Sentences with phrase «photomechanical reproduction»

Polke's feeling for the romance of photomechanical reproduction was what first set me to thinking about his relationship with Dalí, who also took an interest in the halftone's dot screen.

Black intaglio printing (etching and drypoint) on white handmade paper and photomechanical reproduction of a drawing

Whilst Khan's mindset is more painterly than photographic, he often employs the tools of photomechanical reproduction to create his work.

Rail: Yes, you were using the garish colors of that period's photomechanical reproduction techniques, which sets you aside from the still rather painterly colors of Warhol, Rauschenberg, Lichtenstein, etc..

Mark Bradford (b. 1961) The World is Flat initialed and dated»M 2007» (on the reverse) billboard paper, photomechanical reproductions, acrylic gel, twine, wrapping paper, carbon paper, silver coated paper and acrylic on canvas 101 1/4 x 142 1/2 in.

Incorporating modified detritus — billboard paper, photomechanical reproductions, wrapping and carbon paper — in its densely accreted, silver - gray surfaces, Ghost Money is a rich representation of urban life that pays particular attention to the «underbelly» economies that are interlaced with social injustices.

Mark Bradford, Potable Water, 2005, Billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media, 130 x 196 inches, Collection of Hunter Gray, Photo: Bruce M. White

Peeling billboard papers or merchant posters, photomechanical reproductions, hairdressing endpapers, newsprint clips, polyester cord: these are Bradford's scavenged ephemera, considered in their regular context to be visual pollution yet decontextualized and altered into art.

Billboard paper, photomechanical reproductions, acrylic gel medium, carbon paper, acrylic paint, rice paper, and additional mixed media; courtesy of the artist and Sikkema Jenkins & Co., New York; © Mark Bradford; photo: Fredrik Nilsen

Mark Bradford, Potable Water, 2005; billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media; 130 x 196 inches; collection of Hunter Gray; © Mark Bradford; photo: Bruce M. White

Billboard paper, photomechanical reproductions, acrylic gel medium, carbon paper, nylon string, and additional mixed media on canvas; 48 x 60 inches; courtesy of the artist and Sikkema Jenkins & Co., New York; © Mark Bradford; photo: Fredrik Nilsen

(1) Mark Bradford The World Is Flat, 2007 Billboard paper, photomechanical reproductions, acrylic gel medium, twine, wrapping paper, carbon paper, acrylic paint, and additional mixed media on canvas 101 1/4 x 142 1/2 inches Collection of Rachel and Jean - Pierre Lehmann Photo: Bruce White (2) Mark Bradford Potable Water, 2005 Billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media 130 x 196 inches Collection of Hunter Gray Photo: Bruce White (3) Mark Bradford Untitled (Shoe), 2003 Billboard paper, acrylic gel medium, and additional mixed media on canvas 30 x 31 1/2 inches The Speyer Family Collection Photo: Bruce White (4) Mark Bradford Pinocchio Is On Fire, 2010 Multimedia installation Dimensions variable Courtesy of the artist and Sikkema Jenkins & Co., New York Photo: Sven Kahns

2003 photomechanical reproductions, acrylic gel medium, permanent - wave end papers and additional mixed media on canvas 72 x 84 in.

Potable Water, 2005; billboard paper, photomechanical reproductions, acrylic gel medium, and additional mixed media; 130 x 196 in.

Value 47, 2009 — 10; billboard paper, photomechanical reproductions, acrylic gel medium, carbon paper, nylon string, and additional mixed media on canvas; 48 x 60 in.

Billboard paper, photomechanical reproductions, acrylic gel medium, carbon paper, acrylic paint, bleach, and additional mixed media on canvas, 94 1/2 x 118 in.

«Strawberry» (2002) photomechanical reproductions, acrylic gel medium, permanent - wave end papers, and additional mixed media on canvas by Mark Bradford 72» x 84»

Not exact matches

The image is a heliotype print, a photomechanical method of reproduction that had recently been invented by photographer Ernest Edwards (1837 - 1903), for whom Darwin had sat for a portrait in 1868.

In Meyer Vaisman's paintings the volumetric stacking of canvases or layering of compositional elements, and the ersatz texturing of surfaces - a photomechanical imprinting of a magnified reproduction of canvas weave borrowed from a commercial Letratone ¨ pattern sheet - parody the modernist ethos about flatness and truth to materials.