Also included are reproductions of Wolfson's new series of wall - mounted sculptures comprised of bumper stickers overlaid on inkjet prints, candid
photographs of the artist taken by Gaea Woods, and a text by the artist providing context for the visual material.
The exhibition will showcase for the first time approximately 50 works including paintings, watercolors, prints, and drawings along with
photographs of the artist taken by Alfred Stieglitz, Georgia's husband.
Image is courtesy of
the Photographs of artists taken by Fred W. McDarrah collection, 1960 - 1976 in the Archives of American Art, Smithsonian Institution.
Not exact matches
Bible Road is a very different book from Church Signs Across America, in large part because the Paulsons stood in front
of a lot
of signs and
took snapshots
of them, whereas Fentress is a gifted
artist whose
photographs embrace the varying moods and textures
of the many distinctly American scenes he portrays.
Earth tones and comfortable leather seats set the scene in the adjacent VIP lounge while
photographs on display,
taken by
artist Paul Michael, provide a show - stopping glimpse
of the tour ahead, including incredible scenes from both the Grand Canyon and the Las Vegas Strip.
I was very upset by the
artist's naturalistic portrayal
of hell, and it
took some time before I understood that the hell was painted and not
photographed.
Corsicato compiles footage
taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment
of photographs and film clips spanning the
artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait
of Schnabel's psychology as it was generated from the unusual circumstances
of his youth.
Saturday came to an end with the screening
of Anton Corbijn: Inside Out, an intimate portrait
of the influential Dutch
artist who has
taken iconic
photographs of iconic figures throughout his career from David Bowie through Nelson Mandela to Kylie from Neighbours.
Faces Places is built on such a simple concept, almost too slight for a feature documentary: Varda and mural
artist JR go on a road trip across rural France to
take photographs of the people they meet, and paste the pictures over local structures.
The download pack includes: - Key activities scheme, week by week learning activities - All worksheets which are ready to print or use on a whiteboard / projector / interactive whiteboard - Visual examples
of final outcomes - What to look for in
taking good quality primary resource
photographs There is also a designers catalogue
of contemporary
artists / designers to allow students to look at different materials and how they have been manipulated.
We have an in - house graphic
artist and web designer, Bobbie Kemp, who
takes photographs of our pre-owned inventory.
Possibly the most mythologized method
of travel, the train is celebrated in Starlight on the Rails, a collection
of duotone
photographs taken by a skilled group
of artists over the course
of five decades.
One
of the really cool things they were doing at the booth was having their
artist draw people,
taking photographs of them and drawing them in that beautiful style that Dauntless uses.
Using only a chopping board, a highball glass as a rolling pin and a blunt IKEA knife,
artist Eleanor Macnair loves to
take Play - Doh and recreate
photographs —
taking inspiration from the incredibly iconic to the lesser known imagery
of the world.
Taipei - based
artist Shih Yung - Chun paints scenes from everyday life,
taking inspiration from hundreds
of photographs, but there's an element
of the bizarre in all his crafted narratives — his subjects always seem to occupy themselves with strange activities.
This is gonna
take one more night, an exhibition
of photographs by Chicago - based
artist Jason Lazarus has opened at Bucket Rider Gallery.
For his first solo exhibition at Simon Lee Gallery Hong Kong, the
artist will present a selection
of new works from Looking Up in Osaka, a series comprising
of over 300
photographs of utility poles and cables
taken...
«Bauhaus, Dessau,»
taken from a
photograph taken by the
artist of a stairway in the Weimar - era school with the human figures entirely removed, serves as a chilling reminder
of the effects
of authoritarianism, globalism, right - wing populism and what the gallery calls «the locusts
of power.»
He
took his first
photographs using a Polaroid camera, and later became known for his portraits
of artists, architects, socialites, stars
of pornographic films, members
of the S&M community, and an array
of other unique people, many
of whom were personal friends.
Darrel Ellis was the star
of «New Photography 8» in 1992 with mixed - media works distorting family
photographs his father, Thomas,
took in the 1950s in Harlem and the South Bronx.10 Ellis was a prolific
artist who briefly worked as a security guard at MoMA in the late»80s.
Steel Stillman's Enlargements series are blow - ups
of photographs which the
artist has been
taking since the 1970s, using pocket - sized cameras to address scenes
of intimate, everyday life.
Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to
take their cues from both, and in 1976 Museum
of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery
of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject
of the
photograph,» Rohrbach writes.
What I saw was a crowd
of (alert) happy people, actively engaging with gallery directors and
artists,
taking photographs and buying art.
In keeping with his then current practice, Warhol
took a sequence
of Polaroid
photographs of the German
artist, and the present work results from the distillation
of color and contour
of one
of those images.
Josef Albers in Mexico brings together never - before - seen
photographs and collages
taken by the
artist during his frequent trips to Mexico, offering a new perspective
of his most celebrated abstract works.
The paintings contain references to
photographs the
artist took during his travels in the Gobi Desert in 1993 and also to a scene in the Austrian writer Ingeborg Bachmann's Book
of Franza (1955), in which the title character unsuccessfully seeks solace in the bareness
of the desert.
In 1970, he
took a beautiful black - and - white
photograph of his
artist friend Michael Buthe — and then painted the face over with primary red, blue and yellow hues, a typically nose - thumbing gesture.
