Sentences with phrase «photogravure etching»

Entitled Last Bird this photogravure etching will form part of a completely new body of work by the artist, Angry Birds of America.

Last Bird, 2017 is created as a photogravure etching with chine - collé; a collage technique used to press one delicate paper onto another.

Khánh H. Lê's polymer photogravure etchings combine family photos with iconic images as well as clippings from fashion magazines to create new per - sonal historical narratives.

Not exact matches

Richard Hamilton Berlin Interior, 1979 Photogravure, engraving, hard - ground etching, roulette, aquatint and burnishing on Rives paper Paper: 56.3 x 75.6 cm (unframed) 22 1/8 x 29 3/4 in (unframed) Edition of 100 Image courtesy Richard Hamilton Estate and Alan Cristea Gallery

The exhibition features new paintings and drawings by JULIE MEHRETU, along with «Epigraph, Damascus,» 2016, a six - part photogravure and etching (left).

Layering the rich dark tones of the photogravure and emerald green of the spit bit e etching to produce a vibrant enchanting effect, this print undermines the documentary tradition with a darker, personal and fantastical dimension.

This exhibition brings together 60 works in a variety of mediums, from printmaking (such as lithograph, etching with aquatint, photogravure, linocut, and screen - print), to wall murals, metal sculpture and shadow puppetry.

The gallery is also showing in its third - floor project space a new group of Ms. Mehretu's drawings alongside her six - part photogravure and etching, «Epigraph, Damascus, 2016.»

Artists working in the Crown Point studio bring their unique approaches to the medium, using hard ground etching, drypoint, sugar lift aquatint, and photogravure to name a few techniques.

Installation view, from left JEREMY OKAI DAVIS, «Makes the Man,» 2012 (acrylic on canvas); NOEL ANDERSON, «Black Past - iche (to be looked at farandaway),» 2014 (fabric dye, collage and digital transfers in custom doubled - sded frame; collage, silkscreen, acrylic and digital transfers on rug); and ELLEN GALLAGHER, «DeLuxe,» 2004 — 5 (portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand painting and Plasticine).

This series is a suite of photogravure prints etched from copper plate onto Pescia paper.

The artists share tangential connections in their subject matter and utilize the processes of etching, aquatint, and photogravure.

ELLEN GALLAGHER, «DeLuxe,» 2004 - 05 (portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand - painting and Plasticine).

Etching and aquatint on photogravure Hahnemühle bright white paper.

Trenton Doyle Hancock's 16 - print portfolio «548 First Street NE» (2013) deploys silkscreen, photogravure, lithography and etching to explore childhood memories of his grandmother's home in Paris, Texas.

We combine stone lithography, woodcut, photogravure, etching, monotype and linocut with unorthodox processes, basically anything that can be imagined using pressure.

Portfolio of sixty photogravure, etching, aquatint, and drypoints with lithography, screenprint, embossing, tattoo - machine engraving, laser cutting, and chine colle; Some with additions of Plasticine, paper collage, enamel, varnish, gouache, pencil, oil, polymer, watercolor, pomade, velvet, glitter, crystals, foil paper, gold leaf, toy eyeballs, and imitation ice cubes

© Nancy Graves Foundation, Inc. / Licensed by VAGA, New York, NY Direct gravure etching with aquatint, drypoint and burnishing on Arches Cover white paper with photogravure on Arches Text Wove paper

A multi-faceted print studio, Mullowney Printing focuses on publishing and printing of etchings, woodcut, photogravure, direct gravure, screen print and letterpress editions by leading contemporary artists.

But the photo - etching John (1972) and a photogravure self - portrait (2010 — 2013) demonstrate that not all creative challenges can be resolved to the artist's satisfaction.

Jasper Johns Untitled 2010 Spitbite, aquatint, softground etching, drypoint and photogravure 19 x 21 1/2 inches Edition 38 of 50 (LBFA # 5300.38)

Portfolio of sixty etchings with photogravure, spitbite, collage, laser - cutting, screenprint, offset lithography, hand painting and Plasticine, 13 × 10 1/2 in.