Sentences with phrase «photography magazine aperture»

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Also focusing on contemporary African photography, «Platform Africa: Aperture 227,» the forthcoming summer edition of the magazine will be released soon.

Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of CulturPhotography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Culturphotography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural magazine and the NYC Department of Cultural Affairs.

Organized with the scholar Nicole R. Fleetwood, an expert on art's relation to incarceration, the Spring issue of Aperture magazine addresses the unique role photography plays in creating a visual record of a national crisis.

The initial short - list selection was made by Christophe Wiesner, Artistic Director of Paris Photo; Kathy Ryan, Director of Photography at The New York Times Magazine; Lesley A. Martin, creative director of Aperture Foundation and publisher of The PhotoBook Review; Joel Smith, Richard L. Menschel Curator of Photography at the Morgan Library & Museum; and Gregory Halpern, photographer and 2016 Winner of PhotoBook of the Year Award.

Cianni's photographs have appeared in The New Republic, Aperture, Double Take, The New Yorker, Slate, ViceUK, Photography as Activism; New York 400: A Visual History of America's Greatest City; The Polaroid Book and numerous anthologies and online magazines.

Her work is in the collections of the High Museum of Art, the Museum of Fine Arts, Houston, the Museum of Contemporary Photography and the Worcester Art Museum, and has been published in Harper's Magazine, Aperture PhotoBook Review, The New York Times, TIME Magazine Lightbox, and the San Francisco Chronicle.

As the artist told Aperture magazine, «I think photography is still the most influential medium in the world, and I have to deconstruct [its] conventions.»

< MAGAZINE «Platform Africa,» the Summer issue of Aperture magazine explores African photography through a new generation of artists with an «in - depth look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty - five years — the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photographyMAGAZINE «Platform Africa,» the Summer issue of Aperture magazine explores African photography through a new generation of artists with an «in - depth look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty - five years — the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photographymagazine explores African photography through a new generation of artists with an «in - depth look at the dynamic spaces that have shaped conversations about photography in Africa for the last twenty - five years — the biennials, experimental art spaces, and educational workshops in which artists and audiences interact with photography.»

Category What's Up · Tags Aperture Foundation, Aperture magazine, photography, photography magazine

She has written for Aperture, IAM magazine, Houston Center for Photography, Temporary Art Review, and Recess among others.

His work has been exhibited at Aperture Foundation, Interstate Projects, Pioneer Works, Austin Center for Photography, and has been featured in The New Yorker, Vice Magazine, Vogue, Paper Journal, and more.

This spring, Aperture magazine will release «Prison Nation,» addressing the unique role photography plays in creating a visual record of this national crisis.

The Spring 2013 issue of Aperture relaunches the magazine under the title «Hello, Photography,» a playful nod to Daido Moriyama's seminal project Bye, Bye Photography.

According to Aperture Magazine: Turning away from straight photography in the mid-1990s, «Ruff has taken up a study of the photogram, updating the form for the digital era by creating his works in a 3 - D digital studio environment and outputting the resulting images in the large scale he tends to favour.»

REBECCA COONEY Features Photo Editor, Newsday SEAN CORCORAN Curator of Photographs, Museum of the City of New York IVAR DAMERON Photo Editor, The Wall Street Journal SHAMINDER DULAI Director of Photography, Newsweek JAMES ESTRIN Co-Editor of New York Times Lens Blog NOELLE FLORES THEARD Program Associate, Magnum Foundation GENEVIEVE FUSSELL Senior Photo Editor, The New Yorker ADREES LATIF Editor in Charge, U.S. Pictures, Reuters BRENT LEWIS Senior Editor, ESPN KAREN MARKS Gallery Director, Howard Greenberg Gallery SABINE MEYERS Photography Director, National Audubon Society PAUL MOAKLEY Deputy Director of Photography and Visual Enterprise, TIME Magazine GRAHAM MORRISON Managing Editor for Visual Media, Bloomberg CHRISTINE NESBITT Senior Photography Editor, UNICEF AZU NWAGBOGU Director, African Artists» Foundation and LagosPhoto Festival KIRA POLLACK Director of Photography and Visual Enterprise, TIME Magazine SIOBHAN RIORDAN Exhibition Associate, Documentary Photography Project, Open Society Foundations GLENN RUGA Executive Editor, ZEKE Magazine BRENDAN WATTENBERG Managing Editor, Aperture Magazine JAMIE WELLFORD Senior Photo Editor, National Geographic DAMON WINTER Staff Photographer, The New York Times

Her work has been selected for group exhibitions by jurors such as Lesley Martin, publisher of the Aperture Book Program; Kathy Ryan, photo editor of The New York Times Magazine; Jennifer Blessing, curator of photography at the Solomon R. Guggenheim Museum; Christopher James, author of The Book of Alternative Photographic Processes; and Louis Grachos, director of Albright - Knox Gallery.

