Showcasing the works of
photorealists Robert Bechtle, Richard Estes, John Salt, and several others, Bernarducci Meisel Gallery is a proud host of a great exhibition this fall.
Titled «Questioning Reality — Pictorial Worlds Today,» the exhibition provided what is perhaps the most exhaustive account of pictorial photorealism, gathering the art of American
Photorealists Robert Bechtle, Chuck Close, Robert Cottingham, Don Eddy, Richard Estes, Ralph Goings, Howard Kanovitz, Malcolm Morley, John Salt and Ben Schonzeit.
Each of the 12 new charcoal drawings in the pioneering
photorealist Robert Bechtle's latest show is a meticulously rendered view of an empty suburban street in Northern California.
Not exact matches
The fair has become more up - to - date than it used to be, with solo shows by established contemporaries like the
photorealist painter of suburban ennui
Robert Bechtle, at Gladstone, whose booth happily turns out to be opposite Fraenkel's, where there is a similarly moody selection of photographs of residential development in the American West by
Robert Adams.
This installment of the New Work series presents recent compositions by leading
photorealist painter
Robert Bechtle — 32 years after the San Francisco — born artist's first exhibition at SFMOMA.
The exhibition was dominated by such American
Photorealists as Ralph Goings, Chuck Close, Don Eddy,
Robert Bechtle and Richard McLean; but it included such influential European artists as Domenico Gnoli, Gerhard Richter, Konrad Klapheck, and Roland Delcol (fr).
Robert C. Morgan, «Audrey Flack: A Journey of Awakening,» in Audrey Flack: Abstract Expressionist to
Photorealist, Paintings from 1949 to 1977.
It has a European collection strong in Renaissance and 19th - century French paintings, while its modern and contemporary art department (containing an important Bauhaus resource) features some 4,500 works by artists including Man Ray,
Robert Motherwell, Philip Guston, and John DeAndrea (notably his
photorealist sculpture, Linda).