Sentences with phrase «photography and video projections»
It's a personal exploration of nature, he continues, in which she uses «an impressive range of mediums and materials, from acrylic - on - silk paintings to resin sculptures, to photography and video projections.»
http://www.junekellygallery.com/
The works presented take many forms including photography and video projections.
Often working with installations of photography and video projections, she taps into the power of empathy to question our dominion.
Not exact matches
The work will span mediums - from painting, sculpture and photography to site - specific installations and video projections.
Kota Ezawa re-presents iconic moments from the media and the history of photography in animated videos, slide projections, lightboxes, and prints.
Discreet installations include sculpture, photography, video projections, interactive stations and conceptual artwork, some of which will change during the residency.
Jean Marie Casbarian is an interdisciplinary artist who incorporates photography, film and video projections, sound, sculpture and performance into her artworks.
The Queens Museum will present her most ambitious work to date, The Wandering Lake (2009 - 2017), a project that redefines the role of artist, image, object and performance in the construction of narratives through an exhibition that integrates video projection, photography, sculpture, publication, and performance as one expansive body of work.
She is known for her great variety of work in video projection, photography, and spatial installations.
Strongly influenced by the shore and woodlands of outer Cape Cod, Maine, and now Nova Scotia, Witkowski's «research sketchbook» consists of documentary photography and video of the environmental installations exploring light, reflection, and color she creates as references for mixed and multi-media works in painting, photography, and video projection.
Through exploration of the materiality of photography, video projection, sound and smell, Samantha creates multi sensorial environments which materialize this phenomenon.
«The Wandering Lake, 2009 - 2017» — an explosion of video projection, photography, sculpture, drawing, publication, and performance — is currently on display at the Queens Museum in Flushing Meadows Corona Park.
Presentation House Gallery has a mandate to exhibit and disseminate contemporary photographic and media art, including video and installation, film projection, digital and time - based media, as well as historical and experimental photography.
Several participating artists have worked collaboratively and often involve cross-disciplinary practices — from sculpture, drawing, and photography to film projection, video, and modes of display.
This new book, which accompanied an exhibition at Tate Modern, examines Tillmans's evolving practice, showcasing his photography but also his video, digital slide projections, publications, and recorded music.
These artists employed traditional elements to visualize and dialogue with some of the most complex political and social issues of their motherlands, employing a range of mediums to do so: animation, video installation, projection mapping, photography, drawing, painting, sculpture and book - making.
16.45 — 18.00 SESSION 3 Ozlem Koksal: Representations of Armenian Genocide in Contemporary Video and Photography Julian Ross: Punctuating Motion — Slide Projection in the Emergence of Video in 1960 - 70s Japan Respondent: May Adadol Ingawanij
It also typically incorporates photography and video, as well as other contemporary media such as computers, performance art, projections, installation art and sound.
Coleman, whose primary media include photography, film and slide projections, video and theatrical formats, has exhibited extensively throughout Great Britain and Europe.
Tillmans first ever exhibition at Tate Modern brings together works in an exciting variety of media: photography, video, digital slide projections and recordings.
The show includes works of painterly realism, photography - based painting, postmodernist image appropriation, funky sculpture, video projections and more.
Danish artist Joachim Koester transforms the galleries of Camden Arts Centre with an immersive installation comprising 16 mm film projection, digital video, photography and audio works.
Her practice, which is based on extensive on - site research and an ever - expanding archive of visual material, primarily deploys photography, video, slide projection and large scale photographic installations of blown up photocopies or silkscreens, as well as the publication of artists books in the form of photographic visual essays.
This thematic exhibition brings together work from across the medium's history — from daguerreotypes to slide projections to video installations — that consider the way photography's complex and ever - changing relationship with time has reflected and inflected our ideas about permanence and obsolescence, history and memory.
Each artist engaged the museum's collection and architecture in different ways, creating diverse projects — both aesthetically and conceptually — and employing various media and approaches from wall - drawing, rubber - painting, bicycle spoke sculpture, and digital photography to video projection and yarn installation.
These material remnants are then reworked into meticulously composed installations — with diverse media such as slide projections, sound, photography, and video, to tapestries, prints, and silk screens — in which projections and allusions have free reign.