Like Hepworth's other bronzes, the plaster was made around an expanded aluminium armature; the sphere is visible in progress in
a photograph of the artist at work (Warren Forma, 5 British Sculptors (Work and Talk), New York, 1964, p. 17).
This original documentary provided an artistic and historical context to Miró's works through stunning high - definition video, historical footage and
photographs of the artist at work in his studio, and in - depth interviews with the Marshall Price, the Nasher Museum's Nancy Hanks Curator of Modern and Contemporary Art; Nasher Museum Director Sarah Schroth and Miró scholar Robert Lubar.
Not exact matches
Geoffrey Lilley is exhibiting the
photograph — entitled «Genesis» —
at the annual exhibition
of the United Society
of Artists in Central Hall Westminster.
Guys, the women who are a scammers and con
artists are the ones who have maybe 1
photograph up
at the dating site and are trying to get you comfortable in clicking over to other sites to see more
of their photos.
A look
at Jean - Michel Basquiat's life pre-fame, and how New York City, the times, the people and the movements around him formed the
artist he became, BOOM FOR REAL weaves the story
of Jean - Michel and the city with never before seen works, writings and
photographs.
They sought inspiration in the era's art, specifically the work
of the photo - realists, who painted
photographs in a style that is both hyperreal and
at one remove from reality — evoked by the variety
of reflecting surfaces seen in the film — and the op
artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.
Flashes
of film clips from Varda (including Cléo) and some
of JR's large posted
photographs appear
at the very beginning, but on the whole the film relies solely upon the interplay between the two
artists and their many camera subjects.
wax painting The resource includes: Examples
of architectural
artists Examples
of a student work collages
of architecture Resource sheets
of architectural
photographs of churches to use for studies Resource sheets
of different buildings ornamentations to use in collage Learning Objectives To develop a Classical Greek and Roman element in one's work
of art
at KS3, KS 4 - GCSE Art and A-level Art To study various examples
of how
artists have used these classical architectural elements in their works
of Art A look
at various contemporary
artists and how they have used the Classical elements and architectural features To develop a collage combining
photographs, painting and pen work.
The download pack includes: - Key activities scheme, week by week learning activities - All worksheets which are ready to print or use on a whiteboard / projector / interactive whiteboard - Visual examples
of final outcomes - What to look for in taking good quality primary resource
photographs There is also a designers catalogue
of contemporary
artists / designers to allow students to look
at different materials and how they have been manipulated.
Judge: Award winning Children's author Peter Johnson Best artwork / painting / drawing Judge: Toby Ray — British Contemporary
Artist & British Contemporary Visual
Artist Yvonne Coomber Best wildlife / animal painting / drawing Judge: Svetlana Dragayeva, Film producer and creator
of BAFTA winning independent children's app VIRRY Best wildlife / nature
photograph (We want to encourage you to go on a nice walk together somewhere and snap away with a camera) Judge: Debbie Bird, Director
at What's On 4 and board
of the Children's Activities Association.
The Chinese immigrant girl who
photographed her mother
at a sewing machine, then translated her stories from the factory floor, will become a stronger and more informed citizen because
of that — and perhaps an
artist or writer, too.
Today, looking
at photographs of English
artist Benedict Radcliffe's automotive wireframe sculptures, the same fuse has blown.
It must also be said that the visual representation and self - representation
of comic book
artists through
photographs, drawings and paintings
of the
artists sitting
at their desks and surrounded by their tools deserves closer study (see Priego 2010).
The 2018 Abandoned Angels Cocker Spaniel Rescue Wall Calendar features a stunning cover (
of Sophie)
photographed by the talented Frankie F. Olaya, and interior pages beautifully designed by the graphic
artist wizards
at Impeckable Creations.
One
of the really cool things they were doing
at the booth was having their
artist draw people, taking
photographs of them and drawing them in that beautiful style that Dauntless uses.
Photographs show her and Kushner
at the opening
of Dan Colen's 2014 «Miracle Paintings» show
at Gagosian Gallery, with the
artist and his father.
