Sentences with phrase «photography scene in»

Drawing on the dynamic photography scene in Chicago, this exhibition focuses on work by three younger talents: Jessica Rowe, Jason Salavon, and Brian Ulrich.

A talk event exploring the current photography scene in Japan will take place on Thursday, April 28 at 7 pm.

Not exact matches

«Collections let you immerse yourself in content about topics like surfing or tiny tilt - shift photography scenes.»

Webb came onto the scene during a golden age of photography, in the late 1930s and early»40s, alongside artists like Margaret Bourke - White, Ansel Adams, Henri Cartier - Bresson, Dorothea Lange, and Gordon Parks, to name just a few.

Travel photography, which had been slowly emerging for decades, really burst onto the scene following technological improvements in the early 2000s.

Five Minutes With Cook Republic: Goodness Me Box — June 2016 How To Style Your Photos Like A Pro — Food We Love — March 2016 Magazine / Nourish: Most Influential Food Photography In Australia — January 2016 Magazine / Collective Hub — October 2015 My Love Of Cooking — What Mom Would Cook Blog — August 2015 Design Sponge Home Tour — July 2015 Etsy Australia — Feb 2015 Magazine / Inside Out Magazine Home Tour — Feb 2015 Indian Link: Nourishing Life — October 2014 Good Food Australia — August 2014 Behind The Scenes With Sneh Roy — The Urban List, Sydney — August 2014 Great Food Photographer Of the Month: The Huffington Post — June 2014 Dani Stevens — May 2014 The Daily Telegraph — October 2013 Magazine / SBS Feast Magazine — October 2013 Turning Simple Food Ideas Into Winning Blog: Hornsby Advocate — June 2013 Food Bloggers Australia — April 2013 Magazine / Flavour Magazine Issue 2 / Tales From My Messy Kitchen With Sneh Roy — January 2013 The Hungry Australian — September 2012

I love blogging — it's my glorified journal - but most of my days I spend behind the scenes as the owner of MBS Recipe Development; a cullinary studio specializing in food development, photography, prop styling, and food styling in Dallas, Texas.

3 - D Home TV Foreseen — The pace of new developments in the recently revived method of photography known as holography is so fast that three - dimensional television sets portraying life - size scenes could be a reality before 1984, as was predicted in George Orwell's novel....

Between what goes on behind the scenes to create my blog photography and the steps I'm taking in my career - I'd like to share what I've learnt from my achievements, as well as my «Homer - DOH!»

This year has been one of growth and learning about the behind - the - scenes work involved in maintaining a blog and also furthering my knowledge on photography.

Digital photography can work for you in this case if you line your camera and scene up so that they are perfectly parallel.

This in - depth piece is composed primarily of behind - the - scenes footage and talking - head interviews with many participants: * Robert Zemeckis (Director) * Frank Marshall (Producer) * Steven Spielberg (Executive Producer) * Steve Starkey (Associate Producer) * Don Hahn (Associate Producer) * Peter Seaman (Screenwriter) * Dean Cundey (Director of Photography) * Arthur Schmidt (Editor) * Richard Williams (Director of Animation) * Dale Baer (Chief Executive and Supervising Animator) * Simon Wells (Supervising Animator) * Andreas Deja (Supervising Animator) * Phil Nibbelink (Supervising Animator) * Dave Spafford (Animator) * Nik Ranieri (Animator) * Ken Ralston (Visual Effects Supervisor) * Michael Lantieri (Special Effects Supervisor) * David Alan Barclay (Chief Puppeteer) * Jon Alexander (Optical Camera Operator, ILM) * Ed Jones (Optical Photography Supervisor) * Alan Silvestri (Composer) * Bob Hoskins (Eddie Valiant) * Charles Fleischer (Voice of Roger Rabbit) * Lou Hirsch (Voice of Baby Herman) You can imagine, therefore, how thorough this documentary is about touching every aspect of the production.

