Sentences with phrase «photography department for»

Over two days, John rolled wide - format printers and multiple computer stations into the main corridor of Pratt's photography department for collaborative production sessions.

Anne Wilkes Tucker is the curator emerita of the Museum of Fine Arts, Houston, having, in 1976, become founding curator of the photography department for which she acquired over 30,000 photographs made on all seven continents.

Patrick Rock Rock will be the visiting Artist - in - Residence in the Photography Department for the fall 2016 semester.

Not exact matches

The U.S. Department of Transportation and the Federal Aviation Administration, which oversee drones in the national airspace, released rules in Aug. 2016 for how businesses can use drones for tasks like aerial photography or to monitor farms.

The Appendices — A multi-part chronological history of the filming of The Hobbit: An Unexpected Journey, covering pre-production in the various departments of the film in the months leading up to the start of principal photography, the boot camp training for the main cast, the work done on set chronologically through the three shooting blocks and in the world of its digital effects.

The following describes a photography contest for students that will be studying abroad this summer as part of the DC Public Schools Global Education department's study abroad program.

On the photography department, the Micromax Evok Power smartphone sports an 8 - megapixel rear camera and a 5 - megapixel camera for selfies.

Shahan is the imaging specialist for the Oregon Department of Agriculture's entomology and for the past two years, he has been teaching macro photography workshops in Belize, and taking stunning photographs of bugs during his trips.

Previously, Marley was Research Associate for the Agnes Martin Catalogue Raisonné of Paintings, a Collection Manager for a private estate and has held positions in the Department of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's inDepartment of Photography at the Museum of Modern Art and in the Post-War and Contemporary Art department at Christie's indepartment at Christie's in New York.

Before joining the Joan Mitchell Foundation, Heather worked as the Registrar of Richard Gray Gallery, the Collection Manager for the Department of Photography at the Art Institute of Chicago, and Associate Registrar for Collections at the Solomon R. Guggenheim Museum.

The four semester, 60 - credit curriculum is both rigorous and flexible allowing wide latitude for interdisciplinary exploration among the department's five areas: painting and drawing; photography; sculpture; printmaking; and integrated practices (installation, public art, performance).

As Group Publisher, she is responsible for expanding Phaidon's Art, Photography, Fashion, and Children's publishing programs, as well as overseeing the design and production departments.

A $ 69,556 grant from NHPRC made it possible for the BMA's Library & Archives to process five key collections: the museum archive's photography collection, audiovisual collection, curatorial records for exhibitions and publications, juried and invitational exhibition records, and education department records.

Stephen G. Stein is already a significant supporter of the NGA's photography department, having previously provided funds for major acquisitions, including works by the 19th - century photographers William Henry Fox Talbot and Captain Linnaeus Tripe.

Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of CulturPhotography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Culturphotography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.

As a freelance photographer and a staff photographer for newspapers for the past 30 years, Ms. Dooley also taught photography in Arizona, California and New York, having recently retired as a Full Professor and Chair of the Art Department at Nassau Community College on Long Island.

12:10 — 12:35 King's Vibrato: Martin Luther King, Jr., and the Sound of Photography Maurice Wallace, associate professor, department of English, and associate director, Carter G. Woodson Institute for African American and African Studies, University of Virginia

Danny Lyon will join curators of the photography department at de Young museum in San Francisco on September 28th for an evening of conversation.

● Circulated equipment for the Film Video New Media, Sound, Art and Technology and Photography departments.

At VMFA her department is responsible for the museum's early 20th - century European holdings as well as the mid-to-late 20th - century and 21st - century collections, including photography and the sculpture garden.

After the two institutions were combined to form the Fine Arts Museums in 1972, the photography holdings were united at the Legion within the Museums» department of works on paper, the Achenbach Foundation for Graphic Arts.

An exhibiting artist and curator for 25 years, she also served for 15 years as a photo editor and then Director in Turner Broadcasting's photography department.

Since March, the MoMA photography galleries have been closed for renovation, and although there has been no official announcement, the curators said last April at a photography department forum for curators and writers that the museum will be moving away from dedicated photography rooms.

DAM — Digital Asset Management, museum software for tracking digital images D.A.P. - Distributed Art Publishers, publish many museum and institutional catalogues and books on art, design, photography, and architecture DCA — Department of Cultural Affairs (New York City) DOF - Depth of field (from photography) DPI - Dots per inch (image - quality indicator) DSLR - Digital single - lens reflex camera

In Context 2016 is a partnership between Goodman Gallery; The Department of Photography & Imaging at the Tisch School of the Arts, New York University; Hutchins Center for African and African American Research at Harvard University; Wits School of Arts at University of the Witwatersrand; United States Mission to South Africa; La Pietra Dialogues / New York University; New York University Vice Provost for Faculty, Arts, Humanities and Diversity; and Hank Willis Thomas Studio, in association with Phillips; Museum of Contemporary African Diasporan Arts; Studio Museum in Harlem; Wiser Institute; Center for African American Studies / Princeton University; Johannesburg Art Gallery; Contemporary And, and Art Africa.

Roxana Marcoci, Senior Curator in the Department of Photography at the Museum of Modern Art, however, kicked off FotoFocus with a keynote address about artist Louise Lawler, whose work sets the tone for what this year's FotoFocus theme, Photography: The Undocument, is all about.

At the press conference for the reopening of the East Building galleries on Tuesday, September 27, 2016, Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art, introduced Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the first in a series of four solo exhibitions by 2017 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Fujifilm of North America, and Awagami Factory.

