Sentences with phrase «photography studio with»
A vehicle and product photography studio with infinity walls and adjustable overhead lighting
https://www.sema.org/
Transform your smart phone into a photography studio with this three clip lens set.
Not exact matches
Under the direction of Murphy, the company created online diaries to document interesting projects, complete with beautiful photography and candid anecdotes about unique challenges, such as constructing a yoga studio in a building with a crooked ceiling.
I used to have a photography «studio» (really it was just an extra bedroom) with plenty of space to have all my photography...
I've teamed up with my dear friends Denise Vivaldo and Cindie Flannigan, Food Styling Veterans, and created our first Food Styling Class and Photography Workshop to be held at my photography studio in downtown Long Beach, Photography Workshop to be held at my photography studio in downtown Long Beach, photography studio in downtown Long Beach, California.
- maternity (when booked with another session)- birth - hello baby (fresh 48)- studio or in - home lifestyle baby - postpartum herbal bath - breastfeeding - sitter baby - outdoor family - pet photography
Choose the room with the most natural light in your home and create a little DIY home photography studio.
Her skills include food styling in her kitchen studio, lifestyle and travel photography across Australia, restaurant photography on location, styling and shooting social media for her clients, recipe development with love and photography workshops for people with discerning tastes:)
It was such an honor and a highlight of my new experience as a blogger to get to work with JJ from her namesake studio, JJ Ignotz Photography.
-LSB-...] via dimples and tangles, smitten studio with photos by by Sarah Sherman Samuel, craft and couture with photos by Photography: Therese -LSB-...]
Speaking of blogs, if you want a new site to follow with incredible photography & branding tips, then pinkpot studio is where it's at.
After launching her photography business at 17 with her Father, Ashley's obsession only increased as she ran her Chinatown studio until her Father's passing.
Sarah's clean, all - white office is one part workspace, one part photography studio, and one part make - shift nursery, with a bassinet in the corner for her newborn baby girl.
Soon after turning to photography, he built a darkroom in the basement of his house and later opened a portrait studio in his hometown Ravenna, a seaport jewel in the provinces of central Italy with deep historic links to the East, as exemplified by the opulent Byzantine mosaics and the orientalist architecture of its Sant «Apollinare church.
Once a week I'm in our studio taking photos with Wing of Canary Grey Photography for our website.
This was held at Wimbourne House — a magnificent converted hat making factory from the 1890s, now converted into a photography studio, painted in spotless white with a beautiful original floor to ceiling arched windows as the standout feature in the space.
About Blog Los Angeles and Orange County Wedding Photography studio specializing in creating emotional imagery with a creative vision.
As noted above, some of the process photography on the stagebound sets show its greenscreen source at this high resolution (especially with regard to Streep's flowing hair wafting in the studio generated breeze), but overall this is a very sharp, crisp and well detailed image.
The film's European locations, sets (in Rome's Cinecitta studios) and photography are unusually striking; Rachel Portman contributes an elegant score; and Holm (who played the emperor once before in 1981's «Time Bandits») embodies the character with an effortlessly regal charisma.
Another seemingly unnecessary scene that's one of my favorites involves the unexpected reappearance of the man who used to run Maurice's photography studio, a burnt - out case racked with private grief (Ron Cook).
So, she reluctantly returns to New York City where she has to move back in with her mother (Laurie Simmons) and 17 year - old sister (Grace Dunham) to live in a trendy TriBeCa loft which doubles as the former's photography studio.
When I reach my final destination of Carmel for my much - anticipated meeting with Cara Weston, we talk photography from her hilltop studio overlooking the cloud - covered ocean.
The quality of the screen image is exceptional, with crisp, vivid high - resolution graphics and pleasantly illustrated vehicle photography to support the settings (witness various versions of artfully depicted Velar kissed with studio - like light).
Our world renown photography studio, PhotographersHawaii.com combined with a stress - free wedding planning service will make your escape to paradise one you will cherish forever.
Nearby Attractions: - Swimming respectfully with wild dolphins; Night diving with manta rays; Humpback whale watching; Flying above an erupting volcano, Golf, Tennis, Scuba, Snorkeling, Surfing, Ocean Kayaking, Windsurfing, Underwater photography, Hiking, Shopping, Restaurants, Tropical Farmers Markets, Visiting Galleries and Artist's studios, Organic Coffee Farms, and Learning about Tropical Permaculture and Native Hawaiian culture.
Turkish artist creates a miniature model of an early 1900s photography studio, complete with period - accurate desks, flooring, wall paneling, and props.
The agency worked with Ramsey Tripp, a filmmaker from the local production studio Trade - mark R Productions, who shot and edited the video, while Tom McPherson handled the behind - the - scenes photography.
Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.
