Sentences with phrase «photographs of artists living»

Not exact matches

Installation artist Miranda Fall follows, photographs and documents the lives of strangers to create her art.

A look at Jean - Michel Basquiat's life pre-fame, and how New York City, the times, the people and the movements around him formed the artist he became, BOOM FOR REAL weaves the story of Jean - Michel and the city with never before seen works, writings and photographs.

Corsicato compiles footage taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment of photographs and film clips spanning the artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.

Disc 7 - Jurassic Park - Return to Jurassic Park: Dawn of a New Era - Return to Jurassic Park: Making Prehistory - Return to Jurassic Park: The Next Step in Evolution - The Making of Jurassic Park - Original Featurette on the Making of the Film - Steven Spielberg Directs Jurassic Park - Hurricane in Kauai - Early Pre-Production Meetings - Location Scouting - Phil Tippett Animatics: Raptors in the Kitchen - Animatics: T - Rex Attack - ILM and Jurassic Park: Before and After the Visual Effects - Foley Artists - Storyboards - Production Archives: Photographs, Design Sketches and Conceptual Paintings - Jurassic Park: Making the Game - Theatrical Trailer - BD - Live - My Scenes - D - BOX - Pocket BLU App

Those in the running include Ghanaian - British multi-media artist Amartey Golding whose film Chainmail throws light over cultural behaviours towards race, gender and sexuality, while channelling the darkness of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms of the Old Masters with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose eerie still lifes are created from over 1,000 separate photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian marriage portraits.

Taipei - based artist Shih Yung - Chun paints scenes from everyday life, taking inspiration from hundreds of photographs, but there's an element of the bizarre in all his crafted narratives — his subjects always seem to occupy themselves with strange activities.

These black - and - white life - size photographs of naked women in their 90s posed against a pure white ground, as if they were already in another world, were shocking when they were first shown, about 12 years ago, when the artist was in his early 40s.

Earlier this year «System and Vision» at David Zwirner, in cooperation with Berlin's Galerie Susanne Zander, examined the obsessive work of vernacular artists such as Morton Bartlett, a doll maker who photographed his creepy creations; Prophet Royal Robertson, an artist of brimstone - burnt apocalyptic fervor; and George Widener, a living artist whose mixed - media pieces entail complex mathematical and calendrical calculations.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

The CSA contain studio records, photographs and slides, the artist's tools and materials, his personal library, and extensive documentation pertaining to the art, career, and life of this important American artist.

Since the 1990s, Peyton began exhibiting her work — paintings of artists, musicians, historical figures, and friends, which she renders from photographs and from life — and more recently, also in still lifes, landscapes and scenes from the opera.

The artist employs a constellation of everyday materials in her work, ranging from found objects and photographs to handmade sculptures and living plants, creating encyclopedic and accumulative landscapes that penetrate walls and stretch across museums.

At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.

Family Portrait, Aneta Bartos's first exhibition with Postmasters Gallery, delves into the artist's relationship with her father, a former bodybuilder living in central Poland, with photographs full of vigor and vulnerability.

Among photographs of American artists, it was second in fame only to Hans Namuth's shots, also for Life, of Jackson Pollock at work.

The Parrish holds the largest public collection of William Merritt Chase (over 40 paintings and works on paper) and an extensive archive, including more than 1,000 photographs relating to the life and work of the artist, in particular family photographs of summers spent on the East End.

In interviews related to the exhibition, the artist emphasized that the photographs were shot not with an expectation to be viewed by the public, but rather as a reflection of everyday life and its sense and sensibilities.

An exhibition of the artist's work is also on view in Laura Letinsky: Still Life Photographs 1997 - 2012 at the Denver Art Museum through March 24, 2013.

In the 1930s, she lived in France with the legendary English writer Ford Madox Ford; her brother Jack Tworkov was far better - known as a painter; in New York in the 1940s, she was in the heart of the Abstract Expressionist scene (she's the woman in the white blouse between Bradley Walker Tomlin and Robert Goodnough in a much - reproduced photograph of the «Studio 35 Artists» Session» of 1950), but never gained much recognition for her own paintings.

Like the old man in «American Gothic,» the artist was often photographed wearing overalls, and, for a while, this calculated presentation of generic masculinity helped insulate Wood from the whispering and insinuation about his private life.

Steel Stillman's Enlargements series are blow - ups of photographs which the artist has been taking since the 1970s, using pocket - sized cameras to address scenes of intimate, everyday life.

It features a selection of powerful prints, drawings, and photographs by seven artists who offer pointedly political perspectives on the lives of Africans and their diasporic descendants.

The great cartoon artist, MacArthur genius and Omaha - born Chicagoan tells the story of his life in comic form, accompanied by family photographs, New Yorker covers, his toylike wood sculpture, and the wonderful dollhouse - like models he builds of some of his characters» homes.

The artist — who lives in Berlin — will be displaying his extensive and many - sided oeuvre, consisting of photographs, abstract paintings, table installations, videos, and artist's books.

In the exhibition, which was first shown in New York at the prestigious Cue Foundation in September before traveling to Atlanta, the artist presented a straightforward chronicle of her life, having photographed herself daily for 35 years and arranging these works in lines or grids.

Ranging from graffiti legends to the richest living artists in the world, these remarkable collaborations have varied from a mix of fine art paintings to photographs and comics and helped Supreme be at the forefront of incorporating art into street culture.

The five sections of Before Pictures are named after Crimp's addresses in Manhattan, and each begins with a beautiful black and white photograph of a building he lived in, taken by the artist Zoe Leonard.

