If
a photography subject chooses to look to the side, then the part of the composition where he or she is looking should have more space than the other side.
Not exact matches
Jessie Bryson shares what she's learnt about travel
photography in her adventures, from etiquette to
choosing the right
subject.
Her
subject matter is sourced from found objects and images
chosen for shape, as well as the surrounding environment which is recorded through observational drawing and
photography.
In this context, who better to
choose than Cavalli, evidently one of Italy's key figures in 20th century
photography, who
chose light, over content, as the
subject of his simple, thoughtful, occasionally almost abstract compositions.
The obvious playfulness in the technique Rindal has
chosen for his particular
subjects points to a school of
photography, where the end result is about exploring a glance, and pushing the boundaries of its terms.