Sentences with phrase «photography exhibition about»
How did you respond to Cassie's photography exhibition about her parent's car crash?
https://www.bookbrowse.com/ Not exact matches
London, England About Blog Nadia Attura is a Fine Art Photography Blog talking about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1About Blog Nadia Attura is a Fine Art Photography Blog talking about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1,344.
The featured works in the exhibition — ranging from painting and sculpture to photography, film and installation — examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as documentation, memorial or symbol.
The Arts Desk reviews all the major exhibitions of art and photography as well as interviewing leading creative figures in depth about their careers and working practices.
It has often appeared in debates about photography's status as index or trace, in exhibitions about abstraction and the use of impoverished materials, and even in discussions of landscape imagery.
Ahead of the exhibition, artnet News sat down with the artist to speak about the differences between film and photography, the value of «shock» in the digital media age, and Clark's own fascination with youth culture.
Vince Aletti reviews photography exhibitions for The New Yorker «s «Goings on About Town» section and writes a regular column about photo books for PhotogAbout Town» section and writes a regular column about photo books for Photogabout photo books for Photograph.
A finger poised on a camera — its open back revealing the film roll and mechanism — sets the scene for this exhibition of photographs about photography.
The exhibition incorporated a diverse range of media including photography, film, video, fashion, and other forms of popular culture and prompts rich discussions about the contested ways that African and African American beauty have been represented in historical and contemporary contexts.
Her solo exhibition in Foam raises questions about authenticity and the determination of value, especially in photography: the reproducible medium par excellence.
This exhibition explores a wide range of important topics including: personal histories, cultural traditions, environmental concerns, the effects of violence, changing ideas about gender and sexuality, and new approaches to the medium of photography.
Steketee exhibited her work recently in the «On the Move photography» exhibition at the Stedelijk and FOAM: a trans - medial project, about the process of reconciliation in post-genocide Rwanda, based around a popular radio soap.
Through works of photography, sculpture, video and installation, the Women House exhibition tackles conventional visions about women and their lives.
This year marks the 15th anniversary of the International Print Center New York and the 50th iteration of its New Prints exhibition program.1 For people who care about prints, IPCNY is so essential an institution that it is hard to believe it is a full generation younger than spaces such as the Drawing Center (now 38 years old) or International Center of Photography (41).
Visions: Selections from the James T. Dyke Collection of Contemporary Drawings, exhibition catalog, Naples Museum of Art, Arkansas Art Center (2007) NYArts, «Ink Scissors Paper,» by Pamela A. Popeson (July 17, 2007) Journal of Cognitive Neuroscience, Volume 19, No. 6, cover image (June, 2007) Iowa City Press - Citizen «Old Card Catalog Gets Art Makeover» by Rob Daniel (April 2, 2006) Virtual Comunidad 2005 / Now: Here: This, exhibition catalog published by Artists Unite (December 2005) Manhattan Times, «The Photography of Fleeting Moments,» by Mike Fitelson (February 2005) BLIR, Issue # 05 (September 2005) J.T. Kirkland's Thinking About Art, «Artists Interview Artists», interview by Douglas Witmer (August 17, 2005) NY Arts, «Illuminated Brush Strokes,» by Pamela A. Popeson (March / April 2004) NY Arts, «Sky Pape at June Kelly Gallery,» by Carl E. Hazlewood (November 2001) Artnet.com Magazine, Drawing Notebook, by N.F. Karlins (October, 2001) Cover, «Processing Natural Order, Sky Pape at June Kelly Gallery,» by Chloe Veltman (September, 1999) Review Magazine, «Sky Pape, Inklings: Drawings at June Kelly Gallery,» by Mark Daniel Cohen, pp 8 - 10 (June, 1999) Journal of Cognitive Neuroscience, Volume 11, No. 4, cover image (1999) ARTnews Vol.97, No. 1 «Peer Reviews: The Best of 1997» by Paul Gardner, pp 89 - 95 (1998) The Café Review, Spring issue.
Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.
About the Exhibition: Photography's very essence is light.
Provoking questions about authenticity and the power of photography to shape public opinion, the exhibition presents a roster of renowned photographers, including Berenice Abbott, Richard Avedon, Margaret Bourke - White, Walker Evans, Robert Frank, Lewis Hine, Danny Lyon, Bill Owens, and Gordon Parks.
About the Juror: Curator at The Heckscher Museum of Art in Huntington, New York, Lisa Chalif has organized dozens of exhibitions that focus on various aspects of the Museum's permanent collection, as well as loan exhibits on a diverse range of subjects, including experimental photography, environmental art, appropriation, art and the automobile, and occasional solo exhibitions of Long Island artists, including photographer Joseph Szabo.
I never thought I would care enough or know enough to write about photography, but it keeps adding up to some of the best exhibitions in town.
Photography Artist - in - Residence, Danielle Dean, talks with Cultured Magazine about her practice and current exhibition at Museum of Contemporary Art Detroit — MOCAD.
Ilit Azoulay tells about her installation; «Shifting Degrees of Certainty» at the MoMA group exhibition: New Photography — «Ocean of Images», her meticulous praxis, her family legacy, and the manner of her invastigation that led her to reveal a classified event
The V&A's Light from the Middle East exhibition is the first major museum display of contemporary photography from and about the Middle East.
In anticipation of her solo exhibition «Space Between Time» at Wasserman Projects in Detroit's Eastern Market, Shalev - Gerz will speak about her work in photography, video, sound, and sculpture.
Our landmark photography exhibition, Distant Echoes, is about the experiences of black farmers in America and has been traveling to museums all over the United States.
Current exhibitions include A Matter of Memory, George Eastman Museum, Rochester, NY (2016); The Surface of Things, Houston Center for Photography (2016); and About Time: Photography in a Moment of Change, SFMOMA, San Francisco, CA (2016.)
Join us in celebrating the publication of Re-Framing the Feminine, Girls» Club's second exhibition catalog, with a public launch and informal panel discussion about the works in the exhibition and the role of female artists using the mediums of photography and digital imaging.
Saturday, September 15, 6 - 9 pm Join us in celebrating the publication of Re-Framing the Feminine, Girls» Club's second exhibition catalog, with a public launch and informal panel discussion about the works in the exhibition and the role of female artists using the mediums of photography and digital imaging.
Mattie Boom, curator of photography at the Rijksmuseum in Amsterdam, spoke to Apollo this week about the new «Modern Times» exhibition.
In today's hyper - visual world the concept of image fatigue is familiar and often debated, and it's something that Foam, whose mission statement is «All about photography», challenges with the variety of its programmes, exhibitions, publications and events: «We present diverse forms of photography and we usually have four exhibitions at a time in our museum.»
Currently dedicating two floors, about 10,000 square feet of gallery space, of the 4 - story building to rotating exhibitions throughout the year, the CAC is home to artists» bold experiments in painting, theater, photography, performance art, dance, music, video, education, and sculpture.
Forgiving Home is an exhibition by SCAD Photography Alumnus, Courtney Ray, about her experience forgiving the place she grew up and the mental health implications that came along with a tumultuous adolescence.
She also has recently developed the series of public programs In Transition as well as the exhibition series Thinking about Photography, starting at C / O Berlin in January 2015.
Before the exhibition opens on November 3rd, our editor Osman Can Yerebakan talked with Brandt about his process - heavy photography practice and his upcoming exhibition.
Addressing the proliferation of photographic portrait industries in the Arab world, the exhibition not only raises questions about portrait photography in the Middle East, but also about portraiture, photography, and visual culture in general.
fluoro also recently spoke with Susan van Wyk, Senior Curator of Photography at the National Gallery of Victoria, Melbourne, Australia about their current exhibition, which focuses on the iconic photographer and his ongoing influence of the Art Deco period.
about SCOTIABANK CONTACT PHOTOGRAPHY FESTIVAL Featured Exhibition Looking: Then and Now by professor Barbara Astman
Blue Sky, the Oregon Center for the Photographic Arts, is a nonprofit exhibition space and community research center dedicated to educating the public about photography through exhibitions, public programs, and publications, and dialogue; and to further the careers and artistic development of the artists shown.