Bloomfield Hills, Mich., August 29, 2017 — Christopher Scoates, the Maxine and Stuart Frankel Director of Cranbrook Academy of Art and Art Museum, and the Cranbrook Academy of Art Board of Governors, announced today that Danielle Dean has been named the Artist - in - Residence for the Academy's Photography department.

The pavilion's upper floor is dedicated to the College's Art Department, providing new studios for photography and fine art foundation classes.

She is the Associate Curator for the Mason Gross Galleries in the Department for Visual Arts where she also teaches photography in the Mason Gross School of the Arts at Rutgers University, New Brunswick NJ.

1985 Funded the Aaron Siskind Center for Photography within the Department of Prints, Drawings and Photographs at Rhode Island College of Design.

While forming the department of photography at UCLA, he had the foresight to build a resourceful photography collection for his students at the Grunwald Center for the Graphic Arts.

Professor Sarah Van Ouwerkerk, a faculty member in the Film / Video and Photography Department, will serve as the interim chair of the Department of Photography until a search for a permanent chair is completed next year.

Pratt's Photography Department launched the exhibition The pure products of America go crazy on October 7 with an evening featuring contemporary artists Lucas Blalock and John Lehr, assistant professor of photography at Pratt, in conversation with Joshua Chuang, chief curator at the Center for Creative Photography in TucsoPhotography Department launched the exhibition The pure products of America go crazy on October 7 with an evening featuring contemporary artists Lucas Blalock and John Lehr, assistant professor of photography at Pratt, in conversation with Joshua Chuang, chief curator at the Center for Creative Photography in Tucsophotography at Pratt, in conversation with Joshua Chuang, chief curator at the Center for Creative Photography in TucsoPhotography in Tucson, Arizona.

Gary Tinterow, Director of the Museum of Fine Arts, Houston, today announced an important curatorial transition for the Museum: Anne Wilkes Tucker, founding Curator of the Department of Photography, will retire in June 2015, having led the Department since 1976.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the third in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, BAXTER ST at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the BAXTER ST at CCNY community and programs, and solo exhibitions at BAXTER ST.. This exhibition is the last in a series of four solo exhibitions by 2015 winners of the Workspace Residency, supported by the Jerome Foundation, theNew York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the last in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Pace Gallery's Research & Archives department is looking for a Photo Metadata Intern to assist our photo archives team with creating and editing existing metadata for current and legacy photography collections.

Support for the En Foco Photography Fellowship program has been provided by an anonymous donor with additional support by the New York State Council on the Arts, the New York City Department of Cultural Affairs, and the National Endowment for the Arts.

After receiving her MFA from the Yale School of Art in 1985, Modica was a professor in the Art Department at the State University of New York College at Oneonta for 13 years — today, she lives in Philadelphia where she is on the faculty of Photography at Drexel University.

Notwithstanding Still's ambivalence about any linkage of his imagery to the Dakota plains of his early youth, it is perhaps no anomaly for Bay Area abstraction that Still's impact at CSFA in the late 1940s coincided with Ansel Adams» tenure as the founder of the school's department of photography.

The conference is co-sponsored and held in collaboration with U.S. Ambassador to South Africa Patrick Gaspard and the U.S. Embassy Pretoria; the Goodman Gallery; along with our co-sponsors, the conference is also supported by the Hutchins Center for African & African American Research / Harvard University; and New York University's Vice Provost for Faculty, Arts, Humanities and Diversities, LaPietra Dialogues, Tisch School of the Arts Department of Photography & Imaging, the Dean's Office, and NYU's Institute of African American Affairs.

Additionally, Doug Fogelson founded Front Forty Press, an award - winning independent fine art publishing company, he has taught in the Photography Department of The School of the Art Institute of Chicago and he is on the Board of Directors for Filter Photo Festival.

He has worked as a newspaper reporter and was a writer and photographer for the New York City Parks Department for 13 years before leaving in 2001 to pursue photography full - time.

Grants and awards 2000 Civitella Ranieri Foundation Fellowship (Residency in Italy) United States State Department: International Arts and Lectures Grant Flintridge Foundation Artist's Fellowship Civitella Ranieri Foundation Fellowship 1999 Gerbode Foundation — Faculty Development Grant 1997 Society of Environmental Graphic Design — Award of Merit 1996 Haas Foundation — Creative Work Fund Award 1996 Marin Arts Council, Artist Fellowship 1992 National Endowment for the Arts, Photography Fellowship 1991 Louis Comfort Tiffany Foundation Biennial Award 1989 Fleishhaker Foundation Eureka Fellowship 1988 Englehard Fellowship, ICA Boston 1986 National Endowment for the Arts, Photography Fellowship 1986 Marin Arts Council, Artists Fellowship 1983 Guggenheim Fellowship 1980 National Endowment for the Arts, Photography Fellowship 1978 California Arts Council, Special Projects (with Mike Mandel) 1977 National Endowment for the Arts, Photography Fellowship 1976 National Endowment for the Arts, Art in Public Places (with Mike Mandel)

Graduating in 2011, he received his BFA in Photography from the New Hampshire Institute of Art, where he held a 3 - year work - study position for the photography Photography from the New Hampshire Institute of Art, where he held a 3 - year work - study position for the photography photography department.

When she decided to further her education, Close found that Tyler's Photography Department was a fit for her.

The exhibition is organized by the Hammer Museum and the Los Angeles County Museum of Art, and is curated by Cynthia Burlingham, director of the Grunwald Center for the Graphic Arts and deputy director of collections at the Hammer Museum, with Britt Salvesen, department head and curator of the Wallis Annenberg department of photography and department head and curator of prints and drawings, and Leslie Jones, associate curator of prints and drawings, at the Los Angeles County Museum of Art.