In some Aboriginal communities, seeing the names and
photographs of dead people may cause sadness and distress, particularly to relatives of those people.
This photographic novel is composed by fifteen black and white pages in which
photographs of dead people, bodiless heads among them, speak to one another.
Not exact matches
Henry Taylor's suite
of paintings (exhibited alongside
photographs by Deana Lawson) are both scruffy and bold; emotive evocations
of people cooking, looking at a horse in a field — or being shot
dead in their car.