Sentences with phrase «photography exhibition made»

Elsewhere on Long Island, a photography exhibition made with unusual techniques continues at the Heckscher Art Museum and Asian art is the subject of exhibitions at two Nassau County art museums.

Not exact matches

London, England About Blog Nadia Attura is a Fine Art Photography Blog talking about my work drawing with light mark making painting exhibitions art for sale and publications Frequency about 1 post per month Since Sep 2009 Website nadiaattura.com + Follow Facebook fans - 1,344.

As you wander along the winding streets, make sure to visit Casalegre, a guesthouse that also houses an exhibition space, where you can discover Rio's up - and - coming young talents, and then stop off at La Casa da Ladeira, dedicated to video and photography.

Roaming Art Gallery: The Path is Made by Walking: Art in New Directions, Group Show, London — October 2016 TEDx: Showcased at TEDxEastEnd Photography Exhibition, Group Show, London — January 2015

With this small but diverse selection of artists, the exhibition provokes an open - ended dialogue on the state of photography as an increasingly diversified medium that intersects and informs other fields of art making.

Making its U.S. debut, this exhibition presents the latest in African design, featuring more than 120 artists working across photography, film, sculpture, fashion, furniture, apps, digital comics, and beyond.

Works in the exhibition include The Earth Is a Magnet, 2016, a major new commission by Anna Craycroft that brings the photography, biography, and inventions of Berenice Abbott, famed for both her street photography and rigorously scientific images made at MIT, together with video, sculpture, and photography by a group of Craycroft's peers, including Fia Backström, Katherine Hubbard, Matt Keegan, Jill Magid, MPA, Lucy Raven, Mika Rottenberg, A. L. Steiner, and Erika Vogt.

As part of the citywide In Focus / Enfoque: Contemporary Photography in Mexico exhibition, we wanted to make sure our members were aware that The New Gallery of Modern Art will be presenting Phyllis Galembo: Mexico this fall.

A $ 69,556 grant from NHPRC made it possible for the BMA's Library & Archives to process five key collections: the museum archive's photography collection, audiovisual collection, curatorial records for exhibitions and publications, juried and invitational exhibition records, and education department records.

Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.

Together they moved fluidly between the fields of photography, film, architecture, exhibition - making, and furniture and product design.

Lieko Shiga — whose work is featured in the exhibition Japanese Photography from Postwar to Now — makes mysterious and emotionally charged photographs that evoke the surreality of dreams.

The Photographers» Gallery Deutsche Borse Photography Prize 2012 13 July — 9 September 2012 The 16th year of the # 30,000 prize for «a living photographer, of any nationality, for a body of work in exhibition or publication format that has made a significant contribution to photography in Europe between 1 October 2010 & 30 September 2Photography Prize 2012 13 July — 9 September 2012 The 16th year of the # 30,000 prize for «a living photographer, of any nationality, for a body of work in exhibition or publication format that has made a significant contribution to photography in Europe between 1 October 2010 & 30 September 2photography in Europe between 1 October 2010 & 30 September 2011».

The exhibition features work that deals with issues of race, sex, gender, redefine constructionism, new minimalism, early photography, nostalgic meditations, and the interplay between nature and the man - made.»

In association with NOMA, this landmark exhibition, co-organized by the National Gallery of Art, Washington, is the first to exclusively explore a vivid chapter of America's photographic history — 19th - century American landscape photography made east of the Mississippi River.

The exhibition features works that deal with issues of race, sex, gender, redefinitions of constructionism, new minimalism, early photography, nostalgic meditations, and the interplay between nature and the man - made.»

Image credit: Copyright Alex Katz; Courtesy Timothy Taylor Gallery, London 4 November — 13 December 2009 Jerwood Space, 171 Union Street, London, SE1 0LN Passing Thoughts and Making Plans is an exhibition that brings together artists who use photography as part of their thought process; as a tool for working out, following and shaping ideas that will develop into a finished work.

This exhibition will be the first comprehensive North American museum survey of the internationally recognized artist Walid Raad (b. 1967, Lebanon), whose work in photography, video, sculpture, and performance in the last 25 years investigates the distinctions between fact and fiction and the ways we represent, remember, and make sense of history.

The exhibition considers drawing in Europe and the United States throughout time, observing how artists advanced the role of drawing in artist's creative processes — from a primary tool to record the visual world to a medium distinguished for its expressive qualities and immediacy in the advent of photography and subsequent technological advances in the digital age, ultimatelyunderscoring what makes drawing different from other forms of notation.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

Jitka Hanzlova, currently making her debut exhibition at the gallery, is featured in the exhibition Photography Calling!

Core to the exhibition are four major series made roughly between 1960 and 1980: Images within Images, Marks and Evidence, History of Photography Series, and Archaeological Series.

Hamptons Art Hub has put together a list of photography exhibitions on view in New York City museums and galleries that showcase what's possible when working with light and the various ways photographers have made artistic choices with the photography medium and its possibilities.

A wave of contemporary perspectives arising from our invigorated senses only made possible with a change of seasons will showcase a lively group exhibition of photography, paintings, sculpture, mixed media.

