Sentences with phrase «photography and video within»

Not exact matches

1)» Network Wide Access» to the other 260 + sites within Passions Network, opening up access to millions more member profiles (instead of restricting yourself to the profiles on Photography Passions) 2) Audio / Video chat 3) Surfing Incognito 4) Hiding one's profile from search engines and non-logged in members 5) Seeing «LIKES» first, before reciprocating 6) Having an unlimited number of members in your «WHO VIEWED ME» area (Non-upgraded members have a limit on how long members are displayed) 7) Enjoying member photos 300 % larger within the WHO VIEWED ME section of your site profile pages

Indeed, Liu, who will open a new solo exhibition on November 2 at the Lehmann Maupin gallery, in Manhattan, is known for working within a variety of mediums — painting, photography, video, sculpture, installation — and experimenting with all manner of materials, letting the concept dictate the form a piece will ultimately take.

For over two decades, Song Dong has been at the forefront of Chinese contemporary art, embracing performance, video, installation, photography, conceptual painting and theater, and often combining mediums within a single work.

Each of the 27 artists participating in the exhibition stands out with a thoroughly elaborated personal idiom within a various range of media; painting, drawing, sculpture, photography, video and embroidery.

Pairs have been chosen for the dynamic interplay between the two selected works, and based on similar or contrasting themes, formal motifs, or geographic interests, as well as topics endemic to photography's discretely defined history: social documentary, performative, and formal modes will be explored within the expanded discourse of film and video.

The exhibition presents contemporary work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an immersive and lively installation of video, digital, sound, and installation art, as well as photography and sculpture.

They belong to a vibrant generation of Indian artists who work across a range of artistic media from painting, sculpture, and photography to installation and video art, reflecting on India's role as an important player within the global economy.

This Tuesday Evenings presentation introduces the exhibition and its premise of photography and video conjuring desire as seen specifically within the work of Keasler and Smith, two artists from within our community.

Mediums on display include paintings, sculptures, videos, and photography within a palatial environment of plush carpeting, mirror - striped floors, and multi-hued neon lighting.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Since the early 1990's, Yonemoto's solo work has been exploring experimental cinema and video art within the context of installation, photography and sculpture.

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.

Fire Within: A New Generation of Chinese Women Artists Features Twenty - Seven Emerging Artists Working in Painting, Installation, Sculpture, Video, Animation, Photography, and Performance

Through video, photography, maps, and installation, the exhibition suggests new ways of visualizing, and possibly even altering, the confines within which we exist, revealing an architecture of information rather than of built space.

Boasting a range of photography, installations and videos, as well as never - before - seen works, «Captive of Love» is a poignant and personal look at the urban environment of China, and the human relationships that develop within it.

On view through December 8th, «Proximities 2: Knowing Me, Knowing You» features painting, sculpture, video and photography as reflections of family, community and ethnicity within and beyond Asia's geographic boundaries.

Reflecting the numerous strategies of production and display that co-exist within art photography today, on view are framed prints, wall - sized installations, light boxes and digital videos by significant artists across several generations, including Richard Prince, Cindy Sherman, Thomas Ruff, Jeff Wall, Anne Collier and Elad Lassry.

Drawing, photography, fiber, ceramics, painting, video, sculpture, and interactivity fill the Kaplan Gallery reflecting a variety of approaches to a wide range of content within the context of the digital age.

The artists are all groundbreaking and leading forces within their respective fields and media, ranging from sculpture, drawing, collage, photography, installations, reliefs and video art.

Through this, as well as through photography and video, Halter addresses notions of a dislocated national identity and the politics of post-colonial Zimbabwe within a broader African context.

The work in At Your Service ranges from sculptural objects to photography and video as well as featuring specially commissioned performances taking place both within the gallery and in public locations.

Featuring works acquired within the past two years and created since 1970, the exhibition highlights video, installation art and photography, and also includes drawing, painting, and sculpture.

[120] Foundation - level art courses are completed by all students within their first year at The Cooper Union, leaving the remaining three years completely open for elective studio courses which can be chosen from departments including sculpture, painting, video, photography, traditional and computer animation, graphic design, typography, printmaking, and new media.

In accentuating different perspectives within this generation and considering the infrastructures that often link them, Recent Histories provides a point of entry to engage critically with current practices, and opens up considerations about how to conceptualize the frameworks of contemporary African photography and video art.

Contour is synonymous with outline, shape, form — in terms of using make - up in art practice it relates to figure drawing and exploring ideas of sculpture within video and photography.

Documentation of performances through photography and video, which shows the artist experimenting within his own body in a series of simple actions — tossing, falling, hugging, smacking, tripping, and whirling — and his performative objects and installations uncover the darker absurdities of the body, space, and movement.

IMMA Collection: A Decade includes many of the wide range of media represented within the IMMA Collection: painting, sculpture, drawings and prints, photography, film, video, installation and performance giving you a sense of the huge variety of artistic practice in contemporary art.

His work uses a variety of media including painting, drawing, photography, installation, video and graffiti all within a conceptual frame that utilizes the Universal notions of place, human attachment and relationship to one's environment.

The exhibition includes many of the wide range of media represented within the IMMA Collection; painting, sculpture, drawings and prints, photography, film, video, installation and performance and include works by both Irish and international artists, giving you a sense of the huge variety of artistic practice in contemporary art.

The nine artists work with various media, presenting photography, sculpture, painting, video and installation, juxtaposing material and form with the socio - political, economic and environmental frameworks within which the works were made; Art that is — or has become — reflective and temporal contemplations of its varying eras, as we simultaneously revisit Modern Art Oxford's fascinating history.

Through painting, drawing, sculpture, installation, photography and video and digital technology, she uncovers ever more complex readings of the world around and within us.

Much of Nengudi's work confronts gender limitations within particular racial and cultural contexts, highlighting the impact of systematic forces through performance, video, photography, and installation.

Tracey Moffatt, the 2013 Australia Council Visual Arts Award recipient: Tracey Moffatt works within photography, film and video.

The five genres — Still Life, Landscape, Scenes of Everyday Life, Portraiture, and History Painting — serve as a productive point of dialogue with contemporary artwork created within an expanded field of artistic practices, including not only painting but also photography, video, and installation.

Light Work and Urban Video Project are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of multidisciplinary artist Xaviera Simmons.The works within these exhibitions present an artist working with — and through — formal languages of performance, video, sculpture, photography, and social and art histoVideo Project are proud to present Accumulations and Number Sixteen, concurrent exhibitions featuring the work of multidisciplinary artist Xaviera Simmons.The works within these exhibitions present an artist working with — and through — formal languages of performance, video, sculpture, photography, and social and art histovideo, sculpture, photography, and social and art histories.

Ms. Smolarz» s work utilizes the multidisciplinary forms of photography, video, sculpture, performance and drawing to explore the social structures which constitute human interaction within a culture.

In fact, within the world of visual art, the term art festival typically embraces the widest possible spectrum of creative events, involving contemporary art: from traditional media, such as painting and sculpture, to more modern forms like installation and video art, film - making, animation and photography, as well as avant - garde art forms such as performance art.

Sharon Hayes (b. 1970) employs various mediums — including video, performance, installation, and photography — to probe the complex intersections of history, politics, and speech within private and public spaces.

The tool uses video cameras and principles of aerial photography to calculate the length of a body part or total size of a shark within a few millimeters.