Sentences with phrase «photographs of the artist at»

Like Hepworth's other bronzes, the plaster was made around an expanded aluminium armature; the sphere is visible in progress in a photograph of the artist at work (Warren Forma, 5 British Sculptors (Work and Talk), New York, 1964, p. 17).
This original documentary provided an artistic and historical context to Miró's works through stunning high - definition video, historical footage and photographs of the artist at work in his studio, and in - depth interviews with the Marshall Price, the Nasher Museum's Nancy Hanks Curator of Modern and Contemporary Art; Nasher Museum Director Sarah Schroth and Miró scholar Robert Lubar.

Not exact matches

Geoffrey Lilley is exhibiting the photograph — entitled «Genesis» — at the annual exhibition of the United Society of Artists in Central Hall Westminster.
Guys, the women who are a scammers and con artists are the ones who have maybe 1 photograph up at the dating site and are trying to get you comfortable in clicking over to other sites to see more of their photos.
A look at Jean - Michel Basquiat's life pre-fame, and how New York City, the times, the people and the movements around him formed the artist he became, BOOM FOR REAL weaves the story of Jean - Michel and the city with never before seen works, writings and photographs.
They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.
Flashes of film clips from Varda (including Cléo) and some of JR's large posted photographs appear at the very beginning, but on the whole the film relies solely upon the interplay between the two artists and their many camera subjects.
wax painting The resource includes: Examples of architectural artists Examples of a student work collages of architecture Resource sheets of architectural photographs of churches to use for studies Resource sheets of different buildings ornamentations to use in collage Learning Objectives To develop a Classical Greek and Roman element in one's work of art at KS3, KS 4 - GCSE Art and A-level Art To study various examples of how artists have used these classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and pen work.
The download pack includes: - Key activities scheme, week by week learning activities - All worksheets which are ready to print or use on a whiteboard / projector / interactive whiteboard - Visual examples of final outcomes - What to look for in taking good quality primary resource photographs There is also a designers catalogue of contemporary artists / designers to allow students to look at different materials and how they have been manipulated.
Judge: Award winning Children's author Peter Johnson Best artwork / painting / drawing Judge: Toby Ray — British Contemporary Artist & British Contemporary Visual Artist Yvonne Coomber Best wildlife / animal painting / drawing Judge: Svetlana Dragayeva, Film producer and creator of BAFTA winning independent children's app VIRRY Best wildlife / nature photograph (We want to encourage you to go on a nice walk together somewhere and snap away with a camera) Judge: Debbie Bird, Director at What's On 4 and board of the Children's Activities Association.
The Chinese immigrant girl who photographed her mother at a sewing machine, then translated her stories from the factory floor, will become a stronger and more informed citizen because of that — and perhaps an artist or writer, too.
Today, looking at photographs of English artist Benedict Radcliffe's automotive wireframe sculptures, the same fuse has blown.
It must also be said that the visual representation and self - representation of comic book artists through photographs, drawings and paintings of the artists sitting at their desks and surrounded by their tools deserves closer study (see Priego 2010).
The 2018 Abandoned Angels Cocker Spaniel Rescue Wall Calendar features a stunning cover (of Sophie) photographed by the talented Frankie F. Olaya, and interior pages beautifully designed by the graphic artist wizards at Impeckable Creations.
One of the really cool things they were doing at the booth was having their artist draw people, taking photographs of them and drawing them in that beautiful style that Dauntless uses.
Photographs show her and Kushner at the opening of Dan Colen's 2014 «Miracle Paintings» show at Gagosian Gallery, with the artist and his father.
Opening: Eva O'Leary «Happy Valley» at Meyohas This exhibition features new photographs from Eva O'Leary, a young artist who uses the tricks and tactics of high - end commercial photography to explore a range of subjects and narratives.
Opening: Ellen Cantor at Foxy Production One of several Ellen Cantor shows around New York this fall, this exhibition will focus on videos and photographs by the artist.
Earlier this year «System and Vision» at David Zwirner, in cooperation with Berlin's Galerie Susanne Zander, examined the obsessive work of vernacular artists such as Morton Bartlett, a doll maker who photographed his creepy creations; Prophet Royal Robertson, an artist of brimstone - burnt apocalyptic fervor; and George Widener, a living artist whose mixed - media pieces entail complex mathematical and calendrical calculations.
From a feminist perspective, Collins's «70s work, which consists almost exclusively of films and photographs of the artist staring at attractive young women, can look like one long, unapologetic, unredeemable celebration of the male gaze.
On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).
This is gonna take one more night, an exhibition of photographs by Chicago - based artist Jason Lazarus has opened at Bucket Rider Gallery.
NEW YORK — On March 6th, artist David Hartt opens The Republic, an exhibition of new photographs, film, and sculpture, at David Nolan Gallery.
A riveting follow - up to last year's Jay DeFeo retrospective at the Whitney Museum, this exhibition of drawings, photographs and photocopies finds this artist moving past her ponderous masterpiece, «The Rose,» in fits and starts.
