Sentences with phrase «photography exhibition curated»

Press Release: May 10, 2006 — Mitchell - Innes & Nash will present a summer photography exhibition curated by photographers Justine Kurland and Dan Torop in its Chelsea space.

In celebration of fifty years of French elegance, the Sofitel Hotel St James, London, is host to a small but inspirational photography exhibition curated by Pablo Picasso's grandson, Olivier Wildmaier Picasso.

Not exact matches

There would be curated exhibitions of paintings and photography in the dressing rooms.

In terms of interesting facts: I collect video game art books, have developed a gaming art book resource for use at public expos and events, recently created and curated a game photography exhibition at PAX AUS 17, and one of my triplets (my daughter) is named after a video game character.

October 8, 3:30 pm - 7:00 pm 3:30 pm Exhibition Reception for FotoFocus Curated Exhibitions Zanele Muholi: Personae, Jackie Nickerson: August, and Robin Rhode: Three Films 5:30 pm Evening Program with Zanele Muholi, Artist, Johannesburg, South Africa, Introduction by Sophie Hackett, Curator, Photography, Art Gallery of Ontario

NORTH ADAMS, MASSACHUSETTS — In conjunction with her solo exhibition at MASS MoCA, Liz Deschenes curates a group exhibition featuring six artists whose work expands the field of photography.

Between 2011 - 2014 he also curated the Sony World Photography Award exhibition.

Founded in 2003 and based in Somerset House, Candlestar has been instrumental in the creation and direction of the Prix Pictet photography award and touring exhibition, and has curated over 70 exhibitions worldwide in the past five years.

Wright recently curated an exhibition of 1970s photography from the collection of the Washington Art Consortium.

What follows, in the exhibition, are works by artists who have persevered in defiance of portrait fatigue, such as Alex Katz and Chuck Close, and some creative curating that asks us to think of 1970s Body Art, anonymous street photography, and certain still lifes as portraits.

As curator of the El Paso Museum of Art in El Paso, Texas he has curated one - person exhibitions, authored artist essays for the Encyclopedia of Twentieth Century Photography, as well as numerous other publications for the El Paso Museum of Art.

The exhibition is curated by Sarah Greenough, senior curator and head of the department of photographs, National Gallery of Art, and Sarah Kennel, The Byrne Family Curator of Photography, Peabody Essex Museum.

Our 2012 spring visual arts exhibition, Data Deluge, curated by Rachel Gugelberger and Reynard Loki, celebrates the beauty of information through sculpture, furniture, painting, photography, video and sound.

Curated by Jerry Spagnoli, a leading practitioner of the daguerreotype, this beguiling exhibition presents works by contemporary artists mining photography's rich technological and material history.

She has lectured and curated exhibitions on Mid-Century Modernism and architectural photography.

Activism, Architecture, Conceptual, Curating, Design, Digital, Drawing, Film, Installation, Intervention, Mixed Media, Other, Painting, Performance, Photography, Printmaking, Project Organizing, Sculpture, Sound, Textile, Video, Residencies, Exhibitions, Grants, Forums / Seminars, Curatorial Proposals, Others, Jobs / Careers

This exhibition is curated by Eva Respini, Barbara Lee Chief Curator, The Institute of Contemporary Art / Boston, with Katerina Stathopoulou, Curatorial Assistant, Department of Photography, The Museum of Modern Art, New York.

His most recent solo exhibitions include Intersections Intersected: The Photography of David Goldblatt, organized in 2008 by the Fundação de Serralves, Portugal, and curated by Ulrich Loock (travelled to the Malmo Konsthall, Sweden; The New Museum, NY; and the University Museum of Contemporary Art, Umass Amherst); and South African Photographs: David Goldblatt at the Jewish Museum, NY, 2010.

Featuring over 60 exhibitions and over 100 FotoFocus events at Participating Venues, the 2016 Biennial included eight major exhibitions curated by FotoFocus Artistic Director and Curator Kevin Moore exploring the documentary nature of photography, including solo exhibitions of Roe Ethridge, Zanele Muholi, and Jackie Nickerson.

Gucci in partnership with in partnership with A Magazine Curated By has launched a trilogy of photography exhibitions in Hong Kong, Beijing and Taipei to co-incide with Art Basel Hong Kong.

Activism, Architecture, Conceptual, Curating, Design, Digital, Drawing, Film, Installation, Intervention, Mixed Media, Other, Painting, Performance, Photography, Printmaking, Project Organizing, Sculpture, Sound, Textile, Video, Residencies, Exhibitions

He has curated numerous exhibitions for art institutions including the Addison Gallery of American Art, the Museum of Contemporary Photography, the Wadsworth Atheneum, the Weatherspoon Art Museum and the Hyde Park Art Center, where he has served as a board member since 2000 and the Chair of the Exhibitions Committee exhibitions for art institutions including the Addison Gallery of American Art, the Museum of Contemporary Photography, the Wadsworth Atheneum, the Weatherspoon Art Museum and the Hyde Park Art Center, where he has served as a board member since 2000 and the Chair of the Exhibitions Committee Exhibitions Committee since 2008.

