Sentences with phrase «photographs of the artist covering»

The emblematic Towards White, 1976 — a set of photographs of the artist covering everything in her studio in white paper and fabric — situates the work of this legendary figure of the Bucharest art scene in terms of process and act, identity and space.

Not exact matches

«Her dress was inspired by a photograph of Marilyn Monroe where she's covered in roses,» says makeup artist Shane Paish of Dior Oscars beauty look.

Aspiring artists in the class are also invited to submit a photograph or a scan of artwork that they think will make an appropriate cover.

Legal Don MacPherson, who covers the courts for his daily newspaper, updates the case of Josue Rivera, aka comic artist Justiniano, who pleaded not guilty in May 2011 to charges of possessing more than 100 photographs and videos containing child pornography.

The 2018 Abandoned Angels Cocker Spaniel Rescue Wall Calendar features a stunning cover (of Sophie) photographed by the talented Frankie F. Olaya, and interior pages beautifully designed by the graphic artist wizards at Impeckable Creations.

This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.

The photographs, like much of the artist's work, capture images of ancient ruins, abandoned bunkers, and graffiti - covered urban structures - in short, disparate sites that are unified by their shared states of physical change, erosion, or decay over time.

Spielautomat (Slot Machine), 1999 - 2000, a self - portrait of the artist as a slot machine, features the title object covered with overlapping rows of images — snapshots of artist friends such as Lawrence Weiner, photographs of male movie stars torn from magazines, postcards and pictures of street scenes and storefronts — and is topped with a portrait of Genzken by Tillmans.

The great cartoon artist, MacArthur genius and Omaha - born Chicagoan tells the story of his life in comic form, accompanied by family photographs, New Yorker covers, his toylike wood sculpture, and the wonderful dollhouse - like models he builds of some of his characters» homes.

Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl» self - portrait photographs featuring the artist in deadpan poses revealing the artist's sly sense of humor.

Including never - before - seen photographs, the exhibition covers the 1970s to the present, showcasing the work of artists including Barbara Hammer, The Harrisons, Sara Shelton Mann, Eiko + Koma, Joan Jonas, Guillermo Gómez - Peña, Ann Hamilton, Marina Abramović, and more.

The Croatian artist David Maljković has contributed what is perhaps his most market - friendly body of work, his 2013 - 2015 series of attractive constructed photographs on sculptural, wafer - like layers of powder - covered aluminum and MDF.

And there are many other works here that have the same effect: Duchamp's squeamish Prière de toucher, a pale pink breast swelling out of the cover of a book; Helen Chadwick «s lightbox photograph of a human brain lovingly cupped in the artist's own hands, as if it were hers to have and to hold.

The accompanying catalogue extensively covers this period of the artist's career with a compendium of archival texts and photographs and an essay by Hal Foster.

Celacanto Provoca Maremoto is a mural covering four walls, made up of 184 painted canvas panels — white - and - blue squares that recreate original tiles the artist photographed, depicting parts of angels, wings, and other decorative motifs, as well as the texture of cracked tiles.

Her working environment, documented for the first time in a number of new photographs by the artist, will be recreated as installations in the gallery, down to the paint pots, brushes, books and discarded scraps of newspaper that are similarly covered in the spatters, splashes and drips that result from her obsessive painterly method.

Images: spread from «Together,» Mickalene Thomas's artist's project in Esopus 23, spread from «Views, Not From a Window,» Chuck Kelton's artist's project in Esopus 23, spread from «Es gibt ken Leben ohne Liebe,» Karo Akpokiere's artist's project in Esopus 23, spread from «Spray On,» Marilyn Minter's artist's project in Esopus 23, spread from «Malleable Properties of Care,» Jody Wood's artist's project in Esopus 23, spread from «Perfect World,» Stefan Kürten's artist's project in Esopus 23, cover of Esopus 23 featuring photograph of Jean Tinguely with his Homage to New York in the MoMA Sculpture Garden, March 17, 1960.

Arguably Prince's best - known work, the image of a cowboy galloping under a bright blue sky had been the catalogue cover for the artist's 1992 survey at the Whitney Museum of American Art, and it became the most expensive photograph ever to sell at auction when New York dealer Stellan Holm bought it at Christie's in November 2005 for $ 1,248,000.

Featuring new scholarship by art historian Robin Clark, it includes reproductions of fascinating archival and documentary material that was discovered during the curatorial process, from the artist's sketches to gallery invitation cards, early catalogue covers, historic photographs, as well as installation views of the exhibition.

Her self - portrait as a slot - machine, Spielautomat (Slot Machine)(1999 - 2000), features an image of Genzken (taken by her friend and fellow - artist Wolfgang Tillmans) on top of a slot machine covered in snapshots and found photographs.