Opening: Eva O'Leary «Happy Valley»
at Meyohas This exhibition features new
photographs from Eva O'Leary, a young
artist who uses the tricks and tactics
of high - end commercial photography to explore a range
of subjects and narratives.
Opening: Ellen Cantor
at Foxy Production One
of several Ellen Cantor shows around New York this fall, this exhibition will focus on videos and
photographs by the
artist.
Earlier this year «System and Vision»
at David Zwirner, in cooperation with Berlin's Galerie Susanne Zander, examined the obsessive work
of vernacular
artists such as Morton Bartlett, a doll maker who
photographed his creepy creations; Prophet Royal Robertson, an
artist of brimstone - burnt apocalyptic fervor; and George Widener, a living
artist whose mixed - media pieces entail complex mathematical and calendrical calculations.
From a feminist perspective, Collins's «70s work, which consists almost exclusively
of films and
photographs of the
artist staring
at attractive young women, can look like one long, unapologetic, unredeemable celebration
of the male gaze.
On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale
photographs of the
artist standing in front
of oil paintings from the permanent collection
of the Metropolitan Museum
of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl
at a Window (1957).
This is gonna take one more night, an exhibition
of photographs by Chicago - based
artist Jason Lazarus has opened
at Bucket Rider Gallery.
NEW YORK — On March 6th,
artist David Hartt opens The Republic, an exhibition
of new
photographs, film, and sculpture,
at David Nolan Gallery.
A riveting follow - up to last year's Jay DeFeo retrospective
at the Whitney Museum, this exhibition
of drawings,
photographs and photocopies finds this
artist moving past her ponderous masterpiece, «The Rose,» in fits and starts.
For his first solo exhibition
at Simon Lee Gallery Hong Kong, the
artist will present a selection
of new works from Looking Up in Osaka, a series comprising
of over 300
photographs of utility poles and cables taken...
At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy
of the Case Study Houses, The Architecture
of R.M. Schindler, and
At the End
of the Century: 100 Years
of Architecture to a survey
of the Cindy Sherman «s
photographs and the first museum presentations
of then - emerging
artists Uta Barth, Toba Khedoori, Catherine Opie, and others.
The first book, devoted to Hurricanes, is edited by Jay Clarke, curator
of prints, drawings, and
photographs at the Clark Art Institute, and includes authors» essays by Phong Bui, curator, art critic, editor, and publisher
of the Brooklyn Rail; Ms. Clarke; Orville Schell, environmentalist, art critic, contributing author to The New Yorker and director
of the U.S. - China Institute
at the Asia Society, New York; and the first part
of a two - part interview with the
artist by Mr. Schell.
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center
of Photography Jean Cooney, Project Manager,
Artist Commissions, Creative Time Sean Corcoran, Curator
of Photographs and Prints, Museum
of the City
of New York Lisa Dent, Director
of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor -
at - large, Creative Time Reports Hitomi Iwasaki, Director
of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum
of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director
of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade
of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar,
Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department
of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly
of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator
of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department
of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator
of Contemporary Art, Brooklyn Museum
«Leonard's
photographs, sculptures and installations ask the viewer to reengage with how we see,» stated Elisabeth Sherman, assistant curator
at the Whitney, who is organizing the New York installation
of the show in close collaboration with the
artist.
Also on exhibit will be letters,
photographs, and ephemera from students and fellow
artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stefan Wolpe;
photographs of Jack Tworkov
at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952.
Photographs by SKG
artist Leonard Freed are on view
at the University
of Lousiville's Ekstrom Library through May 25th as part
of their «Fine Young Kids» exhibition.
Darrel Ellis was the star
of «New Photography 8» in 1992 with mixed - media works distorting family
photographs his father, Thomas, took in the 1950s in Harlem and the South Bronx.10 Ellis was a prolific
artist who briefly worked as a security guard
at MoMA in the late»80s.