The show paid homage to Ward's exploration of identity (including his Jamaican roots and his life as an artist in New York) and environment through immersive architectural installations, as well as sculptures and photographs, forged largely from found objects.

The artist photographs rooms, closets, shoes, clothing, and jewelry that depict an indirect, yet deeply intimate, portrait of a life defined by wealth and fame.

Pace Gallery London presents «Hiroshi Sugimoto: Still Life», an exhibition comprised of thirteen large - format photographs from the artist's ongoing Diorama series created between 1976 and 2012.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

For his new series of photographs, the artist enlarged his animal portraits to life - size, inserted the jumbo - sized photographs in urban areas throughout Kenya and then documented the staged scenes.

Having traveled numerous times in his life through this town to visit family in Peru, the artist recalled his own experiences there through found - images of the city in an online travel blog and began to marry these candid photographs with his interest in Latin American modernist and public sculpture.

With images that were made between the mid 1950's through the late 1970's, the exhibition explores both artist's affinity for using natural light to make grainy, blurred and out of focus photographs, trademarks of their work, while showing their own distinct stripped down version of the street and urban life.

Works include a graphic score and inscribed Buddhist singing bowls by Biggers; process notations and studio ephemera by Lee Boroson; two edible drawings, a musical score, and instruments for preparing a piano by Cage; three instructional certificates of authenticity by Felix Gonzalez - Torres; an agreement for a living artwork by Paula Hayes; a reanimation of Lucy Lippard's reference materials from the exhibition catalogue for 955,000; a book of instructions by Yoko Ono; five artist books by Edward Ruscha; a photograph by Xaviera Simmons (Bard B.F.A. «04); a muster contract, field desk, Zouave rifle, and muster roll by Allison Smith; a recipe by Rirkrit Tiravanija; eight compositions by La Monte Young; and a realization of George Brecht's event score Motor Vehicle Sundown (Event) with Xaviera Simmons and members of The Surrealist Training Circus.

Fernández spent much of his life photographing the artists, jazz musicians and writers in the communities with which he surrounded himself in the United States, Cuba, Colombia, Spain and France.

The exhibition will also feature other documents, including photographs and archives, which will shed light on a little - known aspect of this artist's life and work, that being the influence of the South of France and French painters (such as Paul Cézanne and Jean Lurçat), gleaned during Nash's various journeys to France in the 1920s and 1930s, including a short stay in Arles.

LATOYA RUBY FRAZIER: What attracted me to the mediums of photography and video as an artist were my influences while studying at Edinboro University of Pennsylvania and Syracuse University with mentors like Kathe Kowalski, a photographer and writer committed to photographing women in prison, families living below the poverty line in Erie, Pennsylvania, and her own mother's illness and death.

During the 80s, Mapplethorpe produced a series of photographs that simultaneously challenge and adhere to classical aesthetic standards: stylized compositions of male and female nudes, delicate flower still lifes, and studio portraits of artists and celebrities.

This publication traces the trajectory of Latham's practice and brings together archival material, including documentary photographs, texts, correspondences and various ephemera, in order to build a picture of the artist's life and work.

The Bates Museum of Art exhibition includes three groups: three photographs of Marsden Hartley; works from his artistic circle including Berenice Abbott, Peggy Bacon, Chenoweth Hall, John Marin, Carl Sprinchorn, Mark Tobey, and Marguerite and William Zorach; and works by prominent contemporary artists who live in or are connected to Maine including Dozier Bell, Robert Feintuch, and Robert S. Neuman.

So too Monk documented the period he lived in Los Angeles with a series of photographs titled None of the Buildings on Sunset Strip (1997 — 99), showing only the roads between buildings — a follow - up to Ed Ruscha's artist book from 30 years before, All of the Buildings on Sunset Strip.

The films and photographs of British artist Gillian Wearing (b. Birmingham, 1963) explore our public personas and private lives.

The exhibition continues with Heilmann's slide show, Her Life (2006), which juxtaposes images of the artist's work with photographs she has taken over the years.

The exhibition is divided into several sectors: On the seventh floor, the section «Portrait of the Artist» brings together self - portraits with portraits of artists and other members of the creative community; Early Twentieth Century Celebrity and Spectacle; under the rubric of «Street Life» the exhibition presents artists who took to the pavement with their cameras, photographing subjects as they encountered them, sometimes surreptitiously; Portraits Without People; Body Bared (nude portraits); Self Conscious; Institutional Complex and Postwar Celebrity.

These three artists are able to capture and interpret realities through portraiture and still lives in an array of paintings, photographs and mix - media pieces.

Screening: «John Maybury's Read Only Memory» at Le Petit Versailles From the maker Francis Bacon biopic «Love is the Devil,» and the famous Sinead O'Conner music video «Nothing Compares 2 U,» comes «Read Only Memory,» documentary of the fabulous life of Australian performance artist and London underground celeb Leigh Bowery, who danced for choreographer Michael Clark, modeled for painter Lucian Freud, and was one of the most photographed, influential, and outrageous fashion icons of the 1980s and «90s.

Bio: Bruce is an artist living in Atlanta that specializes in painting and photographing the figure using a wide variety of media.

Architect and artist Erin O'Keefe's photographs show three - dimensional, light - filled still - lifes of colorfully painted elements that simultaneously evoke the angular abstraction of Laszlo Maholy Nagy and the shadow - distorting views of film noir.

Lehmann Maupin has gathered primarily new works by three Californian women spanning two generations, making for a booth featuring monochromatic paintings by the Light & Space Movement artist Mary Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs examining American life and landscape by Catherine Opie.