Note that photography is this year's entry in the creative arts, i.e., they are interested in applications from individuals pursuing still
photography as an artistic practice.
Not exact matches
Photography is a constant and ubiquitous element in Fallen Fruit's
artistic practice — utilized both
as documentary process and image production —
as well
as an informal way of establishing trust with a range of citizens, and asking them to lend specific for inclusion in their installations.
«My
artistic practice is essentially focused on the photographic medium,
photography as the tension between fiction and the real.
Each embraced
photography as one element of an
artistic practice guided
as much by literature, philosophy, and an attention to popular culture
as by classical formal concerns of the medium.
The exhibition brings together a great range of
artistic practices and languages (
photography, video, painting, sculpture, installation...), cultures, geographic origins, generations and experiences, to establish a tension between extremely different
artistic approaches: melancholy of vanity, ironic play with identity, political biography and existential questioning, the body
as sculpture, effigy or fragment of its symbolic substitute.
At the same time
as the emergence of
photography in Britain, innovators such
as JMW Turner and the Pre-Raphaelite painters were bringing revolutionary change to
artistic practice.
While the artist investigates the complex relationships between form and substance through different
artistic practices such
as photography, video, sculpture and installation, he is best known for his beguiling marble carving to which he applies his refined craftsmanship in order to create unexpected and light forms, ordinary and yet highly symbolic.
Anna Virnich's
artistic practice incorporates a variety of media, such
as sculpture, installation,
photography, video and textile - based tableaus made of found fabrics
as well
as new materials, stretched on wooden frames thus creating organic and almost painterly compositions that oscilate between transparency and density.
As an art historian Honold is focusing on
artistic practice and the application of
photography in painting.
Burroughs used
photography extensively throughout his career, both
as a recording medium in planning his writings, and
as a significant dimension of his own
artistic practice, in which photographs and other images feature
as significant elements in cut - ups.
Together with the gallery that,
as its publisher, shared offices with it until 1998, the magazine established a significant dialogue with the international art scene, thanks to a focus expanded from
photography into other
artistic practices, including film and video.
Abrahamik's loosely autobiographical
photography practice speaks to this past,
as artist and sitter embark on a shared use of illusory substances during
artistic production.
Although
photography figures prominently in their
artistic practice, few rely solely on the medium's specificity
as a self - evident reproduction of the «real».
Since the early 1990s, Song's
artistic practice has focused on video, installation, performance,
photography, and theatre,
as well
as curating contemporary art exhibitions.
What constitutes her
artistic practice is not just storytelling, but the formation of a place in which the investigation of the act of
photography, the camera
as apparatus, the common desire for film and
photography to act
as evidence of events, and the complex historical and personal synchronicities of events themselves are not separated.
Join artist Edmund Clark
as he discusses with Jonathan Watkins, Director of Ikon Gallery, his
artistic practice, which combines a range of reference and forms including
photography, video, found image, text and installation.
His research at the Institute looked at overlaps between sculpture and
photography - locating sculptors who have used
photography as part of their
artistic practice and photographers whose work has sculptural characteristics.
MOTHERSHIP is a group exhibition that presents works by artists at varying stages of their careers, celebrating their shared connection
as mothers alongside their individual
artistic practices in drawing, film, installation, painting,
photography, print, sculpture, sound and textiles.
As Reader in
Photography at University of Westminster, a practicing artist and author of numerous books on the subject, Campany is well - versed in the challenges and intricacies of photography today, and This Must Be the Place assesses the medium's new role in the international arti
Photography at University of Westminster, a
practicing artist and author of numerous books on the subject, Campany is well - versed in the challenges and intricacies of
photography today, and This Must Be the Place assesses the medium's new role in the international arti
photography today, and This Must Be the Place assesses the medium's new role in the international
artistic forum.
At the core of his
artistic practice is the relation between
photography and identity
as two ontological entities entangled by their shared performative nature.
Our perception of art
photography no longer hinges on the prospect of capturing of a moment of real time, or at least we generally have a greater understanding of
artistic practice as a multi-layered process with a degree of preconception and postproduction.
Unlike many other Pictures - affiliated artists who use
photography, James Welling established a deep and remarkably sincere commitment to his primary medium even
as he undertook an extensive investigation of its long - standing intermediary role in other
artistic practices: Abstract and representational painting and sculpture along with film, architecture, and, more recently, dance have all crucially informed the artist's oeuvre.
Siskind began his
artistic career
as a documentary photographer, but around 1944, he focused on the «
practice of
photography as art, away from illustration and representation,»
as he wrote in an application for a Guggenheim grant in 1956.
The five genres — Still Life, Landscape, Scenes of Everyday Life, Portraiture, and History Painting — serve
as a productive point of dialogue with contemporary artwork created within an expanded field of
artistic practices, including not only painting but also
photography, video, and installation.
Chung Heeseung's
artistic practice focuses on the unstable identity of the
photography as a medium.
To think about the actuality and future of
photography means to understand it
as a subjunctive, in which within the framework of the exhibition and publication various
artistic practices are discussed.
That particular form of display can be read
as a symptom of
photography's struggle with its tenuous grasp on its own materiality, which goes some way to explain why photo - based work, in the late 20th century and beyond, became the medium of choice for critical
artistic practice.
As Wall engaged further with his own
artistic practice throughout the late»70s and early»80s, a
photography scene was beginning to emerge around him — a loose group of contemporaries who would come to be called the Vancouver School (including, among others, Rodney Graham and Ian Wallace).
He took his research into
photography and collectionism
as an
artistic practice to new depths in the Arab Image Foundation, in Beirut, of which he is cofounder.
The artist, who was born in New York City, studied painting and
photography at the State University of New York in Buffalo, and she has since developed an
artistic practice that necessitates she travels extensively —
as Waltzer...