And in between (literally),
at Kai Matsumiya, is a kind
of palette cleanser in the display
of Rainer Ganahl's wonderfully random
photographs of art world lectures being given by such luminaries as the art historian Linda Nochlin and the performance
artist Andrea Fraser.
A skim boarder, surfer,
artist, and chef, Denevan recently exhibited
photographs of his earth drawings
at the Yerba Buena Center for the Arts in San Francisco.
He then included some
of my
photographs in a group show he co-curated with Marilyn Minter and Fabienne Stephan
at White Columns — Early Work — with gallerists who had once been
artists: Gavin Brown, Maureen Paley, Jeffrey Deitch, Pat Hearn, and Konrad Lueg (aka Fischer!).
Among
photographs of American
artists, it was second in fame only to Hans Namuth's shots, also for Life,
of Jackson Pollock
at work.
Of course, this «audience» is much more than just people who buy my
photographs, but people who look
at them, other
artists and photographers, and the whole wider community
at the Torpedo Factory.»
This Pride Month, Florine Stettheimer: Painting Poetry
at the Jewish Museum offers a timely reconsideration
of the important Jewish - American
artist through over 50 paintings and drawings, a selection
of costume and theater designs,
photographs and ephemera, and poetry.
Compiled and edited by exhibition curator Jason Andrew, the catalogue also features an essay by the curator; two unpublished interviews with Tworkov and Irving Sandler; a reprint
of the 1953 Art News article Tworkov Paints a Picture with essay by Fairfield Porter and
photographs by Rudolph Burckhardt; historic
photographs and unpublished contact sheets by Robert Rauschenberg
of Tworkov
at Black Mountain College 1952; as well as illustrated
artist chronology.
This conversation is with Karen Halverson, an
artist that has been
photographing for over 30 years whose work is in many prestigious collections including the San Francisco Museum
of Modern Art, Smithsonian American Art Museum, the J. Paul Getty Museum, Beinecke Library
at Yale University among others.
A concurrent exhibition
of the
artist's letters, notebooks, journals and
photographs will be on view
at the Archives
of American Art's New York Research Center and Gallery, also located in the UBS building.
An exhibition
of the
artist's work is also on view in Laura Letinsky: Still Life
Photographs 1997 - 2012
at the Denver Art Museum through March 24, 2013.
Published last month, «Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs: Selections from the Ektachrome Archive» charts Harris's development as an
artist and features some
of the same
photographs on view
at the Whitney.
The center also collects
photographs of artists» studios and documentation
of artists at work in various media.
Joan Semmel looks like two different
artists in the group show («Anni Albers, Robert Beck, Cady Noland, Joan Semmel and Nancy Shaver: Black and White
Photographs 1975 — 77») curated by Robert Gober
at Matthew Marks and in her jewel
of a solo («Joan Semmel: Self - Images»)
at Mitchell Algus.
David Zwirner is pleased to present an exhibition
of new
photographs by Stan Douglas — the
artist's fourteenth solo exhibition with the gallery —
at 525 West 19th Street in New York.
The nebulous notion
of ephemeral storage for digital information captures the imagination
of many contemporary
artists, and it has also been a popular art subject throughout the ages that can now be marketed as if imbued with a new meaning, with Diane Arbus» 1960
photograph Clouds on - screen
at a drive - in movie, N.J., offered by Fraenkel Gallery, being just one example.
In addition, there are a number
of special projects
of note being presented
at 1:54: the first major solo show in the UK
of Malian
photograph Malick Sidibe (1936 - 2016), who died in April; «The Arab Spring Notebook» by Sudanese
artist Ibrahim El - Salahi; and a special exhibition by Addis Photo Fest, which was established by Ethiopian photographer Aida Muluneh.
An exhibition
at Dulwich Picture Gallery is the first major retrospective
of this elusive
artist in the UK and showcases more than ninety
of his works, including oil paintings, watercolours, drawings, and
photographs.
In January and February 2012, Sadie Coles HQ presents Bowie Nights
at Billy's Club, London, 1978, an archive
of photographs by British
artist Nicola Tyson documenting the London club scene
of the late 1970s.