I have spent the past few months researching photographs taken by Still that I believe demonstrate his interest in
photography as an artistic medium.
And because those artists, like Candida Höfer, are often associated with the art market's embrace of
photography as an artistic medium in the 1980's, chromogenic prints have earned a reputation as a more «serious» process than pigment printing.
Continuing their dialogue that challenges the limits of
photography as an artistic medium, Touch - tone is the first time these three artists will collaborate on an exhibition together.
Not exact matches
Already by the mid-1960s, painting had lost its authority
as the dominant
artistic medium and instead galleries had begun to show much more heterogeneous experimental and sometimes politically and socially provocative work in new media (film, video, and
photography),
as well
as confrontational live art and other kinds of participatory and performance - based approaches.
«My
artistic practice is essentially focused on the photographic
medium,
photography as the tension between fiction and the real.
Each embraced
photography as one element of an
artistic practice guided
as much by literature, philosophy, and an attention to popular culture
as by classical formal concerns of the
medium.
From the softly focused, romantic images the Pictorialists made in the early 1900s to the casual color polaroids Andy Warhol took of the celebrities around him in the early 1970s, these works also trace the evolving styles and functions of
photography as it documented
artistic movements and increasingly served
as a primary
artistic medium in itself.
Through varying
artistic mediums including but not limited to collage, tea painting, watercolor, wool tapestry weaving, and polaroid
photography «SELF REFLECTION presents contemporary female artists that are not merely using their mobile devices to self - promote, but work with self - portraiture
as a means to present their own inner dialogue,» says The Untitled Space Gallery.
A pioneer of feminist art, Carolee Schneemann's work in performance, video,
photography, and painting helped to define the human body
as a locus for
artistic production —
as a
medium, a surface, and a confrontational aesthetic site.
On the verge of multimedia experimentation back in the 60's, Knoebel was one of the first Beuys students to use
photography as an independent
artistic medium.
«
Photography as a visual and
artistic medium, its connections to the sciences and its advancement through new technologies, is an increasingly prominent part of the visual world we inhabit,» explained NCMA Director Karl E. Willer, Ph.D. in an email.
Aside from showcasing a talent who helped lend color
photography credibility
as an
artistic medium in the»70s and»80s, the exhibition is also significant for Sotheby's bringing these works directly to buyers in the Bay area, a first for the company.
As part of our commitment to supporting new artists we present, a remarkable new artistic voice working in the medium of photography and in their first Irish exhibitions, as well as a number of new commissions forming part of.&raqu
As part of our commitment to supporting new artists we present, a remarkable new
artistic voice working in the
medium of
photography and in their first Irish exhibitions,
as well as a number of new commissions forming part of.&raqu
as well
as a number of new commissions forming part of.&raqu
as a number of new commissions forming part of.»
Her involvement with the
medium of
photography began with an undergraduate thesis entitled Photography as a source for history: the experience of the Farm Security Administration (2005), in which she analyzed the relevance of the FSA's documentation within the social and political history of the U.S. and its contribution to the history of photography as an art
photography began with an undergraduate thesis entitled
Photography as a source for history: the experience of the Farm Security Administration (2005), in which she analyzed the relevance of the FSA's documentation within the social and political history of the U.S. and its contribution to the history of photography as an art
Photography as a source for history: the experience of the Farm Security Administration (2005), in which she analyzed the relevance of the FSA's documentation within the social and political history of the U.S. and its contribution to the history of
photography as an art
photography as an
artistic form.
Burroughs used
photography extensively throughout his career, both
as a recording
medium in planning his writings, and
as a significant dimension of his own
artistic practice, in which photographs and other images feature
as significant elements in cut - ups.
Referencing
artistic tropes of homoerotic studio
photography, Sepuya comments on the
medium as a process of constructive desire: the desire to photograph, to look and to touch.
Although
photography figures prominently in their
artistic practice, few rely solely on the
medium's specificity
as a self - evident reproduction of the «real».
Although it has been around for several centuries
as an
artistic medium, only in the past couple of decades has
photography turned into a
medium that fills your senses, blots out the background and enfolds you.
The artist tests the limits of
photography as a
medium and its place in contemporary
artistic production.
Using these photographs
as a starting point, the artist probes the impact of displacement and draws a connection between the societal upheaval of postwar years and the rise of
photography as a popular
artistic medium.
All three bodies of work reflect upon contemporary America, but also explore the
medium of
photography as means of
artistic expression.
As Reader in
Photography at University of Westminster, a practicing artist and author of numerous books on the subject, Campany is well - versed in the challenges and intricacies of photography today, and This Must Be the Place assesses the medium's new role in the international arti
Photography at University of Westminster, a practicing artist and author of numerous books on the subject, Campany is well - versed in the challenges and intricacies of
photography today, and This Must Be the Place assesses the medium's new role in the international arti
photography today, and This Must Be the Place assesses the
medium's new role in the international
artistic forum.
Photography is perhaps the most prolific
artistic medium of our era, with mass appeal, and
as such has a wonderful accessibility.
Unlike many other Pictures - affiliated artists who use
photography, James Welling established a deep and remarkably sincere commitment to his primary
medium even
as he undertook an extensive investigation of its long - standing intermediary role in other
artistic practices: Abstract and representational painting and sculpture along with film, architecture, and, more recently, dance have all crucially informed the artist's oeuvre.
Mr. Rauschenberg saw no
medium - from painting and collage to
photography, printmaking, stage design and performance -
as beyond his
artistic reach.
Chung Heeseung's
artistic practice focuses on the unstable identity of the
photography as a
medium.
That particular form of display can be read
as a symptom of
photography's struggle with its tenuous grasp on its own materiality, which goes some way to explain why photo - based work, in the late 20th century and beyond, became the
medium of choice for critical
artistic practice.