Sentences with phrase «photography series using»

Currently working on a new series, the plan is to create a new photography series using books as muse that catch her eye from the Watermill Center Study Library.

Not exact matches

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Travel photography 101 Chris Marquart (Tips from the top floor) episode Tutorial: 10 Tips For Taking Better Low Light Photos Tutorial: 4 More Tips For Taking Better Low Light Photos Dan Heller's Tutorial Series: Using Fill Flash Photographing People in Sunlight Aperture and Shutter Priority Modes Picasa — Photo management from Google Blurb — Photo book maker The ScrapCast — Scrapbooking podcast Amateur Traveler flickr group — share your photos here Andrew in Japan

In the photography series, Vegetable Canvas, the duo delicately treats vegetables as real canvases, using colour as an expression of different forms and shapes.

Reflections and Almost Black & White are the two recent bodies of work showcased in this exhibition, the former a continuation of Chou's notable Water series, the latter using colour photography to create surprising monochromatic effects.

Panacea's Box by Zofie Lang is a series of miniatures that use dollhouse drawers, original photography, and found objects.

In his new series «Eclipse,» Paolo Ventura continues his exploration of memory, history and narrative using the tools of photography, painting and the stage.

A pioneer of conceptual photography, Laurie Simmons is at work on a new series of staged compositions using images of online porn that refer to photographs she made 25 years ago of women in color - coordinated domestic interiors.

How James Nares used a new camera to arrest time in a series that looks like still photography, but isn't.

Using photography as his main medium, Beijing - based artist Ji Zhou's most recent series of works chronicles the daily changes of light, texture, and activity within natural and urban scenes.

In «No / Body,» a show jointly presented by Lower East Side galleries 11R and Lyons & King, Grzesykowska presents several new series that use collage, photography and sculpture to cleverly toy with the rules of self - representation.

Prior to that, Fogle was a curator at the Walker Art Center in Minneapolis from 1994 to 2005, where he initiated a series of exhibitions with emerging artists as well as a number of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths, and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists Using Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge of the World (2001); and solo exhibitions with Catherine Opie and Julie Mehretu.

It features: a series of black - and - white photographs of elderly actors by Liu Zheng that play with conventions of ethnographic and opera photography; two videos by Chen Qiulin that make use of traditional opera characters to respond to changes wrought by the Three Gorges Dam; The Forbidden City (Zijincheng) by Liu Wei, a lyrical video of theatrical «glove puppets» (budai kuilei) shown publicly for the first time; and videos by Cui Xiuwen that connect to opera in more oblique ways, through performative elements and symbolic props, gestures, and costumes.

This is what happens when a photographer with a graphic design sensibility uses paper to make large - scale installation that ends up being a constructed photography series.

In this series, Daisy Patton uses American postmortem photography as a substratum for her paintings.

Through a series of vignettes in stills, I wish to use the medium of photography to explain a group of rather eccentric people — sometimes one or two, sometimes many — placed in settings that help describe them.

Another series, Redefining the Power, uses performance, photography and video to explore postcolonial identity and challenge the formation of a national consciousness.

His series of exhibitions at Light Gallery in New York in the early 1970s sparked new interest in color photography and in the use of the view camera for documentary work.

• Jane & Louise Wilson are a Turner Prize — nominated sibling duo who use film, photography and sculpture to create a series of highly theatrical and atmospheric installations that investigate the darker side of human experience.

Biography: In her ongoing series The Structure of Uncertainty, Eeva Hannula explores psychoanalytical method and the concept of Freud's uncanny using a combination of staged photography and material from her personal archive, covering and hiding parts of the images as a metaphor for repressed or incomprehensible experiences and perceptions.

In her ongoing series The Structure of Uncertainty, Eeva Hannula explores psychoanalytical method and the concept of Freud's uncanny using a combination of staged photography and material from her personal archive, covering and hiding parts of the images as a metaphor for repressed or incomprehensible experiences and perceptions.

Most recently, her photography prints were used on the set of the CW Network TV series, «One Tree Hill,» and she is constantly at work today finding new ways to share her universe with others.

Empire of the Night: Urban photography series transforms cityscapes through clever use of light

Of course, we've published the work of Gilliver before on Creative Boom, showcasing his popular Light Painting series, where he creates stunning night light photography without the use of photo - editing software.

Gioli, who is among the artists representing Italy at this year's Venice Biennial, works with 16 mm film and photography, altering and reinventing photographic techniques to achieve new uses of light and chemicals for his photographic series.

The 75 artworks on view in Gridwork 1974 - 1989 include the series «Regression,» one of Gaines's first explorations of mathematical and numeric systems; «Walnut Tree Orchard» and «Faces,» which use photography as a foundation for graphic deconstructions; and «Motion: Trisha Brown Dance,» a collaboration with the world - renowned choreographer and dancer.

Divided into thematic blocks, its journey alternates historically renowned figures and creators from recent generations, ranging from internationally acclaimed Catalan photographers to those who shape the image of everyday life in the city's media, in a narrated series about the social uses of photography in the production of the imaginaries that make up the visual culture of Barcelona.

A series of large - scale «paintings» in silver - nitrate, Entasis is based on 1:1 scale photographs of lightning - struck trees on the Savannah Barrier islands; created using a combination of photography, digital scanning and printmaking.

Presenting images from Cairns» series TYO2, taken in Tokyo in 2016, this artist book makes visual reference to glass negatives used by 19th century photographers, representing Cairns» continued investigation into the history of photography as well as its mechanical and chemical processes.