Everything about this film oozes class; the 60's setting is beautifully captured with it's attention to detail and strikingly rich photography by Eduard Grau; the slow motion scenes with overbearing sound effects; the subtle changes of colour saturation providing an excellent technique in developing the mood and feeling of Firth's character and a fitting soundtrack to accompany the lush imagery.

Adam Arkapow, the talented director of photography who has worked with both Kurzel and Fassbender in the past, creates an exceptional pallet of colour for the look of the film, especially for the scenes set in the 15th century — a section where the film is at its absolute best.

At one point, they joke that they were doing reshoots before principal photography began, calling the scene where Benji gets off the subway in Vienna and receives intel from a stranger a «pre-reshoot.»

The behind - the - scenes team includes multiple Oscar ® - nominated director of photography Emmanuel Lubezki («Children of Men,» «The New World»); production designer Andy Nicholson (art director «Alice in Wonderland»); editors Alfonso Cuarón and Mark Sanger (VFX editor «Children of Men»); and costume designer Jany Temime (the «Harry Potter» films).

Running 25 minutes, Feasible Films» made - in - Britain «Johnny English: Behind the Scenes - Classified Information» spends an inordinate amount of time deconstructing the visual effects for a film that won't be remembered for its trick photography if it's remembered for anything; Malkovich is typically intense during his talking - head.

What's most interesting about this, though, is that for most of the scenes in the first Ant - Man when Scott Lang (Paul Rudd) had to shrink, the effect was done with a mix of computer graphics and macro photography.

EXCLUSIVE BLU - RAYTM, DVD AND DIGITAL HD BONUS FEATURES: · Resurrecting the Western: The Making of Dead Again in Tombstone · Home in Tombstone: Danny Trejo as Guerrero · Deleted Scenes Montage · Feature Commentary with director Roel Reiné, Editor Radu Ion, director of photography Rolf Dekens, co-writer Ethan Wiley and Grid VFX CEO Jan Goossen

Blessed with excellent memories, Stiller and Childress — present for every day of principal photography at Stiller's behest (and sometimes her chagrin)-- recall the shoot in vivid detail, whether it be the order in which scenes were filmed or the mood of the set on a particular day.

The first brief scene was meant to precede the discovery of a new dead kid, but the extreme wide photography rendered the key visual a mere dot in the field; and the second scene involves local police chief Murphy with the town mayor at a grocery shop.

The camera work and cinematography are both well done, with very nice night photography scenes, great camera movement, and some memorable crane shots in the drive - in.

«Big Challenges in Little Manhattan: The Visual Effects of Escape from New York» looks behind - the - scenes with some interviews with Dennis Skotak, Director of Photography of Special VFX and Robert Skotak, Unit Supervisor and Matte Artist.

We knew from the «80s when I started with Spike Lee that brown skin wasn't going to be lit as well when they're in a scene with someone who is lighter skinned and sometimes Directors of Photography don't know how to light them as well.

Producers» Note: Photography of the hunting scenes in this film took place during an actual kangaroo hunt conducted by licensed professional...

Special Features Over 20 Minutes of Extended and Deleted Scenes Mozart in a Go - Kart: Ansel Drives I Need A Killer Track: The Music That's My Baby: Edgar Wright Meet Your New Crew: Doc's Gang Find Something Funky On There: The Choreography Devil Behind The Wheel: The Car Chases Animatics Ansel Elgort Audition Annotated Coffee Run Rehearsal Hair, Make Up & Costume Tests Mint Royale - «Blue Song» Music Video Complete Storyboard Gallery Director Commentary Filmmaker Commentary (Edgar Wright and Director of Photography Bill Pope)

Brewer, operating from the old school, down - and - dirty mind of»70s cinema, admirably doesn't pretty anything up, from the sweaty humidity and the lived - in homes, and the scene is made all the more unforgiving by the grainy 16 mm photography by Amelia Vincent.

Nolan seems to think the Wally Pfister photography can sell any scene, whether it's one of the most boring chase sequences in a big budget film (but it's at twilight and Pfister makes it look great) or if it's ostensible lead Christian Bale and his romantic interest, Marion Cotillard, letting the rainy afternoon bring out their passions.

