Sentences with phrase «photographs of women artists»

Not exact matches

Any artist will tell you that sometimes in art «less is more»; a little doodle of a nude is much more beautiful than a full - color 3 - D photograph of a naked woman.

Guys, the women who are a scammers and con artists are the ones who have maybe 1 photograph up at the dating site and are trying to get you comfortable in clicking over to other sites to see more of their photos.

Even in this case, it must be noted that certain photographs represent a private sketch group meeting in one of the women artists» homes; in the other, the model is draped; and the large group portrait, a co-operative effort by two men and two women students of Repin's, is an imaginary gathering together of all of the Russian realist's pupils, past and present, rather than a realistic studio view.

These black - and - white life - size photographs of naked women in their 90s posed against a pure white ground, as if they were already in another world, were shocking when they were first shown, about 12 years ago, when the artist was in his early 40s.

From a feminist perspective, Collins's «70s work, which consists almost exclusively of films and photographs of the artist staring at attractive young women, can look like one long, unapologetic, unredeemable celebration of the male gaze.

Woman with a Camera presents photographs by 14 women artists who come from a diverse set of backgrounds and generations, and address various artistic concerns.

Several series of his photographs were collated into now - famous books, including Lady, Lisa Lyon with Bruce Chatwin (1983), Black Book with Ntozake Shange (1986), 50 New York Artists (1986), Some Women with Joan Didion (1989) and Flowers (1990).

With more than 200 paintings, sculptures, installations, drawings, photographs, ephemera, and films, the show reveals a scene that was much more diverse than has previously been acknowledged, with women and artists of color playing major roles.

In the 1930s, she lived in France with the legendary English writer Ford Madox Ford; her brother Jack Tworkov was far better - known as a painter; in New York in the 1940s, she was in the heart of the Abstract Expressionist scene (she's the woman in the white blouse between Bradley Walker Tomlin and Robert Goodnough in a much - reproduced photograph of the «Studio 35 Artists» Session» of 1950), but never gained much recognition for her own paintings.

These glass cabinets offer a mode of presentation where artworks and historical documentation come together, offering an insight into the working methods, influences, collaborators and supporting institutions, and the significance of women artists in the broader cultural field, such as Patrick who co-founded the Glasgow Women's Library over two decades ago, of which photographs from the 1990s are also on diswomen artists in the broader cultural field, such as Patrick who co-founded the Glasgow Women's Library over two decades ago, of which photographs from the 1990s are also on disWomen's Library over two decades ago, of which photographs from the 1990s are also on display.

On 24th Street, All the Boys (2016) is a powerful response to recent police brutality and the deaths of black men and women; while on 20th Street, viewers find the ghostly video installation Lincoln, Lonnie, and Me (2012), and Scenes & Take (2016), a series of photographs picturing the artist before the sets of TV shows like Scandal and Empire — both shows feature black leads — shedding light on the current state of the entertainment industry.

Ten days after the Women's March artist Jonathan Horowitz exhibited a pile of free posters at Petzel Gallery — an altered image of Trump photographed from behind playing golf, in all white except for his red MAGA hat.

Known for posed photographs that explore and question representations of women from Renaissance portraiture to contemporary mass media, Cindy Sherman is one of the most important artists working today.

Brooklyn - based visual artist and musician Martine Gutierrez reveals two portraits from a forthcoming body of work entitled Indigenous Woman, a series of photographs presented within a magazine format.

Here, gelatin silver photographs and photograms — taken from the artist's personal archive made over the years and used both altered or unmodified — are layered into compositions, along with pieces of sheer black or tan fabric that allude to women's hosiery.

LATOYA RUBY FRAZIER: What attracted me to the mediums of photography and video as an artist were my influences while studying at Edinboro University of Pennsylvania and Syracuse University with mentors like Kathe Kowalski, a photographer and writer committed to photographing women in prison, families living below the poverty line in Erie, Pennsylvania, and her own mother's illness and death.

Lehmann Maupin has gathered primarily new works by three Californian women spanning two generations, making for a booth featuring monochromatic paintings by the Light & Space Movement artist Mary Corse, labor - and identity - focused sculptures from Liza Lou, and a spread of photographs examining American life and landscape by Catherine Opie.