The curated exhibition on campus will include work spanning several decades in a range of artistic disciplines, including communications design, drawing, film and video, painting, photography, sculpture, and writing.

Another powerful exhibition using the medium of photography to document, and also to instigate social change, is «A Fire That No Water Could Put Out»: Civil Rights Photography curated by Erin Nelson, a curatorial assistant at the High Museum (November 4, 2017 — Mayphotography to document, and also to instigate social change, is «A Fire That No Water Could Put Out»: Civil Rights Photography curated by Erin Nelson, a curatorial assistant at the High Museum (November 4, 2017 — MayPhotography curated by Erin Nelson, a curatorial assistant at the High Museum (November 4, 2017 — May 27, 2018).

She has curated and contributed to a number of exhibitions and publications including: Inbox: Hal Fischer (2018), Stephen Shore (2017), Photography at MoMA: 1840 to 1920 (2017), Arbus Friedlander Winogrand: New Documents 1967 (2017), One and One Is Four: The Bauhaus Photocollages of Josef Albers (2016).

This exhibition was organized and curated by the Asheville Art Museum with support from f / 32 Photography Group.

Open to participants and audiences of the Open Engagement Conference, the dinner will take place within an exhibition curated by AMERINDA — Recovering Memories: Vernacular photography from the historical Native American Brooklyn neighborhoods and Contemporary Photography from the New York Movement of Contemporary Native Amphotography from the historical Native American Brooklyn neighborhoods and Contemporary Photography from the New York Movement of Contemporary Native AmPhotography from the New York Movement of Contemporary Native American Art.

Curated by David E. Little, the exhibition presented a new genre of large - scale color photography depicting history and contemporary experience from unconventional perspectives.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

UPCOMING EXHIBITIONS • Participating in Effects That Aren't Special: The 40th Photography Regional, curated by Tim Davis.

2009 TIME + TEMP: Surveying the Shifting Climate of Painting in South Florida, Art and Culture Center of Hollywood, curated by Jane Hart, Hollywood, FL Inaugural Exhibition, Florida Museum for Women Artists, Deland, FL Dog Days of Summer, Bernice Steinbaum Gallery, Miami, FL Summer Show, Boca Raton Museum Of Art, FL Through the Lens: Contemporary Photography from The Permanent Collection, Jacksonville Museum of Contemporary Art, FL

The exhibition is curated by Eva Respini, Barbara Lee chief curator at the ICA, and Katerina Stathopoulou, curatorial assistant in the Department of Photography, at MoMA, New York.

At the MCA, she curated solo exhibitions of work by Gaylen Gerber and José Lerma, and worked with chief curator Michael Darling on landmark projects like the exhibitions «Destroy the Picture: Painting the Void, 1949 - 1962 ″ and «Think First, Shoot Later: Photography from the MCA Collection.»

Seror's work has been included in group exhibitions such as Don Juan, Vienna Kunsthalle (2006); Jeugen von heute, Schirn Kunsthalle Frankfurt (2006); Balance and Power: Performance and Surveillance in Video Art, curated by Michael Rush, Rose Art Museum at Brandeis University (2005); In Focus: Themes in Photography, Albright Knox Art Gallery, Buffalo (2005); typ0, Moderna Museet, Stockholm (2004); Strangers: First ICP Triennial of Photography and Video (2003).

This exhibition was organized and curated by the Asheville Art Museum with special thanks to Magnum Photography and Ruth Hartmann.

Picture Perfect 2: curated by Vernita Nemec Director's Choice Winners from the 2nd Annual Juried Photography Exhibition Nov 27 - Dec 15, 2012 Reception: Thursday Nov 29, 6 - 8 pm Press Release

A mid-career retrospective exhibition curated by Wim van Sinderen will open in February 2012 at The Hague Museum of Photography, The Netherlands, and will travel through 2014.

Established in 1999 and curated by American art dealer H Earnest Lee, H Gallery offers an exciting and diverse range of contemporary art exhibitions covering the photography, painting and sculpture, with the main focus on cutting edge art coming from Asia.

