Sentences with phrase «photographs of the artist appearing»

Not exact matches

Flashes of film clips from Varda (including Cléo) and some of JR's large posted photographs appear at the very beginning, but on the whole the film relies solely upon the interplay between the two artists and their many camera subjects.
In two of Mary Beth Edelson's photographs from the 1970s, the artist appears in the nude, curled up inside a ring of electric lights.
The first installation features 20 photographs by several of the artists whose work appears in the first issue, including Anthony Barboza, Roy DeCarava, Louis Draper, LeRoy Henderson, Beauford Smith, Ming Smith, and Shawn Walker.
Many of Arden's earliest works from the middle of the 1980s, some of which appeared in his first solo exhibitions at artist run centres like Western Front in Vancouver in 1986 and YYZ Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vancartist run centres like Western Front in Vancouver in 1986 and YYZ Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in VancArtist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vancouver.
Some of China's most established contemporary artists and several younger names appear in this group exhibition (the letters in the title stand for «video» and «photograph»).
If I had to pick somebody who might find his way into the short list of the curators deciding on who gets the prize at Texas Contemporary, I might cast my vote for Lora Reynolds Gallery artist Colby Bird, who has a show of his new work, House Lamps, up through October 18th at Texas State University gallery (see this link), and appears to be moving a little closer to Robert Gober, an influence that might appear natural to those who know that his earlier work, Dust Breeds Contempt, paid homage to a photograph by Man Ray that followed the accumulation of dust on Duchamp's The Large Glass.
The foam block in Another Interlude may make you think of fellow German artist Joseph Beuys; the sole photograph in the exhibition will surely make you think of Hans Bellmer and Man Ray — it's a restaged version of the latter's 1920 work The Coat - Stand (Porte manteau), the original of which is at the National Gallery of Modern Art in Rome, and appears briefly in Another Interlude.
These photographs appear in a variety of contexts including minimal installations and tactile artist - books.
Through photographs, video, and installation, actual light and representations of it appear in the work of over 20 artists ranging from Dzine and Deborah Kass to Jorge Pardo and Pipilotti Rist.
This was the 1980's answer to the 1951 photograph of «The Irascibles» appearing in Life magazine, Michael Halsband's decade - defining image of New York artists is printed here in its original reception context: a vintage invitation to the nightclub, Area, on May 8, 1985.
Huanca ditched class to hang out with these friends, and during that time they took this photograph — a bit out of focus, appearing as a fuzzy memory of adolescence, it serves as a disembodied psychic connection between the past, present, and future of the artist herself, who appears at the opening both in human and ghosted form.
For Negative Positives the artist selects pages in which photographs of black politicians, athletes and celebrities appear, to highlight what she interprets as a routine association of such images with negative headlines, news stories or
Work by well - known artists such as Yinka Shonibare, MBE and architects including David Adjaye appear alongside those of lesser - known but equally exciting designers whose garments, carpets, baskets, ceramics, furniture, body arts, wall painting, photographs and sculpture blur the distinction between art and craft.
In another set of interactions, works by the perennially influential Philip Guston appear across three generational shifts: a Social Realist drawing of Klansmen, dated 1930, hangs amid politically progressive paintings by Jacob Lawrence (the great War Series from 1946 - 47), prints by Louis Lozowick, Hugo Gellert and Mabel Dwight, and photographs by Dorothea Lange, Margaret Bourke - White and Walker Evans; his modestly scaled abstraction, «Dial» (1956), is installed between Mark Rothko's imposing «Four Darks in Red» (1958) and Louise Bourgeois» classically phallic «Quarantania» (1941) in the galleries devoted to Abstract Expressionism; and a large, brooding, late figurative canvas of heads, shoes and eyeballs, «Cabal» (1977), turns up beside paintings by artists twenty - five to thirty years his junior, along with one from Cy Twombly, who was two years older than Guston, born in 1911, and one by Alma Thomas, who lived from 1891 to 1978.
Photographs of the sculpture and cancer cells appear beside correspondence and notes about the suffering and treatment of the artist and her friends.
It is possible that the base was made for the exhibition after the artist's death, though a circle, drawn on the turntable and discernible in the photograph, may mark its proposed circumference; similar straight lines appear to fix the locations of the individual elements.
Recently, while researching in MoMA's collection, I was not surprised to find Man Ray on this list of artists, but the body of work appearing with his name, Unconcerned Photographs (1959), was unfamiliar to me.
The polished base of oatmeal coloured Hoptonwood stone (with its graded stepped top) first appears in the photograph in the Pictorial Autobiography published in 1970, the year in which the sculpture was re-acquired by the artist.
MAGAZINE The February 2015 cover of Artforum features a photograph of a William Pope.L performance, «Foraging (Asphyxia Version)» (1993-95/2008), in which the artist appears to be suffocating himself with a plastic bag.
Photographed on the roadside and then combined digitally and arranged by the artist, these compositions represent the concept of serendipity or happy coincidence: «Until the paper is torn, I have no idea what will appear on the wall.»
From the moment his deceptively effortless photographs first began appearing in i - D, in the early»90s, the 32 - year - old, German - born, London - based Tillmans has been the very model of the cool yet engaged contemporary artist, with an appetite for visual stimulation so voracious it gobbles up everything from Kate Moss to armed soldiers, from rave kids to the concorde in flight.
Initially, these photographs appear deceptively simple, works of sly self - portraiture by a recognizable artist.
Hedda Sterne, an artist whose association with the Abstract Expressionists became fixed forever when she appeared prominently in a now - famous 1951 Life magazine photograph of the movement's leading lights, died on Friday at her home in Manhattan.
Focusing on contemporary issues like natural disasters, the breakdown of the American political system, global tragedies, and the Los Angeles housing crisis, the film stars Stosh, a.k.a. Pig Pen, a close friend of Opie's who has appeared in many of her photographs, as a struggling artist who is obsessed with landmark midcentury modern architecture.
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