2008 You Complete Me, Western Bridge, Seattle, USA TRANSactions: Contemporary Latin American and Latino Art, Sheldon Memorial Art Gallery, Lincoln, USA (travelled to Weatherspoon Art Museum, Greensboro; The High Museum of Art, Atlanta) HeartQuake, Museum on the Seam, Jerusalem, Israel That Was Then... This Is Now, P.S. 1 Contemporary Art Center, Long Island, USA Die lucky Bush, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Belgium MATRIX / REDUX, Berkeley Art Museum and Pacific Film Archive BAM / PFA, Berkeley, USA Risky Business Art, Kunstpanorama, Lucerne, Switzerland Aurum: L'or dans l'art contemporain, Centre PasquArt, Biel Worlds on Video, Palazzo Strozzi, Florence Africa On: Beecroft, Jaar, Kentridge, Galleria Lia Rumma, Milan Arte ≠ Vida: Actions by Artists of the Americas, 1960 — 2000, El Museodel Barrio, New York Pictures in Series, Fisher Landau Center for Art, Long Island City, New York Framing and Being Unframed: The Uses of Documentary Photography, Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, USA

Using appropriation more pointedly, works from Martha Rosler's powerful Bringing the War Home: House Beautiful series (1967 - 72) juxtapose images from lifestyle magazines with found Vietnam War photography to wrench a distant, all - too - real dystopia into the living rooms of middle - class Americans.

Based on her actual experience, being accosted late at night by a man with a knife in the street, Hunter (a self - coined radical feminist) uses photography and text in this sequential series.

Her work, initially inspired by fly on the wall documentaries such as Michael Apted's Up series, is characterised by an engagement with the lives of others and her own family history; she uses photography, video and a range of devices to reveal personal details.

Using collage strategies, sculptural tropes and theater staging techniques, Lipps's series is a requiem for analog image - making, which is relevant to the ubiquity of photography in the digital age.

In this talk, the artist will discuss the different ways in which he works, from his early paintings in the 1990s to his use of costume, photography and performance in film and his most recent series of public sculptures - Wind Sculptures.

Rachel Kerwin in Studio 203 has a number of framed acrylic paintings, including a new series that uses transfers of her cloud photography as a base.

Domestic Reflections Print Series Using photography to represent the physical world and drawing to represent the subconscious, this series layers the two mediums to highlight the incongruities between perceived notions of love, marriage and the family within the domestic sphere and the actual experience dominated by the routines and limitations in which we become Series Using photography to represent the physical world and drawing to represent the subconscious, this series layers the two mediums to highlight the incongruities between perceived notions of love, marriage and the family within the domestic sphere and the actual experience dominated by the routines and limitations in which we become series layers the two mediums to highlight the incongruities between perceived notions of love, marriage and the family within the domestic sphere and the actual experience dominated by the routines and limitations in which we become bound.

for a series of large - scale works using photography and text to confront and challenge conventional interpretations of gender, identity, culture, history, and memory.

Taking the form of drawings, photographic series and video installations, the work consistently involves the use of systems, predominantly in the form of the grid, often in combination with photography.

A precursor to appropriation artists of the 1980s, Heinecken is known for series like the influential «Are You Rea» (1966 - 67), in which he used magazine pages placed on light tables to create unexpected juxtapositions of advertising and feature photography.

With a series of innovations, the company created easy - to - use cameras that made photography widely accessible, established the practice of professional photofinishing, and developed a flexible film that was a critical contribution to the launch of the motion picture industry.

From the Hand Series Hand Holding Baseball Items Edition 1/5 Printed to Order Gerry Giliberti is a print - based photographic artist who uses graphics, photography, sculpture and digi...

«Risky Business Art,» Kunstpanorama, Lucerne «Aurum: L'or dans l'art contemporain,» Centre PasquArt, Biel «Worlds on Video,» Palazzo Strozzi, Florence «That Was Then... This Is Now,» P.S. 1 Contemporary Art Center, Long Island City, New York «Africa On: Beecroft, Jaar, Kentridge,» Galleria Lia Rumma, Milan «Arte ≠ Vida: Actions by Artists of the Americas, 1960 — 2000,» El Museo del Barrio, New York «Pictures in Series,» Fisher Landau Center for Art, Long Island City, New York «Framing and Being Unframed: The Uses of Documentary Photography,» Ezraand Cecile Zilkha Gallery, Wesleyan University, Middletown, Connecticut

Victoria Crayhon (Providence, RI), Untitled, Auburn, NY, 2010, from the series «Thoughts On Romance From the Road,» Archival inkjet print, 24 x 36 inches, courtesy of the artist We're used to a certain type of photography in the New...

The Onlyes Power Is No Power is Canadian Berlin - based Wil Murray's third solo exhibition with the gallery and presents a new large - scale print series, which uses a hybrid of photography and painting to highlight the role of time and substance within a journey.

McDermott & McGough are particularly drawn to the mysterious and theatrical nature of the rapidly developing science of photography in their chosen era and the exhibition presents a series of magical experiments sourced from Les Récréations Scinetifiques and hints at the possible use of photography to communicate across time to different psychic spaces, as in the eponymous Experience of Amusing Chemistry, 1884 (1996) and Curious Experience of Equilibrium with Three Sticks, 1884 (1990).

As I have stated in my previous answer about not working in series, I also plan on not using photography for reference.

The former, using a vibrant color palette and complex patterns, can be seen as an extension of his 1993 series, Early Product Paintings, while the latter evokes a contrast between painting and photography through singular subject, black - and - white paintings.

I've been doing a photography series (more about composing photos than the technicalities of using a camera) and would love to know what you and Kevin think about it, since I know you are very serious about styling!