Sentences with phrase «photographs glass building»

Not exact matches

His letter is displayed in a glass etching along with a life - size photograph in the Jacobson Athletic Building.

This photograph by James Welling is part of an ongoing series of works begun in 2006 which documents Philip Johnson's iconic Glass House built in 1949 in New Canaan, Connecticut.

Ranging from his earliest photographs of Los Angeles architecture begun in 1975 to his most recent inkjet prints incorporating dance and architecture, «Choreograph,» the exhibition presents for the first time Welling's two «glass house» projects together — buildings by Philip Johnson and Pierre Chareau and Bernard Bijvoet.

Thus the monsters are in communication with works which allow language, stories branching out in all directions and fictions to be present as spirits: hundreds of balloons in the form of speech bubbles, glass speakers, puppets, photographs of the artist, who is speaking to animals, a film which has «produced a building» and numerous stories which the monsters from the drawings want to begin...» (excerpt from the press release).

Margaret Morton's photographs of the dwellings that homeless individuals have assembled in public parks, vacant lots, along the waterfronts, beneath the streets, and in the abandoned buildings of New York City are combined with oral histories in Glass House, her book about thirty - five young squatters who set up a highly structured community in an abandoned glass factory; Fragile Dwelling (Aperture Foundation); The Tunnel: The Underground Homeless of New York City (Yale University Press and Schirmer / Mosel, Germany); and Transitory Gardens, Uprooted Lives (co-authored with Diana Balmori, Yale University PrGlass House, her book about thirty - five young squatters who set up a highly structured community in an abandoned glass factory; Fragile Dwelling (Aperture Foundation); The Tunnel: The Underground Homeless of New York City (Yale University Press and Schirmer / Mosel, Germany); and Transitory Gardens, Uprooted Lives (co-authored with Diana Balmori, Yale University Prglass factory; Fragile Dwelling (Aperture Foundation); The Tunnel: The Underground Homeless of New York City (Yale University Press and Schirmer / Mosel, Germany); and Transitory Gardens, Uprooted Lives (co-authored with Diana Balmori, Yale University Press).

These buildings have since been torn down but not before I was able to collect many artifacts during the demolition process; including photographs and construction fragments (rusted nails, shards of pottery, glass, stones and a wall sconce) all precious relics of my family history that have become indispensable to my artistic interpretation when telling Bella and Sharkey's story.»

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

Photographs of its many volcanoes and hot springs and the isolated huts and cottages built for the enjoyment of them culminate in a gorgeous Richard Long - like floor piece made of chunks of obsidian, or volcanic glass.

The display will include photographs, paintings, woodcuts, ceramics and glass that reference local industries from the cotton trade and ceramics to shipping and mining upon which local philanthropists built their wealth and subsequent bequests.

Both photographs look through black lettering applied to the outside of the glass, across the Thames River to the buildings on the other side.

The exhibition brings together works made in and about Los Angeles ranging from his early photographs of the city to his most recent inkjet prints incorporating dance and architecture to his two «glass house» projects — buildings by Philip Johnson and Pierre Chareau.