Sentences with phrase «photography publications from»

Not exact matches

He credits the publication's return to the black to a combination of steady but «flat» ad revenues, licensing earnings from 29 international editions and to its recently modernized photography.

In his first interview with a Western media publication since 2015, the 39 - year - old entrepreneur said he aims to double his user base, which currently offers everything from food delivery to movie tickets to wedding photography to more than 300 million Chinese consumers.

She earned her bachelor's degree, with double major in Journalism and American Studies from Emory University in Atlanta, where she worked for a local publication and as the photography editor of her college newspaper.

A $ 69,556 grant from NHPRC made it possible for the BMA's Library & Archives to process five key collections: the museum archive's photography collection, audiovisual collection, curatorial records for exhibitions and publications, juried and invitational exhibition records, and education department records.

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

A recent large - scale clay diptych, photography and text works were installed between the pillars of the hall, which — alongside a publication specially produced with the artist for the occasion — showed works from every decade of Long's prolific career from the 1960s to the present day.

Noteworthy publications include Frederick Sommer: Photography, Drawing, Collage (2005), The Mistress of the World Has No Name: Where Images Come From (1987), Frederick Sommer at Seventy Five, a Retrospective (1980), and Venus, Jupiter and Mars: The Photographs of Frederick Sommer (1980).

Centered on SFMOMA's large, diverse collection of Japanese photography from the postwar years to the present, this digital publication examines the development of the country's distinctive and innovative photographic culture through the work of key practitioners of the last six decades.

His publications include The New Vision: Photographs from the Ford Motor Company Collection (with Maria Morris Hambourg, 1989), Photography in the Modern Era: European Documents and Critical Writings, 1913 - 1940 (1989), and Between Past and Future: New Photography and Video from China (with Wu Hung, 2004).

Cyr earned his MFA from the School of Visual Arts in 2010 and his work has been featured in various publications including the New York Times, BBC News, ARTnews, TIME, NPR, Popular Photography, the Telegraph and Photo District News and is the author of the powerHouse published monograph, Developer Trays.

Their dedicated Print Sale Gallery holds works from over 35 internationally acclaimed photographers, and you can also find many rare or unusual photography publications in their shop.

She has contributed to several exhibitions, catalogues, and other publications including American Modern: Abbott, Evans, Bourke - White (2010); The Medium and Its Metaphors (2012); From Survey to Canal (2010); Subhankar Banerjee: Where I Live I Hope to Know (2011); Mary Lucier, The Plains of Sweet Regret (2008); and the Amon Carter's annual Masterworks of American Photography series.

Other publications include Color Rush: American Color Photography from Stieglitz to Sherman (2013); Street Art, Street Life: From the 1950s to Now (2008); and So the Story Goes: Photographs by Tina Barney, Philip - Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan (20from Stieglitz to Sherman (2013); Street Art, Street Life: From the 1950s to Now (2008); and So the Story Goes: Photographs by Tina Barney, Philip - Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan (20From the 1950s to Now (2008); and So the Story Goes: Photographs by Tina Barney, Philip - Lorca diCorcia, Nan Goldin, Sally Mann, and Larry Sultan (2006).

The issue, which has been one of the most - lauded publications of the last year, looks at the impact that photography has had on the black experience in America, ranging from essays on Fredrick Douglass, the Obama presidency, and the impact of Carrie Mae Weems's «Kitchen Table Series» to portfolios by LaToya Ruby Fraizer, Awol Erizku, and Lyle Ashton Harris, among others.

Founded in Savannah, Georgia by five emerging photographers, the magazine seeks fresh photography and text in support of a progressive community of artists from around the world for our printed publication, web - based forum, and periodic exhibitions and events.

Exhibition Credit Generous support for Warhol & Mapplethorpe: Guise & Dolls comes from The Saunders Foundation, The Brant Foundation, Inc., The John Burton Harter Charitable Trust, Larsen Photography Fund, Morris Joseloff Exhibition Fund, The William O. and Carole P. Bailey Exhibition Fund, Howard and Bush Foundation Publication Fund, The Maximilian E. & Marion O. Hoffman Foundation, Inc., Macy's, Anonymous, Duff Ashmead and Eric Ort, Emilie and Raul de Brigard, The Cheryl Chase and Stuart Bear Family Foundation, David and Mary Dangremond, Henry and Sharon Martin, Sotheby's, Linda Cheverton Wick and Walter Wick, Samuel R. and Martha Peterson, Laura R. Harris, Louis Wiley, Jr., Jay Morton and Mike Phillips, Susan and Joel Rottner, The Lyman B. Brainerd Family Foundation Fund, Lee.

From the start, the cultural coverage, photography, and aesthetics of the publications provided a global presence for Chicago artists and designers.»