Principle photography began in July 2013, with a scene of Collins in concert was filmed containing the band Chicago, with most of the movie shot in and around Los Angeles.

This is a terrific, in - depth guide to the film: the behind - the - scenes footage is revealing, and we get interesting comments from Vaughn, co-composer Henry Jackman, Aaron Johnson, Garrett M. Brown, Lyndsy Fonseca, Evan Peters, Christopher Mintz - Plasse, Clark Duke, production designer Russell de Rozario, Mark Strong, screenwriter / co-producer Jane Goldman, Chloë Grace Moretz, director of photography Ben Davis, Jason Flemyng, Kick - Ass co - creator / writer Mark Millar, production sound mixer Simon «Purple» Hayes, Kofi Natei, co-composer John Murphy, Kick - Ass co - creator / artist John S. Romita, Jr., producer Tarquin Pack, and 2nd unit DP / Steadicam operator Peter Wignall.

Deleted Scenes and four more featurettes are exclusively available on the Insidious Chapter 3 Blu - ray and Digital Extras, including «Being Haunted: A Psychic Medium Speaks» which shows Leigh Whannell's inspiration for the hauntings and a tour of a haunted location with Psychic Medium Michael J. Kouri; «Macabre Creations,» follows the makeup process via time - lapse photography for the ghosts and specters and discusses the process of creating the things that go bump in the night; Stefanie Scott interviews the band Cherry Glazerr in the featurette «Cherry Glazerr: Tiptoe Through the Tulips;» and «Stunts: The Car Crash,» which explores the creation of the car crash scene from the stunts on set through the special and visual effects processes.

Director of photography Rachel Morrison utilizes long takes that capture the debates of King T'Challa's council chamber as well as the blistering action, especially in a bravura set piece that showcases Wakandan combat, a scene as vibrant and thrilling as anything thus seen in the MCU.

Although principal photography of Marvel's «Avengers: Infinity War» isn't scheduled to begin until November, directors Anthony and Joe Russo today unveiled a behind - the - scenes look at Thanos actor Josh Brolin dressed in his motion - capture suit.

We went on to discuss how Anton Yelchin, who stars as the fledgling writer caught in the spell of Arielle, the mysterious, and married, Frenchwoman, so perfectly embodies innocence, the indebtedness of a director to his Director of Photography, and the reaction of audiences to seeing Julian Bond in a dinner party scene.

Before turning to feature filmmaking in 2008, McQueen was primarily known for his photography and video installations (see http://www.mariangoodman.com/artists/steve-mcqueen/ and http://www.artic.edu/exhibition/steve-mcqueen for examples of both), and his sense of visual aesthetics and design turns almost every scene into a painterly work of art.

Directors: Jean Renoir, Jacques Becker, André Zwoboda, Jean - Paul le Chanois, dit Dreyfus, Jacques Brunius, André Swoboda, Henri Cartier - Bresson, Pierre Unik, Maurice Lime Screenplay: Jean Renoir, Paul Vaillant - Couturier, Jean - Paul Dreyfus, Pierre Unik; (the content of one scene suggests that Ilya Ehrenburg, the Izvetsia correspondent in Paris throughout the 1930s, may have had an input) Photography: Louis Page, Jean - Serge Bourgoin, Jean Isnard, Alain Douarinou, Claude Renoir Jr., Nicholas Hayer (and, according to various sources, Marcel Carné and Henri Cartier - Bresson) Music: «Internationale», «Song of the Komsomols» by Shostakovitch, «Auprès de ma blonde», «La Cucaracha» sung by Chorale Populaire de Paris, directed by Suzanna Conte Sound: Robert Teisseire Editor: Marguerite Renoir Cast: Jean Dasté (teacher), Jacques Brunius (President of the Administrative Council), Pierre Unik (Marcel Cachin» s secretary), Julien Bertheau (René, a young worker), Nadia Sibirskaia (Ninette), Emile Drain (Gustave), Gaston Modot (Philippe), Charles Blavette (Tonin), Max Dalban (Foreman), Madeleine Solange (factory worker), Jacques Becker (unemployed worker), Jean Renoir, Sylvain Itkine, Jean - Paul Dreyfus, Léon Larive, Roger Blin, Vladimir Sokoloff, and (as themselves) Marcel Cachin, André Marty, Maurice Thorez, Jacques Duclos, Paul Vaillant - Couturier.