In keeping with the mystery surrounding this movement, where the living women artist - activists highlight the dead women artists they've chosen as aliases, Coyne and Grove, themselves female artists, are lobbying to sell the works in this series to museums with an accompanying frame that is empty, so that the photograph they have taken of the living Guerrilla Girl, which will remain inaccessible in her lifetime, can go into the frame when she dies.

This large - scale retrospective — the artist's second posthumous exhibition in India — of 135 drawings, paintings, and photographs by Karachi - born Nasreen Mohamedi (1937 — 1990) stands out among a trio of shows the museum has ambitiously organized to explore links among artwork by women of South Asian descent over the last century.

In Cindy Sherman's famed Untitled Film Stills series, most of the 69 photographs depict the artist as a archetypal character known from the movies: a housewife, a femme fatale, a working girl, and everything in between — all evoking the ways the cinema has the tendency to objectify women.

Surface and the larger issues surrounding topology have been central concerns in her recent paintings, drawings, photographs and artist books... «The title of the exhibition refers to a theory that there may be a small percentage of people — for genetic reasons, only women — who have a fourth type of colour receptor on their retinas.

An exhibition of this calibre deserves to be in the main gallery rather than tucked away in a side room; but these photographs and videos are by women artists, and with Donald Trump entering the White House, it looks as if treating women as second...

The dress has remained a staple of women's wardrobes since its introduction and the designs that followed over the next four decades will be paired with paintings and photographs by celebrated artists including Mario Testino and François - Marie Banier.

Sigmar Polke: Paintings, Photographs and Films is also the only publication to include a critical overview of the artist's films, and to examine the abiding import of Goya's painting, «El tiempo de las Viejas» («The Time of the Old Women»), to Polke's oeuvre in general.

In addition to presenting important artworks, the exhibition will convey the political foment of an era that saw both the emergence of Conceptual art and the rise of the Women's Rights, Civil Rights, and anti — Vietnam War movements, and will illustrate the period's experimental impulses through catalogues, artist publications, periodicals, photographs, and ephemera from key exhibitions and events.

26/4 - 2/6/2018 LAURA LANCASTER: SHADOWS AND MIRRORS Laura Lancaster's recent portraits of women both in silhouette and reflected in mirrors are paintings of «bad» and «accidental» pre-digital snapshot photographs collected by the artist.

Entitled Terrains of the Body, the show at east London's Whitechapel Gallery opening this month presents a series of photographs Washington D.C's National Museum of Women in the Arts by 17 contemporary artists from five different continents.

By capturing photographs of women, including themselves, the artists explore the female body as a medium for expressing identity and telling a story of individual and collective experience.

Boers works with several artists who are beginning to experience an upsurge in their market, including Qiu Xiaofei, who makes mural - size expressionistic oil paintings based on photographs and memories of his childhood (prices are between $ 50,000 and $ 100,000); Chen Yujun, whose collages reflect the culture of his hometown in Fujian Province (prices range from $ 30,000 to $ 60,000); and Lu Yang, a young woman who conveys science - fiction fantasies in videos and digital prints (selling for $ 4,000 to $ 20,000).

A bubbly, welcoming figure in person, the artist seems a far cry from the firebrand who challenges cultural perceptions of the female body (take her «Plush» series of photographs of women's pubic hair, a commission for Playboy that never ran), and the fashion and beauty industries (in erotically charged, lush yet disquieting paintings like 2007's Blue Poles, a close - up of heavily shadowed eyes).

LAURA LANCASTER: SHADOWS AND MIRRORS Apr 26 - Jun 2, 2018 Laura Lancaster's recent portraits of women both in silhouette and reflected in mirrors are paintings of «bad» and «accidental» pre-digital snapshot photographs collected by the artist.

Among the other successful bidders spotted in the room were New York dealers Leo Koening, who snagged Richard Artschwager's 1969 celotex image of a Woman on Swing for $ 993,000; Christoph van de Weghe, who purchased Frank Stella's Carl Andre (1963), a striped parallelogram in metallic paint, for $ 3,961,000; and David Zwirner, who won Thomas Struth's panoramic 1992 photograph of the interior of the Pantheon in Rome for $ 1,049,000 (one of an edition of 10), a new record for the artist.

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

And, subtlely, the eyes manufactured for use in Hindu temples arranged by Indian artist Anita Dube «River Disease (Version 2),» a wall piece that could be a depiction of a river, but also looks like a hand or a claw connected in odd fashion with the eyes in Laurie Simmons» «How We See / Edie (Green),» a large color photograph of a woman with eyes painted on her eyelids.

