That dialogue between
photography and painting turns out to be important in my work right now, mainly because I love realism.
Not exact matches
That led to an interest in contemporary
photography, which, in
turn, led to purchases of contemporary
paintings, sculptures, works on paper,
and video.
At a time when artists across the board were
turning away from
painting and towards
photography and conceptual art, Pacific Coast Highway
and Santa Monica addresses the history
and impact of artistic styles such as Post-Impressionism
and Fauvism, all executed in Hockney's signature vernacular.
During the mid-1970s, Semmel
turned to
photography to capture reflections of her own body, later bringing the camera
and her reflection in mirrors into the
paintings in the 1980s.
Flush with an emerging confidence in their medium, photographers such as Harry Callahan
and Aaron Siskind, wrote Hilton, found ways to
turn the lens on these complexities: «The kind of campaign that was once waged,
and waged successfully, for abstract
painting is now being waged for «abstract»
photography.»
Carter's own show currently on view at Sauvage includes
photography,
painting,
and drawing in unexpected combinations: Carter displays a sheet of geometric tattoo flash she's designed,
and also includes her black -
and - white self - portrait in which she
turns away from the camera to display one of the tattoos on her shoulder.
Alongside early works by Georgia O'Keeffe, cityscapes by Edward Hopper
and photographs by Alfred Stieglitz, Paul Strand
and Edward Weston are rare loans such as a
painting by E E Cummings, better known for his poetry,
and Edward Steichen's c1920 work Le Tournesol (The Sunflower)-- one of the few
paintings not destroyed by the artist when he
turned to
photography and not seen in Europe since being shown in Paris in 1922.
Thomas's bodies begin as substrata, canvases to a libidinal urge reminiscent of depictions of the Other in early
photography and pornography (
and, in
turn, historical photographs» mimicry of Western
painting traditions).
In two recent series, one of rounded - squares that look somewhat like television or computers screens
and the other of black concentric circles that resemble targets, he
turns painting into an industrial project in the manner of
photography by making multiple
painted copies of a single one - off photographic image.
Paco Pomet: For quite some time, I have deliberately taken an open approach to
photography as a rich, endless
and reliable supply of motifs, a starting point from which an idea can arise
and be
turned into something else through
painting.
There are probably several reasons why I
turned to
photography: first of all, because only this medium can hold completely unseen fragments of the world,
and because its enormous popularization has
turned it into the container of a visual heritage that is practically infinite, in comparison with the rigid traditional structures of the genres of figurative
painting.
Instead, he
turned to
photography and painting, but what really made him a superstar of the Italian art scene was his work in graphic design.
Curators Yves Aupetitallot
and Alessandra Galasso have assembled artists they see as
turning to
painting and photography as a way of fighting the «impasse of the still image.»
From the 1970s, women who were excluded from a canon dominated by
painting turned to
and revolutionised
photography, film
and performance.
«Ultimately,
turning the whole Museum over to
photography helps us to concentrate on these broad issues that would not necessarily get the same attention if we also had
paintings, sculptures, drawings,
and prints on view — or even other photo - based media such as film
and video,» he continued.
Having absorbed high culture
and low,
painting has
turned itself out in mixed - media assemblages that include both organic
and synthetic materials
and occasionally involve
photography and digital printing.
Groover studied
painting at the Pratt Institute, New York City (B.F.A., 1965),
and the Ohio State University (M.F.A., 1970), but she
turned to
photography in 1971.
While initially creating collages using found photographs, objects,
and painting, Mapplethorpe
turned to
photography in the early 1970's, through which — using a Polaroid SX - 70 camera — he quickly became known for the portraits he took of his wide circle of friends, including famous artists, musicians, porn stars,
and socialites.
He
turned to
photography and video, for which he became well known, but resumed
painting in the 1980s.
An avid collector of vintage postcards, Wegman first
turned a group of postcards into a
painting while working on an artist's book in the early 1990s, melding real
and fictive space
and photography with the whimsical effects available to painters.
I started out drawing
and painting my grandmother
and her stepfather where we all lived together, in an area by the Monongahela River known as «the bottom», then
turned to
photography once I entered college at Edinboro University in Pennsylvania.
At the beginning, he worked with
photography, but during
and after the Second World War, he
turned to
painting and drawing.
Khan, born in Walsall in 1978, studied
photography at the Royal College of Art
and confesses it has taken him a long time to «find a way to
turn his drawing into
painting».
In 1970 John Baldessari famously burned all his early
paintings and made work from the ashes before
turning the bulk of his attention to appropriation
and photography.
Frustrated
and bored with that what he saw as the tedious constraints of that idiom, Baldessari scrapped it early on in his career,
turning his efforts instead to «phototext» works that muddy the distinction between
photography and painting, questioning the relationship between visual
and verbal language.
By showing their work together, which ranges in media from
paintings and sculpture to video,
photography and ready - made objects, it is possible to appreciate the interaction
and shared concerns of their work which can, in
turn, be exuberantly humorous or brutally forthright.