had been created.
Although he never formally studied photography, Welling set up a darkroom in 1976 and began learning about printing and developing with a series of architectural photographs of Los Angeles, CA.
In her renderings of photographs, she's able draw attention to aspects of found image that she's interested in, in the same way that the act of photography is about choosing.
«The photographs in The Arc of Photography collectively convey a cohesive narrative about performance and identity, and span the many exciting changes within the field.
About the Robert Mapplethorpe Photography Gallery When We Were Young: Photographs of Childhood from the National Galleries of Scotland is being shown in the Robert Mapplethorpe Photography Gallery and is part of a continuing series of photographic exhibitions (including Lee Miller & Picasso and Ponte City) in the Scottish National Portrait Gallery.