In Ellen Cantor's restaging of Coming to Power: 25 Years of Sexually X-Plicit Art by Women, the landmark show that she originally curated in 1993 at the David Zwirner Gallery, there are the obvious standouts: Yoko Ono's Object in Three Parts — Revolution (1966), recreated in 2016 with «new parts» but the same formula of objects (the diaphragm, condom and birth control pill); Louise Bourgeois» Janus and Janus in Leather Jacket (both 1968); Nancy Spero's Sheela and Dancing Figures (1986); Zoe Leonard's photographs, Frontal View and View from Below, Geoffrey Benne Fashion Show (1990); and other well - known artists protesting male - dominated worlds.

An active member of the New York School of painters, Sterne was also one of the artists known as the «Irascibles», who protested against the Metropolitan Museum of Art's policy on American painting of the 1940s and who was included in a now iconic photograph for Life magazine in 1951; Sterne, notably, is the only woman in the image.

The exhibition highlights related themes such as the transience of life and the enigma of being through twelve sculptures and photographs, including Plank Piece I — II, 1973, in which the artist famously pinned his body to a wall with a flat timber, and the more recent life - size aluminum woman.

Walfred Robert Moisio (American, 1910 - 2002), Two Untitled Photographs, one of an elderly woman gazing through the window of a store which specializes in religious articles, artist's stamp on More...

In Conversation I and Conversation II, Mr. Phillips superimposes patterns from artist Albert Oehlen's series Computer Paintings and bands of color over photographs of nude women that he had photographed in racecars for a project in Playboy magazine.

In one series, titled May June July August, «57 / «09, comprising 123 vintage and contemporary black - and - white photographs, Simpson juxtaposes images of a young African American woman (and an occasional male figure) who posed for pinups in Los Angeles in 1957 with self - portraits in which the artist acts as a doppelganger for the model.

This exhibition will include four works: a Giacometti painted bronze sculpture, Standing Woman, 1948; a large Mark di Suvero sculpture in metal and wood, entitled The A Train, 1966; a large - scale color photograph by Jeff Wall, A ventriloquist at a birthday party in October 1947, 1990; and a suite of seven carved wood sculptures by the American folk artist Edgar Tolson, entitled The Fall of Man.

In one series, titled May June July August «57 / «09, comprising 123 vintage and contemporary black - and - white photographs, Simpson juxtaposes images of young African American women (and an occasional male figure) who posed for pinups in Los Angeles in 1957 with self - portraits in which the artist acts as a doppelganger for each model.

Direct Drive, the Georgia - born artist's first solo exhibition at a US museum, features photographs of black men and women smeared with chocolate and toothpaste that have triggered a public boycott of the museum.

Ms. Sterne, who died in 2011 at 100, was best known during her lifetime — and to her dismay — for being the only woman in a photograph published in Life magazine in 1951 that depicted «The Irascibles,» a group of artists who had written a letter to the Metropolitan Museum of Art protesting «American Painting Today — 1950,» an exhibition that neglected the burgeoning New York School.

In Thomas» own photograph, «Sidra Sitting,» the artist replaces the typically demure, white figure of the reclining female nude with a fully dressed black woman confident in her posture and looking at the camera head - on.

Jane Freilicher and Jane Wilson: Seen and Unseen features approximately 20 paintings by each artist as well as works on paper, plus portraits of the two women painted by Fairfield Porter and Alex Katz, and photographs by Wilson's husband John Jonas Gruen, chronicling the women's lives.

For the last six months, the artist Marilyn Minter has been photographing as many variations of women's grown - out pubic hair as she could possibly uncover.

The pose of the woman is inspired by US - American artist Adrian Piper's seminal conceptual photo - series Food for the Spirit (1971), in which Piper photographed herself naked over the course of a month in order to question gender and racial disparities in society.

The towering photograph of a woman with a cleaned fowl strapped suggestively over her pelvis, like the documentation of an epic banana snack, are inarguably born partly of spectacle, but they also serve as helpful signposts, pointing toward what the artist has looked at in the past and what we can probably expect more of in the future.

Even Vogue commissioned Simpson to photograph a group of women artists for its 125th anniversary.