And a groundbreaking Aperture Instagram auction, curated by Kathy Ryan, director of photography at the New York Times Magazine, including 100 signed unique prints by Andrew Hetherington, Vik Muniz, Alex Prager, Andy Spade, Tilda Swinton, Penelope Umbrico, Inez van Lamsweerde & Vinoodh Matadin and many more.

He has contributed essays to catalogues and monographs by Vanessa Winship, George Georgiou, and Paul Graham, written for Aperture magazine, and is a faculty member in the photography department at Purchase College, SUNY.

Curator Sarah Lewis guest - edited a special issue of Aperture magazine exploring the African American experience through photography and has organized a related exhibition currently on view at Harvard.

The Aperture Foundation, publisher of Aperture magazine, is a not - for - profit institution dedicated to the support and advancement of photography as a fine art.

Amy Elkins (BFA 2007 Photography) Photographer and curator; represented by Yancey Richardson Gallery, NYC; co-founder Women in Photography; known for her archiving of prisoners on death row in Texas; winner of the 2014 Aperture Portfolio Prize; artist - in - residence, Villa Waldberta, Munich (2012) and Light Work, Syracuse, NY (2011); included in the permanent collections of North Carolina Museum of Art and Light Work, Syracuse, NY; exhibited at Kunsthalle Wien in Vienna., the Carnegie Art Museum in Oxnard, CA, the Minneapolis Institute of Arts, Minneapolis; solo and group exhibitions at the International Modern Photography Festival, South Gyeongsang Province, South Korea;» Cast,» Philadelphia Photo Arts Center, Philadelphia; «Gazed Upon» (curator), Ampersand Gallery, Portland, OR; «Deconstructing the Female Gaze» (curator), PPOW Gallery, NYC; photos and features include «Prison Photography,» included in The Telegraph's Stella Magazine, Real Simple, The Huffington Post, American Photo, Harper's, Newsweek and The New York Times.

Matthew Pillsbury (MFA 2004 Photography, Video and Related Media) Photographer; represented by Bonni Benrubi Gallery, NYC, Jackson Fine Art, Atlanta, and Douglas Udell Gallery, Vancouver; monograph Matthew Pillsbury: City Stages Photographs from 2002 to 2013 published by Aperture (2013); featured in New York Times Photographs published by Aperture and The New York Times; included in permanent collections of the Sir Elton John Photography Collection, Atlanta, The Museum of Modern Art, Whitney Museum of American Art, Guggenheim Museum, Brooklyn Art Museum, all NYC, Museum of Fine Art, Boston, San Francisco Museum of Modern Art, San Francisco, Minneapolis Institute of Arts, Minneapolis, Musée du Louvre, Paris, and the Tate Modern, London, among others; awarded gold and silver medals in Society of Publication Designers» 47th Annual Design Competition (2012); awarded the Prix HSBC pour la Photographie (2007); Photo District News magazine's Top 30 Photographers (2005); featured in The New York Times Magazine «A Country in Bloom» (2014), Photograph Magazine «Nate and Me» (2014), and The New York Times «The Blur of Life» (2013); recipient of a 2014 Guggenheim felmagazine's Top 30 Photographers (2005); featured in The New York Times Magazine «A Country in Bloom» (2014), Photograph Magazine «Nate and Me» (2014), and The New York Times «The Blur of Life» (2013); recipient of a 2014 Guggenheim felMagazine «A Country in Bloom» (2014), Photograph Magazine «Nate and Me» (2014), and The New York Times «The Blur of Life» (2013); recipient of a 2014 Guggenheim felMagazine «Nate and Me» (2014), and The New York Times «The Blur of Life» (2013); recipient of a 2014 Guggenheim fellowship.