Intended as a publication maquette, the original pasteup (owned by the Metropolitan Museum of Art) is composed of eighteen 8 1/2 x 11 «sheets of paper collaged with xeroxed photos and texts, typed text on notebook pages, handwriting, and tape; in the version exhibited here, these pages were reproduced as
photostats on nine 20 x 24» panels.
Not exact matches
For reproduction purposes nothing more than a
photostat in black and white of the original strip was required (composed of black ink
on white paper).
Cut and pasted printed, colored and metallic papers,
photostats, graphite, ink marker, gouache, watercolor, and ink
on Masonite.
Cut and pasted printed, colored and metallic papers,
photostats, graphite, ink marker, gouache, watercolor, and ink
on Masonite panels.
Romare Bearden (1911 - 1988) The Prevalence of Ritual: Conjur Woman, 1964 gelatin silver print (
Photostat)
on fiberboard 35 1/8» x 28»
To hone his composition skills, Bearden made duplicates of European masterworks
on a
Photostat machine.
ROMARE BEARDEN, «Evening 9: 10 461 Lenox Avenue,» 1964 (
Photostat mounted
on fiberboard).
A large
photostat projection adapted from a small collage, the work is featured in «Project Gallery: Romare Bearden,» an exhibition of 21 black - and white - works the artist produced in 1964, which is
on view through June 26.
They didn't agree
on what their position should be, or even how it should be dealt with in art, as two contrasting, rarely seen examples displayed here posit: Bearden's figurative
photostat collages and abstract paintings by Norman Lewis.
He enlarged his initial sketches as
photostats, traced them
on gessoed panel, and completed an oil painting with a thinned color as if it were a watercolor.
In addition to guerilla receptions
on the street, this exhibition highlights the so - called «alternative spaces» where different versions and different printings of Holzer's posters also appeared in installations of window - bound, street - facing
Photostats that were accompanied by sound installations: these included Franklin Furnace (1978), Fashion Moda (Bronx)(1979), and Printed Matter (1979).
Photostat (a); Pen and colored inks, correction fluid, and graphite pencil
on paper (b); Pen and colored inks and graphite pencil
on paper (c), overall (framed): 22 × 53 7/8 in.
On February 21st, Cardi Gallery (organised in collaboration with the Estate of Fred Sandback) presents a solo exhibition of 8 sculptures, drawings and
photostats by the American artist Fred Sandback,...
Distinguished Columbia University Professor Robert O'Meally will discuss the work of Romare Bearden and his series of
photostat projections which were produced in 1964 and are currently
on view at PAMM.
[3] Bearden's collage techniques changed over the years and in later pieces, he would use blown - up
photostat photographic images, silk - screened, colored paper, and billboard pieces to create large collages
on canvas and fiberboard.
[3] Building
on the momentum from a successful exhibition of his
photostat pieces at the Cordier and Ekstrom Gallery in 1964, Bearden was invited to do a solo exhibition at the Corcoran Gallery of Art in Washington, D.C., which increased his public profile.
Apart from spending money
on the visa, you will also have to spend money
on attestations and
Photostats.