PRINT PUBLICATIONS, FEATURED, AND COMMISSIONED WORK 2017 Still Magazine, Issue 5, July 2017 frieze Magazine, Issue 187, May 2017 Apartamento Magazine, Issue 19, April 2016 Buffalo Zine, Issue 4, October 2016 Bedstuy Gates, Flamingo Publications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, SelfPUBLICATIONS, FEATURED, AND COMMISSIONED WORK 2017 Still Magazine, Issue 5, July 2017 frieze Magazine, Issue 187, May 2017 Apartamento Magazine, Issue 19, April 2016 Buffalo Zine, Issue 4, October 2016 Bedstuy Gates, Flamingo Publications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, SelfPublications, September 2016 Unseen Magazine, Issue 3, September 2016 Apartamento Magazine, Issue 17, May 2015 The Case of the Missing Jewels, New York Times, September 2015 Time Travel, Issue 7, Conveyor Magazine, September 2015 Beach Sessions, September 2015 Shift 10, International Center of Photography 2015 BIAS Journal of Dress Practice, Issue 3 2014 Interleaves II, Oranbeg Press 2014 From Here On, Ai nt Bad Editions, March 2014 Before After, by Michael Kugler and Daniel Terna, Self - Published 2014 Yearbook, Self - Published 2014 Climbing Things, Self - Published 2014 Pictures Not Used, Artist Book 2014 AM SCHMIDT: Fierce (Untitled), Foreword by Daniel Terna 2014 My First Wife Stella, Block Magazine, Issue 1 2013 My First Wife Stella, Big Big Wednesday, Issue 1 2012 Open to Interpretation: Intimate Landscapes 2012 Help Yourself to Feel at Home, Self - Published 2009 I'll See You on the Beach, Self - Published

The exhibition includes the work of 25 contemporary artists and collectives working in a range of mediums, from photography, video, sculpture and painting to publications.

From limited editions to publications, the exhibitors offer a diverse array of print media and object - based practices that span across photography, sculpture, and monographs, and other multiples.

From limited editions to publications, the Editions + Books section offer a diverse array of print media and object - based practices that span across photography, sculpture, monographs, and other multiples.

Her essays appear in «Still Moving: Between Cinema and Photography» (Duke University Press), «Recent Pasts: Art in Southern California from 90s to Now» (JRP Ringier Zurich), and «California Video: Artists and Histories» (Getty Publications).

Post-Analogue Photography in the Digital Age will take place on Friday 16 October from 4.30 pm as part of Frieze London's new concept to create a space for visitors to browse and experience a curated selection of the world's best arts publications.

Jiang's book publications include Burden or Legacy: from the Chinese Cultural Revolution to Contemporary Art (Hong Kong University Press, 2007), the Revolution Continues: New Art from China (Jonathan Cape, 2008), Red: China's Cultural Revolution (Jonathan Cape, 2010) and An Era without Memory: Chinese Contemporary Photography on Urban Transformation (Thames and Hudson, 2015), and he is Principal Editor of the Journal of Contemporary Chinese Art (Intellect).

She graduated from the Maryland Institute College of Art (MICA) in Baltimore in 2011, and since then her work has been featured in the British Journal of Photography, Harper's Magazine, The Week, Wired, Juxtapoz Magazine, The Calvert Journal, The Photo Review, Tank Magazine, and other publications, as well as exhibited nationally and internationally.

The 2018 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari and taken from their magazine, an image - only publication devoted to the realization of surrealist ideas via commercial photography.

Sujong Song is a Seoul - based independent curator who is active in all aspects of photography, from publication to exhibition and events planning.

Current Forehead and Brain, Albright - Knox Art Gallery, Buffalo March 10 — June 17, 2018 - Being: New Photography 2018, The Museum of Modern Art, New York March 18 — August 19, 2018 - Kiss the architect on the mouth, Simone Subal Gallery, New York April 15 — May 13, 2018 - Picture Fiction: Kenneth Josephson and Contemporary Photography, Museum of Contemporary Art, Chicago April 28 — December 30, 2018 Upcoming B. Ingrid Olson and Robert Overby, Jessica Silverman Gallery, San Francisco June 8 — July 14, 2018 Past KLEIN / OLSON, The Renaissance Society, Chicago - double - ended arrow, Simone Subal, New York - The vases my monitors their frames, cura.basement, Rome - From her come a gang and a run, Document, Chicago Text / publications Exhibition text by Holly E. Hughes Salt published by Hassla Exhibition text by Solveig Øvstebø Interview with Alfredo Cramerotti Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley Exhibition text by Thomas Roach Contact Studio Simone Subal CV / Bio

Consisting of 50 works chosen by artists, curators and writers, and including a series of lectures and a publication, Punctum takes its cue from the term «punctum» coined by Roland Barthes in his final book, Camera Lucida: Reflections on Photography.

Another development at this time was Kruger's decision to abandon original photography in favour of «found images» - see Found Objects (20th Century)- typically appropriated from mass media publications like magazines and newspapers.

