Sentences with phrase «photography and film as»

Ceramics have played an increasingly significant role in McLean's practice, which has been in an almost constant state of invention and re-invention, and currently includes performance, sculpture, installation, public art, painting, printmaking, drawing, photography and film as well as ceramics.

These images have a wide - ranging subject matter yet are linked by the artists» shared meditation on photography and film as the quintessential media of the archive.

Using a range of analogue techniques, Deschenes creates minimal, seemingly abstract photographs that investigate the histories of photography and film as well as architecture and exhibition display.

Not exact matches

Our screen - driven existence actually makes our love of real things, i.e. vinyl records, paper, and film photography even more important, refined and focused as a human society.

With Mark Zuckerberg predicting Facebook content will be driven by video in five years, storytelling through film and photography is set to be expected by visitors to your site as a complement to the written word, especially as we're using mobile devices so much to access information and entertainment.

Brian is an Advisor at Oberon with expertise in the content and intellectual property sectors, such as music, film, television, photography, theatrical, licensing, and consumer products.

Moctezuma routinely shows his students science documentaries such as Al Gore's An Inconvenient Truth and the time - lapsed photography movies produced by plant biologist Roger Hangarter, «so they can watch a film and discuss or write how the film relates to the different concepts they would learn in class,» Moctezuma says.

Rather, aura photography (also known as Kirlian photography after the Russian inventor of the process) is a non-camera technique in which a «high - voltage, high - frequency electrical discharge is applied across a grounded object,» and the «air glow» or «aura» yielded is recorded onto the film.

Tony followed some professional photography courses (that he paid for) online, but by and large is a self taught photographer (just as I am), who has been extremely passionate about taking pictures for more than twenty years now (he started out snapping back in the days of film cameras).

Upon graduating i worked as a film lab tech, went to bar tending school, managed a convenience store for 6 years, etc i love photography and the out doors i also enjoy studying plants and animals, i...

This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.

The look of the film (what I can only describe as a medium format photography look) is very unique and satisfying.

Fukunaga not only directed the film but also co-wrote the screenplay and served as director of photography.

Warner's confidence in this ambitious film is not unfounded, as Ron Howard has constructed a film that is not only hugely enjoyable, but big on technical achievement, and while the film may not be banging on voters doors over the coming weeks in the main categories, expect to see nods for the glorious effects, sound and the photography.

From the crystalline shores of a deserted island to the green grass and dusty roads of 1940s suburban America, Ballard and director of photography Caleb Deschanel create a film of consistent visual invention and purity, one that also features a winning supporting performance by Mickey Rooney as a retired jockey and a gorgeous score by Carmine Coppola.

After the war, he continued to work as a director of photography and was noted for his exquisite work on the films of John Ford.

David Douglas and Drew Fellman, the filmmakers behind Born to be Wild and Island of Lemurs: Madagascar, directed the film, which Fellman wrote and produced, with Douglas as director of photography.

(Liman and cinematographer Roman Vasyanov, shooting on Super 16 mm film, took care of principal photography in 14 days, using the western edge of California's Mojave Desert as a stand - in location.)

Without any of the wit and panache that Vaughn and Jane Goldman brought to their adaptation, the film is left to its own devices, where it falls short as far as the slash / slash / slash editing of Mike Lambert's action choreography and Tim Maurice - Jones» often unflattering photography.

Though the film has had production problems as its original directors, Phil Lord and Christopher Miller, exited during principal photography due to «creative differences» with Lucasfilm.

As Jess said when she dropped her verdict in Cannes, «It's an offbeat, fun and frequently very funny film, lifted out of disposability by some wonderfully rich production design, music and photography, and by the cherishable performances of the leads.»

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them.

As well as the murkier corners of classic film noir, Boorman drew inspiration from art photography and the French New Wave, including Jean - Luc Godard's Breathless, which was itself «speaking back» to American crime movieAs well as the murkier corners of classic film noir, Boorman drew inspiration from art photography and the French New Wave, including Jean - Luc Godard's Breathless, which was itself «speaking back» to American crime movieas the murkier corners of classic film noir, Boorman drew inspiration from art photography and the French New Wave, including Jean - Luc Godard's Breathless, which was itself «speaking back» to American crime movies.

Edward Lachman's photography and Carter Burwell's score also highlight both the early 1950's period as well as the feeling of entrapment and excitement that dominates the film.

The creative constraints assigned to the directors — each required to shoot her film as a continuous shot, and given one day apiece for principal photography — sometimes serve Waru's amazing production narrative more than the tales at hand.

Variety has revealed a first look image from director Matt Aselton's heist thriller Lying and Stealing featuring Theo James (Divergent) and Emily Ratajkowski (Gone Girl); take a look here... According to the site, the film — which has just commenced principal photography — sees James as «Ivan, a suave, young thief whose specialty is stealing -LSB-...]

Instantly recognizable as a Terrence Malick film, Knight of Cups has the same low - and - wide photography, the philosophical voice - overs, the general human malaise peppered with joy, that has been his signature directorial style since his coming out of hiatus with 1999s The Thin Red Line.