Other nostalgic highs include Rosalind Fox Solomon's black - and - white documentary photographs of down - and - out artists, AIDS patients, graffiti - covered subways, Reagan posters, and Princeton grads, which poignantly expose the contradictions of a city marred by class divisions.

A major retrospective of Cy Twombly's work is on presentation at the Centre Pompidou in Paris, organized around three major cycles «Nine Discourses on Commodus» (1963), «Fifty Days at Iliam» (1978) and «Coronation of Sesostris» (2000), covering the artist's entire career in a chronological circuit of 140 paintings, sculptures, drawings and photographs.

At the centre of this mock studio are two large tables, covered in piles of books, papers, photographs and cut - out figures lifted directly off the artist's desk.

«Commissioned by Parkett, the most important artists of our time have created editions that represent the essence of their art or reveal an unexpected dimension... the works cover every possible medium including painting, photographs, drawings, prints, sculptures, videos, DVDs, and sound pieces,» wrote Whitechapel's Iwona Blazwick in 2001.

Her contribution to the exhibition includes sweaters with hand - knit political jokes and riddles, as well as «cover girl» self - portrait photographs featuring the artist in deadpan poses revealing the her sly sense of humor.

The catalogue includes images carefully selected by the artist — photographs, vinyl LP covers, fliers, images of Hayes's own work — and a short text response by each of the contributors.

The exhibition (above, an installation view) covers other, more intimate responses, including a series of small self - portraits that mostly feature a goofy, slightly Jules Feifferish face applied to images of other artworks or artists; a few sculptures, among them «Socialist Pizza,» which involves a Ray's Pizza box, two of Picasso's hefty 1930s beach maenads and a hammer and sickle; and a work using a photograph by Hans Haacke.

Comfortably filling the spacious, irregular proportions of the center's main gallery, the installation is composed of three distinct elements: freestanding abstract sculptures; color photographs of the artist's hands (palms out and partially covered in paint); and black - and - white videos appropriated from vintage films of competitive stone lifters (which is where the pun comes in).

Through an intervention into the representation itself, the artist's have placed the protestors under - cover in an attempt to re-cover, or draw to attention the messages at the margins of the photographs.

American artist Paul Raphaelson has published photographs of Brooklyn's dilapidated Domino Sugar Factory, revealing the eerie rust - covered spaces along the East River that were abandoned in 2004 and demolished a decade later.

Meanwhile, New York's Foley Gallery presents just one artist, Thomas Allen, who takes photographs of sculptural collages made from the covers of pulp fiction novels.

Piles of books, papers, photographs and cut - out figures lifted directly from Blake's studio desk will cover surfaces, whilst neatly labelled cardboard boxes and the artist's own collections of miscellaneous objects will fill the booth, each one telling their own unique story.

MAGAZINE The February 2015 cover of Artforum features a photograph of a William Pope.L performance, «Foraging (Asphyxia Version)» (1993-95/2008), in which the artist appears to be suffocating himself with a plastic bag.

As a kind of «artist's book» within the publication, Cruzvillegas contributes 60 pages filled with artwork, poems, album covers, drawings, and photographs of people and places that inspire him.

The main two floors of commercial art galleries in ART BASEL were as ever a seemingly infinite maze of contemporary art covering the full historic periods of «modern» art from historic photographs, cubism, constructivism, dada, fauvism, school of Paris artists, to a dazzling array of present day contemporary with all its exponential variety, it was easy to get lost amongst such abundance both on a physical level forgetting which direction you were heading in but also on a conceptual basis.

Artist Statement «A covered wagon in front of Scotts Bluff National Monument» - Zack FrankI'm a photographer, author, Marine Corps veteran and Smithsonian American Art Museum employee who primarily photographs the...

The artist João Penalva presents the installation «People On Air» in the Corner Space of Galerie Thomas Schulte: the space has been painted red and covered with a collage of black and white photographs telling stories of sound artists working for radio in the 1940s and 1950s.

The sprawling exhibition covered Akasegawa's entire career, from works he made as a teenager and student, including «Carvings to Take Away the Pain,» small wooden figurines loosely modeled on African sculpture, which the young artist carved from scrap material while suffering from a debilitating stomach ulcer, as well as examples of the manga illustrations, writings and photographs he made following his time in Hi - Red Center.

It will comprise the artist's paintings and works on paper, including portraits of the poets, many on loan and exhibited for the first time, as well as a selection of original letters between Freilicher and the poets, as well as films, book covers, and photographs.

put a photograph of performance artist Mike Smith (sweaty, eyes closed) on its cover over the word «Orgasm!»

He draws inspiration for his figurative work from photographs, newspaper clippings, movie scenes, record album covers, the work of earlier artists like Edvard Munch.

Featuring an interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it also includes reproductions of archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.