Sentences with phrase «photography and film stills»

Not exact matches

The film feels like it's been assembled by committee, and news stories about the film's troubled production bear this out: after an initial round of photography during which the ending was being crafted almost on the fly, the film's release was delayed so that a new ending could be written and shot in an attempt to glue together two halves of a story that still don't feel like a whole.

In still photography, with some grit and grime photo - shopped in, I could see it, but in the film's trailer, I just kept thinking that he looked like a man / boy contemporary to present day fraternity keggers.

Dorothea's 1940s jazz rubs shoulders with Talking Heads and Black Flag; still photography mood boards give way to psyched - out, colour - saturated «film burn» effects, which nod to the California hippie hotbed that spawned the film's other key character, William (Billy Crudup).

[My husband and I] have always been in narrative film, at a time when narrative was implied when paired with still photography.

Formats: Limited edition Blu - ray Disc Extras: Commentary with Lisi Russell and film historian Matthew Melia, isolated score selections and audio interview with composer Thomas Dolby, «The Soul of Shelley» featurette with Sands, «Fear Itself» featurette with screenwriter Stephen Volk, «One Rainy Night» featurette with director of photography Mike Southon, theatrical trailer, TV spot, still gallery.

It's a film that still bears the mark of a young filmmaker looking for his voice (Scott largely based the photography on what Kubrick did in Barry Lyndon), but this tale of two military officers and their decade - long rivalry is thrilling nonetheless.

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

«Bassaler's doc covers The Misfits and Capa with great aplomb: the film is nicely divided between still and moving images, propelled by interviews with photographers and others involved with the great productions that were documented... For lovers of great visual art, whether in film or photography» — Marc Glassman, POV Magazine

Blessed with excellent memories, Stiller and Childress — present for every day of principal photography at Stiller's behest (and sometimes her chagrin)-- recall the shoot in vivid detail, whether it be the order in which scenes were filmed or the mood of the set on a particular day.

Following the news of their departure, rumors began circulating that Lucasfilm was eying director Ron Howard to come in and finish filming, which still had several weeks of principal photography remaining.

This work will necessarily be pivotal to the film's mood and the stills thus far have reminded me somewhat of Emmanuel Lubezki's phenomenal photography of «Children of Men» (an Oscar loss I'm still reeling from, despite «Pan's Labyrinth» being my # 1 film of 2006).

With stand - out performances from Ben Stiller (* Night At The Museum, Meet The Parents) * Golden Globe ** and six - time Emmy Award *** nominated actress Kristen Wiig (* Saturday Night Live, Bridesmaids, How To Train Your Dragon *), Adam Scott (* Step Brothers *) and Shirley MacLaine (* Wild Oats *), the THE SECRET LIFE OF WALTER MITTY Blu - ray and DVD is loaded with more than an hour of behind - the - scenes special features, including deleted, extended and alternative scenes, featurettes that dive into filming in Iceland and Walter Mitty history, a gallery of exclusive reference photography, and music video «Stay Alive» by José González, and more.

The history of Polaroid began 75 years ago, with its roots stemming back to Polaroid instant film, cameras and camera accessories — thus was the introduction of the famous Polaroid Classic Border Logo which is still recognized today as a true landmark of photography.

She considers herself fortunate to have studied photography early when it was still «film» and in the style of the great masters.

Many of our properties are perfect for still photography, commercials, television shows, music videos and feature film shoots.

Please note that Channel Islands National Park requires a minimum of two weeks advanced notice to consider and process commercial filming / video and still photography permit applications.

The Santa Cruz County Film Commission assists with film permits, locations, and provides information on crew, equipment and support services for feature films, commercials, television, and still photography shoots.

The works feature matrixes of «heavily edited» stock photography, film stills, selfies, and more.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

Over a 25 - year career, her work in experimental film, photography, sound and drawing has already demonstrated a deep engagement with the genres of landscape, portraiture and still life, which become the focus for these three shows.

These are broadly organised along the themes of landscape / still life and body / self, and the mediums of printed matter and photography / film.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series where she explores a more abject material related to themes like fairytales, catastrophes, pornography, war and surrealism.

MEREDITH DANLUCK North of South West of East, 2011 (film stills) Film installation 85 minutes Co-produced by Ballroom Marfa, Ex Vivo Productions, Jorge Linares and Renwick Gallery Commissioned by Ballroom Marfa Photography © Fredrik Nilsen

An Introduction is a showcase of black and white film photography by four artists still working with the bare necessities of the medium today.

Her oeuvre ranges from documentary photography and still lives to portraiture and film.

Rebecca Baron (b. Baltimore, MD) is known for her essay films concerned with the construction of history, with a particular interest in still photography and its relationship to the moving image.