The Aimia AGO Photography Prize exhibition is opening on September 6, and we couldn't be more excited about the incredible photographic works about to be displayed on Level 5 of the AGO's Contemporary Tower.
I have already wrote a generic post about this collective exhibition that compare William Klein photography and Asian contemporary visual artists on 11 April 2018.
In Critical Conversations, editor Jason Farago speaks to artist Thomas Hirschhorn about photography, censorship, and his current exhibition at Gladstone Gallery.
Her photographic body of work Nobody Will Talk About Us, featured in Zeitz MOCAA's inaugural exhibition at the Centre for Photography, was taken across various landscapes of the Tunisian south, in which a figure is presented shrouded in a white sheet.
Many of the works will be featured in the inaugural exhibition, «About Time: Photography in a Moment of Change.»
Learn about the famous American photographer with undergraduates Annalise Johnson (T» 16) and Rosemary Williams (T» 16) in the exhibition Sharp Focus: Ansel Adams and American Photography.
Past exhibitions have varied in subject from new work of Southern artists, to printmaking, photography and an exhibit about the American West.
She has curated the Deutsche Börse Photography Foundation Prize for the past three years; an exhibition about still life photography in social networks called Food for Being Looked At (2016); and several solo exhibitions, including Charlotte Dumas» Anima & The Widest Prairies (2015) and Viviane Sassen's AnalePhotography Foundation Prize for the past three years; an exhibition about still life photography in social networks called Food for Being Looked At (2016); and several solo exhibitions, including Charlotte Dumas» Anima & The Widest Prairies (2015) and Viviane Sassen's Analephotography in social networks called Food for Being Looked At (2016); and several solo exhibitions, including Charlotte Dumas» Anima & The Widest Prairies (2015) and Viviane Sassen's Analemma (2014).
Changing Colors: a workshop on toning black and white photographs; Crow Shadow Institute, Pendleton, OR, April, 1999 What Geologists Call an «Explanation» - Terry Toedtemeier: on his photography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, Pphotography, Portland Community Colleges, Rock Creek, Sylvania, and Cascade campuses, Portland, OR Peculiar to Photography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography, slide lecture for the exhibition, «Seeing Through Photography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography,» Sheehan Gallery, Whitman College, Walla Walla, WA, March 5, 1999 About Photographing Basalt, slide lecture at Blue Sky Photography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography Gallery, Portland, OR February 11, 1999 Hope Photographs: Thought from an Historic Perspective, slide lecture at the University of Oregon Museum of Art, Eugene, OR, February 17, 1999 Framing the Frontier - 19th Century Photography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography in the American West, slide presentation at Cheney Cowles Museum of Art, Spokane, WA, November, 1998 Photography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography and Censorship, slide presentation, Portland State University, Portland, OR, March, 1998 Mysteries on a Plate Glass - Early Photography of Egypt, slide presentation, the Portland Art Museum, PPhotography of Egypt, slide presentation, the Portland Art Museum, Portland, OR
In celebration of Winona Barton - Ballentine's site - specific Photo Walls n Picture Collection exhibition Wild Stainless, Kurland and Barton - Ballentine converse about how culture, gender, social class, and motherhood, among other things, affect the desire for self - reinvention through the shaping of one's surroundings; and how this is explored in photography and literature.
This exhibition displays a selection of individual works (photography, painting, collage, and installations) that are the result of the author's reflection about the current market system.
About Time: Photographs from the SFMOMA Collection, the photography department's inaugural exhibition will debut at the re-opening of the museum, spring 2016.