For his first solo exhibition at Simon Lee Gallery Hong Kong, the artist will present a selection of new works from Looking Up in Osaka, a series comprising of over 300 photographs of utility poles and cables taken...
At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.
The first book, devoted to Hurricanes, is edited by Jay Clarke, curator of prints, drawings, and photographs at the Clark Art Institute, and includes authors» essays by Phong Bui, curator, art critic, editor, and publisher of the Brooklyn Rail; Ms. Clarke; Orville Schell, environmentalist, art critic, contributing author to The New Yorker and director of the U.S. - China Institute at the Asia Society, New York; and the first part of a two - part interview with the artist by Mr. Schell.
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
«Leonard's photographs, sculptures and installations ask the viewer to reengage with how we see,» stated Elisabeth Sherman, assistant curator at the Whitney, who is organizing the New York installation of the show in close collaboration with the artist.
Also on exhibit will be letters, photographs, and ephemera from students and fellow artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stefan Wolpe; photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952.
Photographs by SKG artist Leonard Freed are on view at the University of Lousiville's Ekstrom Library through May 25th as part of their «Fine Young Kids» exhibition.
Darrel Ellis was the star of «New Photography 8» in 1992 with mixed - media works distorting family photographs his father, Thomas, took in the 1950s in Harlem and the South Bronx.10 Ellis was a prolific artist who briefly worked as a security guard at MoMA in the late»80s.
And in between (literally), at Kai Matsumiya, is a kind of palette cleanser in the display of Rainer Ganahl's wonderfully random photographs of art world lectures being given by such luminaries as the art historian Linda Nochlin and the performance artist Andrea Fraser.
A skim boarder, surfer, artist, and chef, Denevan recently exhibited photographs of his earth drawings at the Yerba Buena Center for the Arts in San Francisco.
He then included some of my photographs in a group show he co-curated with Marilyn Minter and Fabienne Stephan at White Columns — Early Work — with gallerists who had once been artists: Gavin Brown, Maureen Paley, Jeffrey Deitch, Pat Hearn, and Konrad Lueg (aka Fischer!).
Among photographs of American artists, it was second in fame only to Hans Namuth's shots, also for Life, of Jackson Pollock at work.
Of course, this «audience» is much more than just people who buy my photographs, but people who look at them, other artists and photographers, and the whole wider community at the Torpedo Factory.»
This Pride Month, Florine Stettheimer: Painting Poetry at the Jewish Museum offers a timely reconsideration of the important Jewish - American artist through over 50 paintings and drawings, a selection of costume and theater designs, photographs and ephemera, and poetry.
Compiled and edited by exhibition curator Jason Andrew, the catalogue also features an essay by the curator; two unpublished interviews with Tworkov and Irving Sandler; a reprint of the 1953 Art News article Tworkov Paints a Picture with essay by Fairfield Porter and photographs by Rudolph Burckhardt; historic photographs and unpublished contact sheets by Robert Rauschenberg of Tworkov at Black Mountain College 1952; as well as illustrated artist chronology.
This conversation is with Karen Halverson, an artist that has been photographing for over 30 years whose work is in many prestigious collections including the San Francisco Museum of Modern Art, Smithsonian American Art Museum, the J. Paul Getty Museum, Beinecke Library at Yale University among others.
A concurrent exhibition of the artist's letters, notebooks, journals and photographs will be on view at the Archives of American Art's New York Research Center and Gallery, also located in the UBS building.
An exhibition of the artist's work is also on view in Laura Letinsky: Still Life Photographs 1997 - 2012 at the Denver Art Museum through March 24, 2013.
Published last month, «Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs: Selections from the Ektachrome Archive» charts Harris's development as an artist and features some of the same photographs on view at the Whitney.
The center also collects photographs of artists» studios and documentation of artists at work in various media.
Joan Semmel looks like two different artists in the group show («Anni Albers, Robert Beck, Cady Noland, Joan Semmel and Nancy Shaver: Black and White Photographs 1975 — 77») curated by Robert Gober at Matthew Marks and in her jewel of a solo («Joan Semmel: Self - Images») at Mitchell Algus.
David Zwirner is pleased to present an exhibition of new photographs by Stan Douglas — the artist's fourteenth solo exhibition with the gallery — at 525 West 19th Street in New York.
The nebulous notion of ephemeral storage for digital information captures the imagination of many contemporary artists, and it has also been a popular art subject throughout the ages that can now be marketed as if imbued with a new meaning, with Diane Arbus» 1960 photograph Clouds on - screen at a drive - in movie, N.J., offered by Fraenkel Gallery, being just one example.
In addition, there are a number of special projects of note being presented at 1:54: the first major solo show in the UK of Malian photograph Malick Sidibe (1936 - 2016), who died in April; «The Arab Spring Notebook» by Sudanese artist Ibrahim El - Salahi; and a special exhibition by Addis Photo Fest, which was established by Ethiopian photographer Aida Muluneh.
An exhibition at Dulwich Picture Gallery is the first major retrospective of this elusive artist in the UK and showcases more than ninety of his works, including oil paintings, watercolours, drawings, and photographs.
In January and February 2012, Sadie Coles HQ presents Bowie Nights at Billy's Club, London, 1978, an archive of photographs by British artist Nicola Tyson documenting the London club scene of the late 1970s.
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