With stand - out performances from Ben Stiller (* Night At The Museum, Meet The Parents) * Golden Globe ** and six - time Emmy Award *** nominated actress Kristen Wiig (* Saturday Night Live, Bridesmaids, How To Train Your Dragon *), Adam Scott (* Step Brothers *) and Shirley MacLaine (* Wild Oats *), the THE SECRET LIFE OF WALTER MITTY Blu - ray and DVD is loaded with more than an hour of behind - the - scenes special features, including deleted, extended and alternative scenes, featurettes that dive into filming in Iceland and Walter Mitty history, a gallery of exclusive reference photography, and music video «Stay Alive» by José González, and more.

Photography director Edward Lachman does a fine job using Downtown Cincinnati to substitute for New York City, and supplementing those with scenes shot in Wyoming and Kentucky.

With its icy photography and handheld camerawork, Mungiu's film is shot in typical Romanian New Wave style, and certain scenes (the litany of sins, the police interrogation) may well lead Beyond the Hills to be seen as both a summation and an exemplary instance of the movement's aesthetic tendencies.

«Nightcrawler» Synopsis: A drifter looking for work stumbles into the world of freelance crime photography, becoming a «nightcrawler,» who races to the scenes of accidents or murders in order to sell footage to local TV stations.

Phyllis Nagy's straightforward screenplay contains the drama to the tight exchanges of its source material, but Haynes benefits just as much from regular director of photography Edward Lachman, who resurrects the shadowy, noir - like shadings of «Far From Heaven» while imbuing the more intimate scenes with a warm palette that enhances the romanticism in play.

L to R: David, Aaron, and Director of Photography Christophe Lanzenberg prepare to shoot a scene at a residence in Peterborough

A disclaimer in front of the first episode warns that it contains graphic language and content that «may not be suitable for all audiences,» but the photography is really good, and I laughed out loud at John Goodman's first scene, where he wakes up one of his roommates — played by Bill Murray — to ask him about the police cars and television news cameras that are swarming outside their apartment.

A highlight of the Tampa art scene, this beloved gallery is one of only a few museums in the US dedicated solely to photography.

In the mean time you can always check out the «Bethany gets Barreled at Bingin» photo gallery we have loaded up into our «Guest Photographer» report page courtesy of the boys at EGO SURF PHOTOGRAPHY on the scene at Bingin Beach.

This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.

Prompto's photography skill, while not as interactive, is similarly endearing and is genuinely quite moving later in the game, as new modes become available for the guys to take procedurally generated cute selfies that just happen to be prior to important, emotional scenes.

The director's behind - the - scenes creative team includes director of photography George Richmond («Mission: Impossible — Rogue Nation»); production designer Gary Freeman («Maleficent»); Oscar - nominated editor Stuart Baird («Skyfall,» «Gorillas in the Mist»); Oscar - winning costume designer Colleen Atwood («Fantastic Beasts and Where to Find Them») and costume designer Timothy A. Wonsik (assistant costume designer, «Free State of Jones,» «Iron Man 3»).

In the late nineteen - sixties, a group of artists made a name for themselves in the United States by using photography as a basis for painting everyday scenes and objects with extraordinary realisIn the late nineteen - sixties, a group of artists made a name for themselves in the United States by using photography as a basis for painting everyday scenes and objects with extraordinary realisin the United States by using photography as a basis for painting everyday scenes and objects with extraordinary realism.

Swiss artists Peter Fischli and David Weiss have been known throughout their prodigious careers for their sculpture, photography, and videos that present common objects and quotidian scenes in inventive and surprising ways.