Sentences with phrase «photorealism as»

However, this has led many to move on from the strict definition of photorealism as the emulation of the photograph.

In other ways, the notion of photorealism as craft feels oddly passe.

Chartier describes his approach to photorealism as theatrical.

Not exact matches

As in Finding Nemo, definition is more glamorously diffuse in the underwater scenes, though the depth and intricacy of the image always astounds, with above - the - surface details displaying a glassy photorealism.

While the art style goes for photorealism, as do the other games in the series, Rogue doesn't quite get there, especially when it comes to the environments.

«I look at my work as «new realism» rather than photorealism.

The exhibition, «Still Life: 1970s Photorealism» is having its final weekend before the works head back to the Yale University Art Gallery, where they make their home as part of its permanent collection.

Featured artists include Jared Flaming, Antonio Romano, Beau Stanton, and Swoon, as well as renowned photorealism photographers Bob Gruen and Patrick McMullan of rock and roll and nightlife fame, respectively.

«A significant trend in art of the 1970s, Photorealism has sometimes been described since then as a more mechanical offshoot of 1960's Pop art,» according to the Nassau County Museum of Art.

The Guggenheim put it this way: «Pop art, which challenged the principles of Abstract Expressionism by incorporating representational imagery, served as a catalyst for Photorealism,» according to the museum's website.

The issue should be obvious: Presenting Estes (or any photorealist) as a «consummate artisan,» in Adamson's words, emphasizes the gee - whiz, how - did - he - do - that aspect of his technique, as if photorealism were merely a quest for verisimilitude.

Their art is being highlighted as part of a group show presenting American Photorealism at the Nassau County Museum of Art.

The compositions range from graphic - oriented realism with images rich in unmixed color and bound by hard edges, to true photorealism using original photographs as source material.

Q: Photorealism is often disregarded as being all about technique.

The paintings end up looking photographic not because I'm in any sense interested in photorealism but because I want to make a representative painting that's as styleless as possible and the lack of colour also contributes to that.

On view is «From Lens to Eye To Hand: Photorealism 1969 to Today» as well as «Clifford Ross: Light - Waves» and seven curated exhibitions in the museum's permanent gallery suite.

The two - person show of photorealism is as much about artist kinship as it is about the complimentary mix of small paintings by Dike Blair and life - size sculptures by Duane Hanson.

Drawing on techniques familiar of Pop Art, Photorealism, and commercial graphics, the legendary feminist artist Marilyn Minter creates pieces described as both shiny and grotesque, glittering and filthy.

These factors serve as an anchor for L» Origine du Monde # 1 (1992) securing it to four separate events in art history: Dutch Golden Age painting (1665), Early Modernism (1866), Surrealism (1929), and Photorealism (1969), making it resistant to the older generation of artists and their pursuit of a singular style such as Pop art, Op art, Conceptual art and Minimalism.

While his intimate and compulsive attention to detail could be categorised and mistaken for photorealism, Forster prefers to use more ambiguous categories such as the «nearly - photo - realistic» or the «photocopy - realistic,» in an attempt to extend the reading of the work towards the meanings inherent to the medium of drawing, and the particular subject - matter of his choosing.

Photorealism Has the aim of producing hyperrealistc drawings and paintings as typified by the work of Gerhard Richter and Vija Celmins.

Perhaps best known for his photorealism (although he prefers the term «super realism»), the artist captures and recreates tiny details from newspapers and personal photographs alike, even as he constructs more complex compositions.

This other history — one that existed despite (and perhaps to some degree against) the «American hegemonies,» as Algus puts it, of Abstract Expressionism, Pop art, Minimalism, Conceptual art, and Photorealism — is primarily European, and the group of artists he included worked in France, Germany, and Italy.

American painter Denis Peterson, whose pioneering works are universally viewed as an offshoot of Photorealism, first used [4] «Hyperrealism» to apply to the new movement and its splinter group of artists.

The 21st Century saw an emergence of different art movements; as technological development brought new opportunities, new movements have emerged, and many of them could be described as abstract art: digital art, computer and internet art, hard - edge painting, geometric abstraction, appropriation, hyperrealism, photorealism — to mention a few.

As if coming full circle, Close may be said to have reinvigorated the genre of Photorealism just when everyone had assumed it had been relegated to history.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

Brooklyn art dealer Louis K Meisel was one of the first to bring together the trend, defining the style as «Photorealism» in 1969.

Similarly, Photorealism has been closely tied with Minimalism, particularly through the shared sense of order and a clinical method of production that belied any individual traces of the artist's hand, as opposed to the raw expression in the Abstract Expressionists.

It is for this reason that Tompkins deserves to be positioned as both a pioneer of sexually progressive work, but also of formally replete engagements with appropriation, photorealism and abstraction.