From 2013 to 2015 she served as an agent in the Carnegie Museum of Art's Hillman Photography Initiative where she co-curated the exhibition Antoine Catala: Distant Feel (2015, with Tina Kukielski) and co-edited the publication Shannon Ebner: Auto Body Collision (CMOA, 2015).

Kameelah Janan Rasheed (b. 1985) Kameelah Janan Rasheed (b. 1985) is a Brooklyn - based interdisciplinary artist, writer, and former high school public school teacher from East Palo Alto, CA working in installation, photography, printmaking, publications, and performance.

Cardboard box containing 1 exhibition catalogue and 17 artists books / artists publications: Mel Bochner, Misunderstandings (A theory of photography); Christo, Packed Tower - Spoleto (proposals & projects); Jan Dibbets, perspective correction - 5 piles; Tom Gormley, Red File Cabinet; Dan Graham, Two Parallel Essays: Two Related Projects for Slide Projector & Photographs of Motion; Douglas Huebler, Location Piece # 2, New York City - Seattle, Washington; Allan Kaprow, Pose, March 22nd, 1969 continued 1970; Michael Kirby, Pont Neuf: the localization of a tetrahedron in space; Joseph Kosuth, Notebook on Water; Sol LeWitt, Schematic drawing for Muybridge II, 1964 (7/69); Richard Long, Rain Dance; Robert Morris, Continuous Project Altered Daily; Bruce Nauman, LAAIR; Dennis Oppenheim, FLOWER ARRANGEMENT FOR BRUCE NAUMAN; Robert Rauschenberg, Revolver; Ed Ruscha, Babycakes; Robert Smithson, Torn Photograph from the 2nd Stop (Rubble)(2nd Mountain of Six Stops on a Section); Bernar Venet, Exploited Subjects; Andy Warhol, Portraits.

CPW welcomes proposals from curators who wish to curate exhibition / publication programs of innovative contemporary photography and related media including film, video, and web - based works.

Just as the nearly 700 photographs from Muybridge's groundbreaking publication Animal Locomotion, acquired by the Corcoran Gallery of Art in 1887, became the foundation for the institution's early interest in photography, the Key Set of more than 1,600 works by Stieglitz, donated by Georgia O'Keeffe and the Alfred Stieglitz Estate, launched the photography collection at the National Gallery of Art in 1949.

FROM OUR BLOG / Renee Cagnina, exhibitions and publications manager at the Nasher Museum, talks about Robin Rhode's serial photography piece Wheel of Steel and its relationship to other works in The Cinematic Impulse.

Open in October 2014, The Stacks is New Orleans» only independent bookstore devoted entirely to contemporary art books, from exhibition catalogues to monographs, theory publications, visual and graphic arts, architecture, photography, children books... as well as a wide range of international magazines.

Launched in December 2016, the publication offers an overview of the debates around photography's status as art and document and the medium's institutional history from the 1980s onwards.

The archive covers thirty years of exhibitions and projects at LACMA and include letters, press clippings, photography, audiovisual recordings, publications, personal papers and even Tuchman's appointment books from the beginning of his tenure at LACMA until the 1980s.

Matthew Pillsbury (MFA 2004 Photography, Video and Related Media) Photographer; represented by Bonni Benrubi Gallery, NYC, Jackson Fine Art, Atlanta, and Douglas Udell Gallery, Vancouver; monograph Matthew Pillsbury: City Stages Photographs from 2002 to 2013 published by Aperture (2013); featured in New York Times Photographs published by Aperture and The New York Times; included in permanent collections of the Sir Elton John Photography Collection, Atlanta, The Museum of Modern Art, Whitney Museum of American Art, Guggenheim Museum, Brooklyn Art Museum, all NYC, Museum of Fine Art, Boston, San Francisco Museum of Modern Art, San Francisco, Minneapolis Institute of Arts, Minneapolis, Musée du Louvre, Paris, and the Tate Modern, London, among others; awarded gold and silver medals in Society of Publication Designers» 47th Annual Design Competition (2012); awarded the Prix HSBC pour la Photographie (2007); Photo District News magazine's Top 30 Photographers (2005); featured in The New York Times Magazine «A Country in Bloom» (2014), Photograph Magazine «Nate and Me» (2014), and The New York Times «The Blur of Life» (2013); recipient of a 2014 Guggenheim fellowship.

Her first New York solo show, at Bridget Donahue gallery through November 1, includes a little bit of everything, from video, sculpture, and photography to a bookstore in the back room where one can purchase publications and editions from Dominica.

From professional photography, targeted marketing campaigns, worldwide exposure to affluent buyers through exclusive marketing agreements, a dedicated website exclusive to promote your property, to print - media marketing on luxury publications, our all - encompassing approach is Marketing Luxury Maui Real Estate.