Featuring documentary, commercial, studio archive and official state photography, along with personal family photographs, the exhibition offers a compelling perspective on Haitian life and how natural disasters and political crises have affected its history and social fabric.
A comprehensive monograph of Learoyd's color studio images, Richard Learoyd: Day for Night, was published by Aperture in collaboration with Pier 24 Photography in the fall of 2015.
Play «Rock, Paper, Scissors, Lizard, Spock» with Greg Knott at the Torpedo Factory in studio 318, and check out more of his photography at gregknott.com.
Working with cinematographer Martina Radwan at a photography studio in Manhattan, McElheny found that utilizing unedited footage «felt more malleable» than when he attempted to work with completed narrative films.
So there is a place in the art world for straight photography to flourish, along with say, conceptual work like a Moyra Davey, or studio work like Eileen Quinlan, or work that is somewhere in between straight and conceptual, like a Roe Ethridge or a Daniel Shea,» Gunhouse adds.
In collaboration with the Gordon Parks Foundation, this first half of a two - part exhibition focuses on Parks» lesser - known bodies of work, such as his elegant compositions of artists in their studios, as well as his timeless fashion photography.
He utilizes his exhaustive study of glass manufacturing processes to produce — in his own studio — luminous color effects in blown and molded glass, combined with typically collaborative efforts with experts in wood, metal, etching and photography.
IN AND OUT OF THE STUDIO: PHOTOGRAPHIC PORTRAITS FROM WEST AFRICA This exhibition offers the long view of African photography, with nearly 80 photographs taken between the 1870s and 1970s in Senegal, Mali and other West African locales.
WHAT: Pratt's Fine Arts Department will open all seven studio buildings that house its expansive graduate program to the public on Friday, April 15 from 5 to 10 p.m. Work in every form will be presented from painting, drawing, photography, printmaking, and sculpture to hybrids of the same, along with installation, video, and performance.
The hallways of the Torpedo Factory's entire third floor will be lined with photographs, while studios and galleries will be filled with new work — more than 300 linear feet in all, a football field in total length — that expands the boundaries of fine - art photography.
Photography students study photography as fine art with an emphasis on the history of photography and the body of criticism surrounding the medium, as well as the development of their own personal vision and experimentation in Photography students study photography as fine art with an emphasis on the history of photography and the body of criticism surrounding the medium, as well as the development of their own personal vision and experimentation in photography as fine art with an emphasis on the history of photography and the body of criticism surrounding the medium, as well as the development of their own personal vision and experimentation in photography and the body of criticism surrounding the medium, as well as the development of their own personal vision and experimentation in the studio.
«It's weird because it's all happening within a month,» says Opie in the photography studio she built behind her former home in L.A. Despite the recent attention, Opie admits, «For so many years every single article started out with, «The leather dyke who was known for portraits.»»
Since 2008, the Baxter St at CCNY Workspace Residency Program has provided participating artists with three (3) months of free access to the International Center of Photography's darkrooms, digital work stations, and shooting studio as well as the scanning stations at Baxter St (prior to 2014, all access was in - house at The Camera Club of New York's old 37th street location).
When I visited her studio last year, Hovsepian told me, «I feel an urge to work with my hands in an additive process as opposed to the way I see straight photography.
They show him borrowing from tabloid photography, wrapped up in celebrity and consumption, dealing with sex as one more excuse to dress up (or down), and taking art outside the studio and into commerce.
In this 2011 interview with artist Catherine Opie at her Los Angeles studio, she discusses her style of documentary photography; influential artists and techniques; her interest in religion; and the idea of America as the great democracy.
The studio works closely in photographic production and the proliferation of the photographic medium at large with a dedicated gallery space for showcasing publications and printed material in relation to local and international photography.
With new photography documenting Julie Mehretu's (born 1970) studio process, plus details and large - scale reproductions of paintings and drawings, and essays by renowned authors, this book documents her richly layered visual universe.
I recently sat down with Deborah at her home studio in Dallas where we discussed her childhood riding the «L» to the Art Institute, the emergence of photography as an area of arts study, her love of Taos, planting roots in Dallas and what it's like to be a classically - trained photographer in the age of Instagram.
At the time these portraits were made, Polaroid photography, with its capacity to develop instantly, had became a key component of Warhol's studio practice.
christopher williams one of 406 ceiling panels (23 3/4 × 23 3/4 inches each) covered on the back with striped paper (green and white) each stripe is 8,7 cm from» frost and defrost: a work in situ by daniel buren «otis art institute gallery, 2401 wilshire blvd., los angeles, california january 28 - march 4, 1979 hal glicksman, gallery director; christopher d'arcangelo, assistant to daniel buren photography by the douglas m. parker studio, glendale, california, may 4, 2006, 2006
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chriphotography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, ChriPhotography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chriphotography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.