The Other nominees for the inaugural year included sculptor Richard Deacon, the collaborative duo Gilbert & George, abstract painter Howard Hodgkin and sculpture and installation artist Richard Long — but unlike his fellow nominees Morley just did not fit into any one particular genealogy; with his connection to Photorealism, or Super-realism — as he named it — later being discarded by the artist in favour of a more expressive method of painting — that critics deemed a kind of Neo-expressionism.

Photorealism and the remnants of «lyrical abstraction» waned as Pattern and Decoration, New Image, and «bad» painting waxed in a Darwinian struggle for philosophical

Heise's paintings can be defined as a mixture of photorealism,...

Created in photorealism and exploring the mouth as the battlefield of the face, the artist's looks at the subject as a sensory organ as well as a means to consume and communicate.

[6][23] This internationalization of photorealism is also seen in photorealist events, such as The Prague Project, in which American and non-American photorealist painters have traveled together to locations including Prague, Zurich, Monaco and New York, to work alongside each other in producing work.

Though the height of Photorealism was in the 1970s the movement continues and includes several of the original photorealists as well as many of their contemporaries.

Photorealism's influence and popularity continues to grow, with new books such as Juxtapoz's 2014 book entitled Hyperreal detailing current trends within the artistic genre.

• Photorealism (1960s, 1970s) A style of painting or sculpture (also known as Hyperrealism or Superrealism) executed in photographic detail.

As a movement, photorealism, sometimes also referred to as Superrealism or Hyperrealism, came to prominence in the United States during the late 1960s and early 1970s, largely as a result of paintings by Chuck Close (b. 1940) and Richard Estes (b. 1936), and the extraordinarily life - like sculpture of John De Andrea (b. 1941), Duane Hanson (1925 - 96) and Carole Feuerman (b. 1945As a movement, photorealism, sometimes also referred to as Superrealism or Hyperrealism, came to prominence in the United States during the late 1960s and early 1970s, largely as a result of paintings by Chuck Close (b. 1940) and Richard Estes (b. 1936), and the extraordinarily life - like sculpture of John De Andrea (b. 1941), Duane Hanson (1925 - 96) and Carole Feuerman (b. 1945as Superrealism or Hyperrealism, came to prominence in the United States during the late 1960s and early 1970s, largely as a result of paintings by Chuck Close (b. 1940) and Richard Estes (b. 1936), and the extraordinarily life - like sculpture of John De Andrea (b. 1941), Duane Hanson (1925 - 96) and Carole Feuerman (b. 1945as a result of paintings by Chuck Close (b. 1940) and Richard Estes (b. 1936), and the extraordinarily life - like sculpture of John De Andrea (b. 1941), Duane Hanson (1925 - 96) and Carole Feuerman (b. 1945).

Richard Hickam's development reveals an underlying dedication to abstraction and confrontation as it follows a non-conformist path from photorealism through unsparingly raw and gestural figuration.

Concurrently, many artists were influenced by photography and relied on the medium in meticulously rendered scenes of everyday life using a hyper - real technique known as Photorealism.

An outgrowth of Pop Art, Photorealism is most closely associated with artists who replicate the highly - focused look of well - composed, sharply - focused photographs, such as Chuck Close, Richard Estes, and Malcolm Morley.

Photorealism is a genre of art whereby artists attempt to reproduce a photograph as realistically as possible.

Also associated with the Verism School of Art, Hanson - along with his younger contemporaries John De Andrea (b. 1941) and Carole Feuerman (b. 1945)- is regarded as the greatest of all 20th century sculptors working in the style of photorealism or hyperrealism.

Photorealism in the hands of Malcolm Morley (who was awarded the first Turner Prize in 1984) emerged in the 1960s as well as the op - art of Bridget Riley.

The Jazz Age movement, known for its sleek depictions of industry that tend to fall just on the romantic side of Photorealism — which mostly subsided in favor of more comforting figural works as the Great Depression (and American Regionalism) rolled in — is the subject of an upcoming survey at San Francisco's de Young Museum.

In 1969, Blackwell began a series of brashly beautiful motorcycle paintings that established him as one of the founders and foremost artists of the Photorealism movement.

Benjamin Eck Gallery for Contemporary Art in Munich shows a spectrum from photorealism to abstract painting, from oversized to small - scale works, in visual and plastic media, objects and sculptures - represented in the works of renowned international artists such as Victor Rodriguez or Clio Newton.

The work received a lot of feedback: Pistoletto, who started under the American influence of «post-pop art» and photorealism, was soon listed by gallery owners and critics in the catalogues as a significant representative of the novel, mostly Italian trend of the Arte Povera.

Photorealism has some connection to 17th century Dutch Realist genre painting - as in Jan Vermeer's street scenes, with their meticulous detail and high gloss finish are highly realistic.