Not exact matches
In April
of this year, 2004, while shopping at our local Petsmart for food and general supplies for our already large animal family, we noticed while in the checkout line, a
woman being
photographed holding a large white rabbit, thinking that it was some sort
of Easter promotion we wandered over to see that it was instead a rabbit rescue organization adopting out adult rabbits.
Below this elegant mix
of old and modern are three inky renderings, indelibly contemporary, based on
photographs Mr. Salle took
of a seminude
woman holding a garment in one instance and a Noguchi lamp in another.
In the Binary Code Series, Baldessari used images as information holders by alternating
photographs to stand in for the on - off state
of binary code; one example alternated photos
of a
woman holding a cigarette parallel to her mouth and then dropping it away.
Photographs of the exhibition «
Women in Classical Greece: Pandora's Box,» February 4 - March 31, 1996,
held at the Dallas Museum
of Art.
They show groups
of people in Nigeria or Brooklyn or Los Angeles, and incorporate
photographs of politicians, images
of ancestors (mostly
women) and objects that signify life in both cultures — a bowl to
hold rice, a kerosene lamp, Ikea furniture.
Among the most moving works were Kiluanji Kia Henda's
photographs of fellow Angolan countrymen and -
women posing atop vacant pedestals that once
held statues glorifying European colonizers.
Created by writer and collector Kerry Purcell and distributed through Unbound, Grunts and Grapples delineates the «outrageous outfits, the often genuine antagonism, the
holds and moves, the larger - than - life characters, the role
of women wrestlers, and the audience itself,» showcased via
photographs, original posters, magazines, flyers, the costumes, and much more.
One man mindlessly
holds a rope that a
woman at the bottom edge
of the
photograph is using to pull herself up to the summit.
In its Statements booth, Tracey Williams is exhibiting works from the artist's first show
of new work made after the accident — in 2001 — featuring a small video
of a
woman in a dress pirouetting surrounded by
photographs in smashed glass frames and broken ceramic vessels that were repaired with gold seams according to a Japanese tradition, with the fixed pieces
held in the highest esteem.
The Whole Family presents a conversation
held with a group
of women living in Southern France together with footage taken at Rotterdam zoo and
photographs of motorbikes in public spaces.
On the whole, these
photographs are quieter and more subdued than Thomas's in terms
of color and composition — for example, Frasier's «Grandma Ruby
Holding her Babies,» a black - and - white photograph of an elderly woman in a nightgown holding
Holding her Babies,» a black - and - white
photograph of an elderly
woman in a nightgown
holdingholding dolls.
The exhibition title, Doubleworld, is taken from a 1995
photograph of the same name, which presents two 19th - century stereoscopic viewing devices, each
holding a stereophotograph
of two
women standing side by side.