Sentences with phrase «photographs in the exhibition always»

Edward Steichen included Leiter's black - and - white photographs in the exhibition Always the Young Strangers at the Museum of Modern Art in 1953.

Not exact matches

Edward Steichen included twenty - three of Leiter's black and white photographs in the seminal 1953 exhibition «Always the Young Stranger» at the Museum of Modern Art; he also included twenty of Leiter's color images in the 1957 MoMA conference «Experimental Photography in Color.»

As Robert Rosenblum states in his 2002 essay for the Marlborough New York exhibition of paintings by Francis Bacon «within this world of widely varied nudity, Francis Bacon might be seen as pioneer and reigning monarch, shifting rapidly, as he could from the immediate stimulus of the always imperfect, often ugly flesh he scrutinized in real - life models and photographs all the way to the fantastic, theatrical constructions that could evoke everything from Aeschylus's Oresteia to the nightmares of the twentieth century's two world wars».

The layout of the photographs in their exhibition space has always been an important factor for Lambri.

Spanning diverse disciplines and using unusual materials has always been part of Arunanondchai's method, whether with the photographs and denim paintings made with bleach and fire he created for his Bushwick exhibition, or the paintings and video installations he made in collaboration with Korapat for his upcoming UK show.

In Spring 2011, P.P.O.W. gallery showed Spirituality, an exhibition of Wojnarowicz's drawings, photographs, videos, collages, and personal notebooks; in a review in The Brooklyn Rail, Kara L. Rooney called the show «meticulously researched and commendably curated from a wide array of sources,... a mini-retrospective, providing context and clues for Wojnarowicz's often elusive, sometimes dangerous, and always brutally honest work.&raquIn Spring 2011, P.P.O.W. gallery showed Spirituality, an exhibition of Wojnarowicz's drawings, photographs, videos, collages, and personal notebooks; in a review in The Brooklyn Rail, Kara L. Rooney called the show «meticulously researched and commendably curated from a wide array of sources,... a mini-retrospective, providing context and clues for Wojnarowicz's often elusive, sometimes dangerous, and always brutally honest work.&raquin a review in The Brooklyn Rail, Kara L. Rooney called the show «meticulously researched and commendably curated from a wide array of sources,... a mini-retrospective, providing context and clues for Wojnarowicz's often elusive, sometimes dangerous, and always brutally honest work.&raquin The Brooklyn Rail, Kara L. Rooney called the show «meticulously researched and commendably curated from a wide array of sources,... a mini-retrospective, providing context and clues for Wojnarowicz's often elusive, sometimes dangerous, and always brutally honest work.»