Principal photography for the film commenced just recently, and with Zoolander 2 on deck this year as well, I'm beginning to have high school flashbacks of spilling my popcorn at my multiplex from laughing so hard.

So one of the first things I did is I got the director of photography, the production designer, the visual effects supervisor — we rented a big IMAX screen and projected these films all in one day and watched as many of them as we could to immerse ourselves in the detail of it, the feeling of it.

It should be noted that additional photography after principal photography wraps is not at all unusual (especially for Blumhouse productions, according to Bloody - Disgusting), as most films go through this process and it should not be cause for worry.

The film reunites Freeman with Drew Fellman, who also wrote and produced the 2011 IMAX 3D documentary «Born to Be Wild 3D,» and director David Douglas, who served as director of photography on that film.

As an offering of «slow cinema,» Vandendriessche is no Nuri Bilge Ceylan, and though this film's strength ironically resides in its digital photography, Vandendriessche lacks the natural intuitiveness for his images to leave any lasting impact beyond their aesthetic assuredness.

Although the inky black - and - white photography recalls Gordon Willis's work in Manhattan, the film is much more in line with the modest tragicomedies of the French New Wave, with Frances figured as a better educated but just as coarse American cousin to Truffaut's Antoine Doinel, apologizing at one point for not being much of a «real person» just yet.

William Sadler, who's played President Ellis in film and on TV, is missing as well, as is the film's director, Shane Black, but it's possible he was busy in principal photography on The Predator at the time.

Receiving a B.A. in Cinema and Photography at Southern Illinois University in Carbondale with a minor in journalism, he also served as director of the Student Programming Council's film schedule his senior year.

Shot on grainy 16 mm film («Drinking Buddies» was shot digitally), the look of the film (lensed by Ben Richardson of «Beast of the Southern Wild» fame) is definitely a step backwards, and it appears as if the filmmakers only used available light, which doesn't make for the most flattering photography.

There is an audio commentary with Director Elliott Lester and Producer Eric Watson as well as interviews with Director Elliott Lester and Director of Photography Pieter Vermeer included further discussing the film.

A Far Off Place features some beautiful African photography, probably in part to first - time director Mikael Solomon, who earlier worked as a cinematographer for such films as The Abyss and Arachnophobia.

Hawke has described the film as being «like timelapse photography of a human being,» and comparisons could be made to actual timelapse photographic projects of children growing up, such as Frans Hofmeester's Portrait of Lotte.

The pair co-wrote Anderson's last live - action film «The Darjeeling Limited» (along with Schwartzman) where Coppola also served as a producer and shot 2nd unit photography which he had done previously on «The Life Aquatic.»

Marvel Studios has begun principal photography today in San Francisco on the upcoming superhero film Ant - Man, and to celebrate, they've released a first look at Paul Rudd as Scott Lang AKA Ant - Man!

As it stands, the 1080p 1.85 X 1 digital High Definition image looks fine throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his filmAs it stands, the 1080p 1.85 X 1 digital High Definition image looks fine throughout, shot with remarkable form by Anderson as an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his filmas an uncredited Director of Photography, his use of the grain in the advanced Kodak Vision 3 35 mm camera negative film stocks is superior and impresses throughout as it usually does in all of his filmas it usually does in all of his films.

As stated in the included booklet: «Supervised by director of photography Yorick Le Saux and approved by director Olivier Assayas, this new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35 mm original camera negative.»

As usual, Asghar Farhadi also surrounds himself with a first - class team: José Luis Alcaine on photography (a regular collaborator of Pedro Almodóvar, Carlos Saura and Bigas Luna), the costume designer Sonia Grande (Midnight in Paris by Woody Allen, The Others by Alejandro Amenábar), and Iranian editor Hayedeh Safiyari, continuing a long and fruitful collaboration with the director after working together on four of his feature films, including his two Oscar - winning films.

With Varda's latest film, Faces Places (Visages Villages), she returns to her roots in photography, working with JR as they travel through the French countryside in his mobile photo booth to produce monumental photographs of the people (and goats) they meet and paste them on the sides of walls, rocks — even shipping containers piled high on a dock in Le Havre.

The heartwarming film Eight Below comes to DVD with commentary by director Frank Marshall and producer Pat Crowley, as well actor Paul Walker and director of photography Don Burgess.

Inspired by a true story from the Civil War and rewritten as comedy with a romantic air and a happy ending, it maintains an admirable fidelity to authenticity in costumes and props — the imagery evokes Matthew Brady's Civil War photography — and the visual scope of the film is not simply impressive, it is dramatic and cinematic and at times awesome.

Principal photography of the new Halloween movie is complete, as many of the cast and crew members of the highly anticipated sequel have taken to social media to say goodbye to their temporary home of Charleston, South Carolina, where filming wrapped this week.

Director Michael Gracey was hired for the job in 2011, but the film did not pick up any forward momentum until much later, as principal photography began in November 2016 with stars like Zac Efron, Zendaya, and Michelle Williams also cast.

Insisting that cinema is properly not the marriage of photography and theater, but of music and painting, Bresson dismisses the tradition of film acting as «filmed theater.»