From a feminist perspective, Collins's «70s work, which consists almost exclusively of films and
photographs of the artist staring at attractive young women, can look like one long, unapologetic, unredeemable celebration of the male gaze.
Not exact matches
Meanwhile, PIERRE ALEXANDER DE LOOZ activates the secret Vogue history
of CY TWOMBLY
photographed by HORST P. HORST; publisher LORD GEORGE WEIDENFELD divulges the historical foundation
of the global networking imperative in an interview with HANS ULRICH OBRIST; architect ARNO BRANDLHUBER asks how we can build architecture in the form
of a discussion;
artist MATTHEW BARNEY previews the Detroit chapter
of his opera Ancient Evenings; designer RICK OWENS talks with CARSON CHAN about the discrete, the lurid, and the total aesthetic; director PAUL SCHRADER and king
of disco GIORGIO MORODER crystallize 30 years
of AMERICAN GIGOLO;
artist ANDRO WEKUA
stares us down with a 21st - century scenography;
Discussing her large - format
photograph Presently, Here Standing, Ntombi (2016)-- an arresting image
of Brand's friend standing in a bathroom with breasts bared,
staring directly into the camera — the
artist explained: «That work was about the experience
of being in Cape Town and feeling invisible.
This is a small exhibition with only 14 works but the
artist's meditative style means that visitors can spend minutes
staring at each
of these remarkable abstract
photographs.
What's on show: Absuction Cardigan, a Humpty - Dumpty figure with a stuck - on
photograph face (in fact, the face
of the
artist) and rocking - chair feet, which
stares at you aggressively as you walk into the room.
It is a stain on American history, and the painting reveals, via text, the
artist's feelings about it: «I kept
staring at the
photographs of the My Lai Massacre... I knew from the extreme anger inside
of me that I could never make a peace poster.»