TRIBECA & SOHO & NOHO & EAST VILLAGE & MURRAY HILL 100 Painters of Tomorrow / 23 Warren / thru 12/6 Material Way curated by Kathleen Kucka / BMCC — CUNY / 81 Barclay / thru 12/1 Carey Denniston / Kansas / 59 Franklin / thru 12/20 Anton Perich / Postmasters / 54 Franklin (new location) / thru 11/22 Terry Winters / The National Exemplar / 381 Broadway @ White — suite 206 / thru 12/31 Bianculli's Personal Theory of TV Evolution organized by David Bianculli / Apexart / 291 Church / thru 12/20 Seokmin Ko; Elena Berriolo / API / 434 Greenwich / thru 12/20 Basim Magdy; Daphne Fitzpatrick; Will Yackulic / Art in General / 79 Walker / thru 1/10 Mohammed Kazem / Grahne / 157 Hudson / thru 12/20 MFA Thesis Exhibition (Part I) / Hunter / 205 Hudson (on Canal) / thru 11/22 Ariel Orozco / Brownstone / 3 Wooster / thru 11/22 Design Series / Swiss Institute / 18 Wooster / thru 11/23 Classical Nudes / Leslie - Lohman Museum / 26 Wooster / thru 1/4 Roy Lichtenstein / Feldman / 31 Mercer / thru 12/20 Opening 11/22 Pedro Cabrita Reis / Freeman / 140 Grand / thru 12/20 Sam Samore / Team / 83 Grand / thru 12/21 Opening 11/23 Tim Noble & Sue Webster / Geiss / 76 Grand / thru 12/20 Chris Domenick / Recess Activities / 41 Grand / thru 12/20 Smoothie Social: 11/22 (3 - 6 PM) Performance: 12/18 (6 - 8 PM) Prime Matter / Senaspace / 229 Centre / thru 12/6 Thread Lines; Xanti Schawinsky / Drawing Center / 35 Wooster / thru 12/14 Open Sessions 2 / Drawing Center: The Lab / 35 Wooster / thru 12/14 Opening 11/21 Andreas Schulze / Team / 47 Wooster / thru 12/21 Opening 11/23 Phillip Chen, etc. / Museum of Chinese in America / 215 Centre / thru 3/1 Nadja Frank; Jessica Segall / Denny / 261 Broome / thru 12/7 Paul Cowan / Clifton Benevento / 515 Broadway / thru 12/20 Mitsuko Miwa / Longhouse / 285 Spring / thru 12/6 Reuven Israel / Fridman / 287 Spring / thru 12/20 Plasmatik: K.K.Thoen, G.Kroenert, S.A.March, T.Francke, S.Tufnell; curated by N.Kates / Melissa / 102 Greene / Opening 11/20 (7 - 9 PM) Social Photography IV / Carriage Trade @ Harvey Foundation / 537 Broadway / Closing Reception 11/22 (6 - 9 PM) The Right Amount of Wrong curated by Lovina Purple / ISE Foundation / 555 Broadway / thru 12/19 Ernesto Burgos / Werble / 83 Van Dam / thru 12/20 Suzatte Bross / Geary / 185 Varick / thru 12/6 Amy O'Neill / Karma / 39 Great Jones / thru 12/6 Alex Kwartler; LeRoy Stevens / Karg / 41 Great Jones / thru 11/26 Learn to Read Art: A Surviving History of Printed Matter / 80WSE / NYU / 80 Washington Square East / thru 2/14 Opening 12/2 Reception 12/12 Ernest Cole / NYU Grey Art Gallery / 100 Wash..

That exhibition was curated by John Szarkowski, recently appointed MoMA's Director of Photography, a position he'd hold for three decades.

Additional highlights include Francisco Costa for Calvin Klein Collection, an exhibition featuring the designs of the 2013 recipient of the André Leon Talley Lifetime Achievement Award, and Streaming Spirits: New Prints by Valerie Hammond and Kiki Smith, an exhibition of prints by Kiki Smith and Valerie Hammond that draw inspiration from the 19th - century genre of spirit photography guest curated by Crista Cloutier.

The Gallery has a varied exhibition programme of painting, photography and drawing with a mixed presentation of solo and curated group exhibitions.

Since its establishment more than fifteen years ago, Lehmann Maupin has organized and curated hundreds of exhibitions for some of the world's most celebrated contemporary artists working in painting, sculpture, photography, video and new media.

Barbra Riley has been developing curriculum and teaching classes in photography, design and watercolor painting at Texas A&M University - Corpus Christi for over 3 decades as well as curating exhibitions for the Islander and Weil Gallery, conducting workshops in historical photographic processes, bookbinding and watercolor painting and leading classes and workshops abroad.

David Shrigley has participated in numerous exhibitions including The Fantastic Recurrence of Certain Situations: Recent British Art and Photography at Consejéria de Cultura in Madrid (2001), The British Art Show 5 (2000), Common People, British Art between Phenomenon and Reality curated by Francesco Bonami at Fondazione Sandretto re Rebaudengo per L'arte, Torino, Italy (1999) and Waste Management at Art Gallery of Ontario, Canada (1999).

This exhibition is curated by Kathryn Poindexter, Assistant Curator at the California Museum of Photography.

Her work has been the subject of numerous national and international exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Biennale, Korea.

Marie Bovo: How to Survive Abstraction is organized by the California Museum of Photography at UCR ARTSblock and is curated by Joanna Szupinska - Myers, CMP Curator of Exhibitions.

Curated by Ellen Carey (who is presenting work, as well, showing Dings & Shadows), the exhibition examines the origins and history of color photography.

The exhibition was curated by Anastasia Samoylova, assistant professor of photography at Bard College at Simon's Rock.