He
took his first
photographs using a Polaroid camera, and later became known for his portraits
of artists, architects, socialites, stars
of pornographic films, members
of the S&M community and an array
of other characters many
of whom were personal friends.
As in much
of the
artist's previous work, including
photographs taken in Sri Lanka, Lebanon, Iran and India, and in particular his work in New Orleans after Hurricane Katrina, Polidori is exploring a closely observed subject: the situation
of humanity in the face
of the overwhelming power
of nature and time and a search for the universal.
Take horses for instance: from the symbolism behind the forms
of Amy Laugesen's classic sculptures to the expressive interpretation
of Peggy Judy's paintings
of livestock; from the mystical
photographs by Sandra Lee Kaplan to the modern artifacts and adornments
of Janet Nelson; the style, form, and interpretation
of these
artists couldn't be more varied.
The five sections
of Before Pictures are named after Crimp's addresses in Manhattan, and each begins with a beautiful black and white
photograph of a building he lived in,
taken by the
artist Zoe Leonard.
On 24th Street, All the Boys (2016) is a powerful response to recent police brutality and the deaths
of black men and women; while on 20th Street, viewers find the ghostly video installation Lincoln, Lonnie, and Me (2012), and Scenes &
Take (2016), a series
of photographs picturing the
artist before the sets
of TV shows like Scandal and Empire — both shows feature black leads — shedding light on the current state
of the entertainment industry.
GUILD HALL - Opening Reception on Saturday from 4 to 6 p.m.
takes place for «Cornelia Foss»; «Dancing with Truffaut: Stephanie Brody - Lederman»; «Portraying
Artists:
Photographs by Walter Weissman» and «A Sense
of Place: Selections from the Permanent Collection».
Object - based art, which grew into a major twentieth - century trend and continues today,
took its cue from the ready - made, and Re-Object explores the continuation and transformation
of both lines in contemporary artistic practice, via large - format
photographs and analytical essays on the
artists.
The exhibition presents a body
of work (sculptures,
photographs, and drawings) that address several themes dear to the
artist: Confrontation between cultures, unfortunately often
taking place in the form
of violence, the subject
of language and knowledge, and even the relationship between said knowledge and so - called ignorance.
Shared on the first day
of Black History Month, the
photograph was
taken by 29 - year - old
artist Erizku, who has long rewritten Western art historythrough his work to include people
of color.
The Brazilian - born
artist works with photography and painting to make mixed - media artworks that
take cues from John Baldessari's renowned dot works by painting circles and geometric lines over black - and - white
photographs of landscapes.
It is one
of the earliest examples
of the
artist's photo - paintings, based on a
photograph of a shipwreck
taken in March 1963 that he discovered in Quick, a German magazine.
photographs: © Mario Kiesenhofer Seurat to Riley: The Art
of Perception Compton Verney Art Gallery 08.07.2017 — 01.10.2017 Compton Verney's summer exhibition will
take you on a fascinating and stimulating journey that looks at the ways in which our visual perceptions have been explored by
artists.
While there, she
took photographs of the neighborhood — not as an
artist, per say, mostly just as a shutterbug.
Prompted by a
photograph taken in his studio in 1989, Golub and Spero's assistant Samm Kunce gives a personal account
of the generosity shown by both
artists towards their team.
By embedding
photographs he
took in Colorado's Rocky Mountains in further digital layers, the
artist explores contemporary means
of representation
of nature between the sublime, science and technology.
«[Roy DeCarava's]
photographs were not only
of African American subjects, but his deeper contribution was as an African American
artist who
took that piece
of himself out into the world and brought that into his work.»
His
photographs are
taken at close range in and around the multi-cultural, working class area
of North Dublin's Parnell Street where the
artist...
Conceived by writer and curator David Campany, the exhibition
takes as a starting point the 1920
photograph taken by American
artist Man Ray
of Marcel Duchamp's work in progress The Large Glass (1915 — 23) deliberately left to gather dust in his New York studio.
As part
of the 2009 Creative Time - presented project It Is What It Is, British
artist Jeremy Deller (born 1966) encouraged the public to address the conflict in Iraq by inviting a revolving cast
of participants to
take up residence in New York's New Museum and discuss the war, later setting up at the Hammer Museum in Los Angeles and the Museum
of Contemporary Art in Chicago to record conversations and
photograph each participant in the project.
Photographs taken by the
artist of decaying flowers and carvings that memorialize lost loves and loved ones provide the starting point for her exploration on the material and haptic processes
of a transfer.
Mixing art historical references with images
taken from the internet, the paintings
of Polish
artist Wilhelm Sasnal (born 1972) borrow liberally from the image glut around us, appropriating anything from icons
of popular culture such as Roy Orbison to paintings
of the past such as Georges Seurat's «Bathers at Asnières» — from the lonesome cowboys in a Steven Spielberg film to the
photographs of Enrique Metinides.
Based on the
artist's walks from the mid-1960s, his work
takes the form
of photographs, maps, drawings and sculptures (generally lines or circles constructed from natural materials).
In this video,
artist Roni Horn discusses her two - part work, This is Me, This is You, which features a series
of photographs taken of her niece, Georgia, over the course
of two years.