At the talk on the day of the press preview, Bajac spoke about the parallels between the Post-Internet age and the cinematic culture of Germany in the 1920s and»30s, the context in which the early film critic Siegfried Kracauer called still photography an «outmoded medium.»

In all my work — still photography, film, and collage — I seek to create something revelatory.

Still, this eccentric artist was experimenting with a number of different methods, techniques and styles, including symbolism, photography, film, and so on.

LITTLE THEATER: 608 19th Ave. E. «eyes to hold: hands to slice,» photography, seamstress diaries, super-8 film stills and collages by Airyka Rockefeller.

Whether seeking remembrance of a city's fading past or reflecting on nature's fugitive atmospheric effects, Hutton sculpts with time; each film unfolds in silent reverie, with a series of extended single shots taken from a fixed position, harking back to cinema's origins and to traditions of painting and still photography.

Bringing together still and moving images, objects and iconic works of art, The Western: An Epic in Art and Film will be the first exhibition to consider The Western and its attendant myths in the context of approximately 160 paintings, photography, prose and film from the mid-1800s to the present.

By the use of digital photography and animation, he collects a documentary material of hundreds of photos and film clips that he dissects and reconstruct into large still - or moving images that can be placed between document and fiction.

Although there are references to cinema, particularly with Aitken and Julien, the photographs are not film stills, rather photographs / prints taken at the same time as the film, resulting in works which exist in an intriguing space between photography and film.

First, how we view the modern world has been shaped to a huge degree by photography and film (which pre-digital were moving individual stills of course).

She shot and edited the film In the Street with Janice Loeb and James Agee, providing a moving portrait of her still photography.

This book introduces some of Sherman's most important works, from her seminal 1970s series Untitled Film Stills, which references film noir movies by such directors as Alfred Hitchcock and Jacques Tourneur, to her progression into colour photography in the 1980s series Centerfolds.

Celdrán explains: «Just as photography did with the two - dimensional still image and film did with the moving image, the current digital technologies that are used to generate 3D image models are revolutionising the way we look at reality, understand it and relate to it.

Included here is stock photography, fashion photography, colonialist photography, documentary photography, Instagram photography; selfies, film stills, advertisements, and posters.

The six interpretations were drawn from Marilyn's most famous movies: Gentlemen Prefer Blondes and I Just Want to be Wonderful as well as a prestigious and rare collection of photography stills, test shots and outtakes from her less familiar films like Sounds Dreamy to Me and How to Marry a Millionaire, both of which are definitely worth a watch.

Much consideration has been given to Italian film, but little attention has been directed to still photography from the same period, though both filmmakers and photographers shared similar aims and aesthetic inclinations.

Rick Bahto makes work utilizing various combinations of still and motion picture photography, sound, and performance, which has been presented at a variety of museums, galleries, microcinemas, film festivals, conferences, alternative spaces, and scenic locations spanning the Northern Hemisphere, including commissions from Monday Evening Concerts and The Huntington, and solo exhibitions at Jancar Jones Gallery, Millennium Film Workshop, Or Gallery, and Videofag.

Given the range of «new media» included in North by New York, including conceptual photography by Icelandic artist Ragnar Kjartansson, film stills by Finnish artist Marja Viitahuhta, and the video works of Danish artist Henrik Lund Jørgensen, the fact that actual paintings are included among the hydridities present in the show is already ahead of the game.

A short film entitled «Nobody Dies» (誰も死なない, Daremo shinanai), directed by Mr. and premiered at Geisai 11 in Tokyo, accompanied by photos of the film's characters (i.e. the film's actresses, in costume as their characters, on the film's sets), was the artist's first forays into the media of video art and still photography.

These are aspects that are visible in her exploration of well - established photographic genres such as film stills, fashion photography or classic portraits, as well as in series with titles such as «Fairy Tales,» «Disasters,» «Sex Pictures,» «Civil War» and «Horror & Surrealist.»

Thus, in the same way as large - scale earthworks, these smaller constructions became (and still are) dependent on the more traditional media of 2 - D photography and film.

The first solo exhibition of her films and photography to be held in the UK, alongside more than 40 photographs relating to what has been called her «Berlin Trilogy» of films (1979 — 84), a screening room will show the short films Superbia — the Pride (1986), Still Moving (2009), and Aloha (2016).

The film stills and commercial photography existed as source material.

Working in film and photography, Prager harnesses vivid colour and unconventionally manufactured scenery in every still.

Sherman's investigations have a compelling relationship to public images, from kitsch (film stills and centerfolds) to art history (Old Masters and Surrealism) to green - screen technology and the latest advances in digital photography.