Not exact matches
Flashes
of film clips from Varda (including Cléo) and some
of JR's large posted
photographs appear at the very beginning, but on the whole the film relies solely upon the interplay between the two
artists and their many camera subjects.
In two
of Mary Beth Edelson's
photographs from the 1970s, the
artist appears in the nude, curled up inside a ring
of electric lights.
The first installation features 20
photographs by several
of the
artists whose work
appears in the first issue, including Anthony Barboza, Roy DeCarava, Louis Draper, LeRoy Henderson, Beauford Smith, Ming Smith, and Shawn Walker.
Many
of Arden's earliest works from the middle
of the 1980s, some
of which
appeared in his first solo exhibitions at
artist run centres like Western Front in Vancouver in 1986 and YYZ Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vanc
artist run centres like Western Front in Vancouver in 1986 and YYZ
Artist's Outlet in Toronto in 1987, consist of found, black and white archival photographs of urban scenes in Vanc
Artist's Outlet in Toronto in 1987, consist
of found, black and white archival
photographs of urban scenes in Vancouver.
Some
of China's most established contemporary
artists and several younger names
appear in this group exhibition (the letters in the title stand for «video» and «
photograph»).
If I had to pick somebody who might find his way into the short list
of the curators deciding on who gets the prize at Texas Contemporary, I might cast my vote for Lora Reynolds Gallery
artist Colby Bird, who has a show
of his new work, House Lamps, up through October 18th at Texas State University gallery (see this link), and
appears to be moving a little closer to Robert Gober, an influence that might
appear natural to those who know that his earlier work, Dust Breeds Contempt, paid homage to a
photograph by Man Ray that followed the accumulation
of dust on Duchamp's The Large Glass.
The foam block in Another Interlude may make you think
of fellow German
artist Joseph Beuys; the sole
photograph in the exhibition will surely make you think
of Hans Bellmer and Man Ray — it's a restaged version
of the latter's 1920 work The Coat - Stand (Porte manteau), the original
of which is at the National Gallery
of Modern Art in Rome, and
appears briefly in Another Interlude.
These
photographs appear in a variety
of contexts including minimal installations and tactile
artist - books.
Through
photographs, video, and installation, actual light and representations
of it
appear in the work
of over 20
artists ranging from Dzine and Deborah Kass to Jorge Pardo and Pipilotti Rist.
This was the 1980's answer to the 1951
photograph of «The Irascibles»
appearing in Life magazine, Michael Halsband's decade - defining image
of New York
artists is printed here in its original reception context: a vintage invitation to the nightclub, Area, on May 8, 1985.
Huanca ditched class to hang out with these friends, and during that time they took this
photograph — a bit out
of focus,
appearing as a fuzzy memory
of adolescence, it serves as a disembodied psychic connection between the past, present, and future
of the
artist herself, who
appears at the opening both in human and ghosted form.
For Negative Positives the
artist selects pages in which
photographs of black politicians, athletes and celebrities
appear, to highlight what she interprets as a routine association
of such images with negative headlines, news stories or
Work by well - known
artists such as Yinka Shonibare, MBE and architects including David Adjaye
appear alongside those
of lesser - known but equally exciting designers whose garments, carpets, baskets, ceramics, furniture, body arts, wall painting,
photographs and sculpture blur the distinction between art and craft.
In another set
of interactions, works by the perennially influential Philip Guston
appear across three generational shifts: a Social Realist drawing
of Klansmen, dated 1930, hangs amid politically progressive paintings by Jacob Lawrence (the great War Series from 1946 - 47), prints by Louis Lozowick, Hugo Gellert and Mabel Dwight, and
photographs by Dorothea Lange, Margaret Bourke - White and Walker Evans; his modestly scaled abstraction, «Dial» (1956), is installed between Mark Rothko's imposing «Four Darks in Red» (1958) and Louise Bourgeois» classically phallic «Quarantania» (1941) in the galleries devoted to Abstract Expressionism; and a large, brooding, late figurative canvas
of heads, shoes and eyeballs, «Cabal» (1977), turns up beside paintings by
artists twenty - five to thirty years his junior, along with one from Cy Twombly, who was two years older than Guston, born in 1911, and one by Alma Thomas, who lived from 1891 to 1978.
Photographs of the sculpture and cancer cells
appear beside correspondence and notes about the suffering and treatment
of the
artist and her friends.
It is possible that the base was made for the exhibition after the
artist's death, though a circle, drawn on the turntable and discernible in the
photograph, may mark its proposed circumference; similar straight lines
appear to fix the locations
of the individual elements.
Recently, while researching in MoMA's collection, I was not surprised to find Man Ray on this list
of artists, but the body
of work
appearing with his name, Unconcerned
Photographs (1959), was unfamiliar to me.
The polished base
of oatmeal coloured Hoptonwood stone (with its graded stepped top) first
appears in the
photograph in the Pictorial Autobiography published in 1970, the year in which the sculpture was re-acquired by the
artist.
MAGAZINE The February 2015 cover
of Artforum features a
photograph of a William Pope.L performance, «Foraging (Asphyxia Version)» (1993-95/2008), in which the
artist appears to be suffocating himself with a plastic bag.
Photographed on the roadside and then combined digitally and arranged by the
artist, these compositions represent the concept
of serendipity or happy coincidence: «Until the paper is torn, I have no idea what will
appear on the wall.»
From the moment his deceptively effortless
photographs first began
appearing in i - D, in the early»90s, the 32 - year - old, German - born, London - based Tillmans has been the very model
of the cool yet engaged contemporary
artist, with an appetite for visual stimulation so voracious it gobbles up everything from Kate Moss to armed soldiers, from rave kids to the concorde in flight.
Initially, these
photographs appear deceptively simple, works
of sly self - portraiture by a recognizable
artist.
Hedda Sterne, an
artist whose association with the Abstract Expressionists became fixed forever when she
appeared prominently in a now - famous 1951 Life magazine
photograph of the movement's leading lights, died on Friday at her home in Manhattan.
Focusing on contemporary issues like natural disasters, the breakdown
of the American political system, global tragedies, and the Los Angeles housing crisis, the film stars Stosh, a.k.a. Pig Pen, a close friend
of Opie's who has
appeared in many
of her
photographs, as a struggling
artist who is obsessed with landmark midcentury modern architecture.