An exhibition at Tate Britain makes forceful claims for the imaginative use of memory in both art and photography

The exhibition was the first major survey of work by Anna Barriball, which brought together drawing, video, photography and sculpture made over the last decade / Read more

This, her first survey exhibition, brings together drawing, video, photography and sculpture made over the last decade.

The Tate Britain's first exhibition celebrating the birth of photography and its consequential impact on British art of the Victorian and Edwardian era quite frankly lacks the pizzazz needed to make it flash.

The gallery's current exhibition, Made You Look: Dandyism and Black Masculinity, explores black dandyism through street and studio photography.

Through the familiar threads of home and domestic objects, the exhibition reveals the shift in art over that period from the representational through to powerful social commentary photography as well as conceptual art and the appropriation of «ready - made» objects.

SARAH CHARLESWORTH: DOUBLEWORLD, the 2015 New Museum exhibition of this leading neo-conceptualist who «made subversive use of photography in order to show how images shape our perception of the world,» is on view at LACMA through the beginning of 2018.

On the occasion of its 30th anniversary, New Photography is expanding to 19 artists and artist collectives from 14 countries, and includes works made specifically for this exhibition.

Made in L.A. 2014 will be installed in every gallery of the museum and debuts nearly all new painting, installation, video, sculpture, photography, and performances created specifically for the exhibition.

In conjunction with a solo exhibition of work specifically made for MASS MoCA, Liz Deschenes has curated a group exhibition featuring six artists whose work expands the field of photography.

With this small but diverse selection of artists, the exhibition will provoke an open - ended dialogue on the state of photography as an increasingly diversified medium that intersects and informs other fields of art making.

This exhibition of Brett Weston's photography is the result of a recent acquisition of his work made possible through the generosity of Lucinda Bunnen, Christian Keesee, and the Brett Weston Archive.

The first exhibition to focus exclusively on photographs made in the eastern half of the United States during the 19th century, East of the Mississippi: Nineteenth - Century American Landscape Photography showcases some 175 works — from daguerreotypes and stereographs to albumen prints and cyanotypes — as well as several photographers whose efforts have often gone unheralded.

Georges Rousse, b. 1947, quickly made his mark on the contemporary art world following his first exhibition in 1981 at the Galerie de France in Paris, receiving such prestigious awards as the International Center of Photography Award in 1988 and the National Grand Prix of Photography in 1993.

Ranging from photography to drawing to installation, the more than four dozen works in the exhibition include: critically acclaimed videos by Marilyn Minter (Green Pink Caviar, 2009) and Kate Gilmore (Between a Hard Place, 2008), who credits Minter for teaching her to «be bold, honest and to never, ever relax»; a new large - scale sculpture by Marianne Vitale (Double Decker Outhouse, 2011), who says seeing Hungarian flimmaker Bela Tarr's 7 - hour epic Sátántángó confirmed her need to be an artist early in her career; and the latest project from Lisa Kirk (Backyard Adversaries (Ashes to Ashes), 2011), who sees a «sublime level of alchemy, the act of making work that is not only inspiring, but is revolutionary» in David Hammons» Fly Jar (1996).

PDNB Gallery's latest exhibition, The Most Important Photograph Ever Made, includes the earliest surviving photograph since Nicéphore Niépce first created photography.

Accompanied by a generously illustrated catalogue with essays by Brandt, Joshua Takano Chambers - Letson, Alexandra Chang and Muna Tseng, the Grey Art Gallery exhibition makes a strong case for Tseng's photography - based performances as an essential critical intervention in the historical representation of the Asian «other» in the West — and one that is rooted in an interventionist queer practice.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

There's a charged, tactile quality to much of Rødland's work in The Touch That Made You, the Norway - born, LA - based artist's debut UK gallery exhibition, showcasing his photography from the past two decades.

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LondoExhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, Londoexhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

This year's exhibition includes the work of 27 artists based throughout the United Kingdom and include a range of approaches to art making, such as sound, video, photography, painting, drawing, installation and sculpture.

The Hayward Gallery's ambitious exhibition «The Painting of Modern Life», the first curated by its recently appointed director, Ralph Rugoff, gave us an account of how painters have made use of photography since that pivotal moment in the early 1960s when the canvas confronted the photograph in all its brute, beautiful ubiquity.

Gordon Parks: The Making of an Argument Photography Exhibition Will Explore the Production of Gordon Parks» First Photographic Essay for LIFEmagazine On View September 12, 2013 — January 19, 2014 NEW ORLEANS, LA — The New Orleans Museum of Art presents Gordon Parks: The Making of an Argument, an exhibition that explores the production of...Exhibition Will Explore the Production of Gordon Parks» First Photographic Essay for LIFEmagazine On View September 12, 2013 — January 19, 2014 NEW ORLEANS, LA — The New Orleans Museum of Art presents Gordon Parks: The Making of an Argument, an exhibition that explores the production of...exhibition that explores the production of... Read More

Brooklyn - based artist Todd Murphy makes his solo exhibition debut at MARC STRAUS showcasing his recent works, which combine sculpture, painting, and photography.

He is the author of the catalogues that accompanied these exhibitions, and also contributed the photography component and an anthology essay to the exhibition «Made in California: Art, Image, and Identity, 1900 - 2000» (2000) which traced the interaction of fine art and popular culture in creating the identity of California.

Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and select recent curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.